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An essay on character development
An essay on character development
An essay on character development
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From the novel Corkscrew by Dashiell Hammett, written in 1925, we see many different writing techniques. We see various symbols that show the despair of the town. The sentence structure helps identify the important points in the passage giving an in depth description of the scene and evoking a sense of urgency at times, and the author successfully uses foreshadowing to catch the reader’s attention. The author uses diction and imagery to create the image of a town filled with an unknown evil, and the struggles of the new sheriff trying to figure out what is going on.
The author uses symbolism to describe the aura of the town, creating an oppressive atmosphere for the reader. The oppressive heat tells the reader that the town is hiding something,
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or that something is strange here. The man decided the car was “Boiling like a coffeepot…” (l.1), as they were driving in, and feels as though the heat will cause them to “…all blow up…” (l.11), it is extremely hot. It is clear that the heat exists for a symbolic purpose, to show the oppression of the town before we even enter it, making it seem as though something already rules over the people inside. The way the town is described also incorporates a strong sense of symbolism. The man describes it as empty “No person was in sight” (l.23-24), and the town was so small that calling it a “…village would be flattery; fifteen or eighteen shabby buildings slumped along the irregular street…” (l.19-20). Any of the former glory the town might of held is clearly diminished, the buildings not only few, but also looking tired, or old. The town is seen first as an empty desolate place, somewhere that few people would dare to live, a depressed landscape painted by an artist lost in a sea of pain. The town is described as a dirty place, giving us a look into the hidden attributes of the people within it. The dirt on the outside is symbolic of a dirt that is much harder to clean away, a dirt hidden within. Even the simple task of washing is consider useless because you would simply be dirty again “… water won’t do you no good. You won’t no sooner drink and wash than you’ll be thirsty and dirty all over again” (l.35-37). It is a reminder that if you only clean the outside of your body, then you will never truly be clean. The fact that the dirt is forever exist on the outside of the bodies of the people in the town, seems to indicate a hidden type of dirt, like the people have done things that they keep hidden, that no one can see. Hammett uses sentence structure to give us insight into the officer’s thoughts and highlight little things as important.
The driver is shown as knowing the area when they enter Corkscrew, as within minutes of arriving in the town he “…vanished into a building labelled Adderly’s Emporium” (l.25).The lack of desire for communication with the officer is clear as: “The driver felt as little like talking as I” (l.3). The short sentence provides emphasizes, telling us that this statement is important, and gives the impression that the people in the town are either not very accepting to new people, or they are hiding something that they do not want anyone else to know. The driver may very while be the reason that his identity was revealed rather quickly, which makes the reader uneasy. Not long after he enters the Canon House, he discovers that “Somebody had kept my secret right out in the open!” (l.58).The sentence has only one point revealed, is short and clearly desires notice. In fact, it is written as its own paragraph, but the fact that this sentence is seen as important indicates that this secret being revealed so soon will have a large effect on this story, especially if the town is hiding something that they do not want a police officer to …show more content…
know. Everyone appears to know something that the officer does not, and they avoid conversation or acceptation of the new guy in town as if they are hiding something.
The people in this area are seen as secretive, including the driver, and the police officer is determined to find out what it is they are hiding. We see that the officer himself suspects something is wrong in this town when he starts to arm himself. : We see that the officer arms himself not only visibly but he also thinks it is important to keep some things hidden: “Their smallness let me carry them where they’d be close to my hands without advertising the fact that the gun under my shoulder wasn’t all my arsenal” (l.67-69). This provides the description we need to know not only what he was doing but why. The officer knew something dangerous was afoot, otherwise he would have been unlikely to feel the need to hide some guns, as he clearly does here. Corkscrew must be hiding something if he already felt that something was off in this
town. The welcome he received even before his identity is revealed also indicates something off about this town. When he first enters Canon House, we see how the cashier did not even try to make him feel welcome, in fact he “sat on a stool and pretended he didn’t see [him]” (l.33). This unwelcoming behaviour shows how visitors are not wanted, and tells the reader that the people are not exactly friendly. It is clear that something is being hidden, otherwise the manager of the inn would not take kindly to this blatant disrespectful of costumers. We see some characters that do not appear to fit into this small town, despite the way the others seem to accept them. There were two people he saw that did not fit “a thin girl of maybe twenty-five… You’ve seen her, or her sisters, in the larger cities, in the places that get going after the theaters let out” (l. 50-51, 52-53). He indicates that this girl is some type of prostitute, someone who gives herself to men in exchange for something. The other suspicious person is “a slim lad in the early twenties, not very tall… His features were a bit too perfect in their clean-cut regularity” (l.54-56). The man is described as someone from “range country” (l.54), indicating that he may be some type of farmer, but it seems unlikely that plants grow in this desolate wasteland. This man is with the prostitute, and the police officer immediately identifies them as people who do not belong. The police officer immediately arms himself after he cleans himself off. We see how he “… stowed a new .32 automatic” (l.66). He is getting ready for battle, telling us that he is already expecting one soon. The author has proven through these methods that the town is hiding something, but also that the officer is ready for the battle. Already, the officer knows that the knowledge of a police officer coming there and disrupting things will likely not sit well with many in the town, and it appears that the officer knows that as we watch him arm himself. Through skillful foreshadowing, strong symbolism, and thoughtful sentence structure, we see that there is more to come, and Hammett has made sure that the officer is ready for it. Hammett has made it no secret that something is happening here, the only question is what?
In an excerpt from “In Cold Blood”, Truman Capote writes as an outside male voice irrelevant to the story, but has either visited or lived in the town of Holcomb. In this excerpt Capote utilized rhetoric to no only describe the town but also to characterize it in order to set a complete scene for the rest of the novel. Capote does this by adapting and forming diction, imagery, personification, similes, anaphora, metaphors, asyndeton, and alliteration to fully develop Holcomb not only as a town, but as a town that enjoys its isolation.
Every novel embodies symbols that impute different elements of the plot and characters, though some symbols are right at the surface while others must be dug up from the core. The author of How To Read Literature Like a Professor, Thomas C. Foster, discusses symbols in his novel and states “They are what provide texture and depth to a work; without them, the literary world would be a little flat” (243). A symbol that is prevalent in The Shipping News, written by Annie Proulx, is the knot, as visually displayed all throughout the novel. The Shipping News discusses social and emotional change, along with growth, which all can be symbolized by the knot. While knots habitually symbolize conjointment, the implications of knots in this book symbolize strengths and weaknesses, past and present, as well as emotional and social change.
For the first two paragraphs, ominous and abstract diction, such as “uneasy”, “ominously”, and “roamed” is used to describe “the victim's” feelings towards the wind (paragraphs 1-2). This creates a tense, uneasy tone that hints towards the idea that the winds are supernatural. Her diction changes as the third paragraph progresses. Here, it goes from supernatural tone to one of well researched analysis. This is assisted by the use of specific terms like “foehn”, “surgeons”, and “ions”, which are words that are not ominous, but specific and scientific. It is also a turn in tone from the mystical “folklore” paragraphs into ones that are not speculative. The overall mood of the remains ominous and uneasy, despite the fact that the cause of everybody’s discomfort is disclosed to some degree at the end. Because this disclosure is not very thorough and people’s reactions are so strange, the mood stays the same as the tone of the first two
2. Facts: On July 2016, a group of six people, including Captain Eric Wilson, was in Fort Collins heavily drinking at a friend’s bachelor party. Captain Wilson broke into an SUV that he believed to be one of his friend’s, Mike. After waiting for Mike for some time, Captain Wilson decided to hot-wire the car and drive home. While driving home, Captain Wilson was intoxicated to the point of swerving and killing an innocent bicyclist. After getting out of the vehicle
...g their own graves and being shot in them. He then talked about being surrounded by death with no escape. He was foreshadowing the Nazis coming to Sighet. The part about death being around you with no escape meant everyone will lose someone or be around a lot of death, there is no escaping it. He added this because he wanted to show throughout the book they had chances to of escaped. The next example of foreshadowing is when the Mother had a “premonition of evil” and saw two unfamiliar faces in the ghetto. This foreshadowed the evil to come from the Nazis. The two people were SS Officers and the Gestapo (Secret German Police). The final example is on the train to Auschwitz and Madame Schachter has visions of fire. She says she sees “great fire” in the distance. She is foretelling of the crematorium in Auschwitz where Jewish people are being burned.
According to a website created through Weebly, the anonymous author points out that there were several descriptive forms of imagery used during the first few chapters. One example the author utilized from the book was Susie's description of her own personal heaven (Style & Figurative Language); she described it as, "...large, squat buildings spread out on dismally landscaped sandy lots, with overhangs and open spaces to make them feel more modern" (Sebold 16). Sebold used descriptive language in order to paint a picture in the reader's mind of what heaven looked like through Susie's eyes; after further analysis, the reader can conclude that Susie's heaven resembled the town she used to live in back on Earth. Another example used by the author of the website was when Susie described her murderer, George Harvey (Style & Figurative Language); she states, "...he wore his own innocence like a comfortable old coat" (Sebold 26), and "...as his consciousness woke, it was as if poison seeped in" (Sebold, 58). The author used these examples of imagery to highlight how Mr. Harvey denied his own guilt and appeared unbothered with the knowledge that he was a murderer; in reference to the quote from page 26, the reader can tell by its description that Mr. Harvey was a cowardly man who wore a mask in order
As a contrast to the humanity portrayed by Mr. Mead, Bradbury has mirrored the characteristics of progress in the police car. The car, as well as Mr. Mead, is associated with light. The light of the car, however, displays the absence of humanity. Rather than the "warm" light of Mr. Mead, the car possesses a "fierce" and "fiery" light that holds humanity "fixed" like a "museum specimen"--something from the past that should be looked at behind an impersonal plate of glass (105-06). When not holding humanity captive, the car's lights revert to "flashing ... dim lights," showing the absence of any real soul (106). The car is representative of several modern inventions, thereby embodying mankind's advancement. It is itself a robot, and it speaks in a "phonograph voice" through a "radio throat" (105-06).
During the story the author often uses foreshadowing to give hints to the reader of things that will happen in the future. When the story starts, a storm is coming on a late October night. The storm symbolizes the evil approaching the town. Usually it seems a storm would resemble something dark and evil, because a stormy night is always a classic setting for something evil. At the climax of the story, Charles Halloway reads a passage ...
This also ties in with the theme of supernatural. Irving also describes, “ There was a contagion in the very air that blew from that haunted region; it breathed forth an atmosphere of dreams and fancies infecting all the land” (Irving 1). This helps us readers imagine the atmosphere and the theme of supernatural within the town. The mentioning of the hauntings brings up the past once
The inclusions of gothic conventions of the same variety create a gothic genre for the novel. The use of the weather in the form of pathetic fallacies is particularly important in the way this forms the novel to be gothic. As the description of the weather evokes an atmosphere of suspense and the many connotations associated to the weather in particular the stereotype...
For a writer, stylistic devices are key to impacting a reader through one’s writing and conveying a theme. For example, Edgar Allan Poe demonstrates use of these stylistic techniques in his short stories “The Masque of the Red Death” and “The Fall of the House of Usher.” The former story is about a party held by a wealthy prince hiding from a fatal disease, known as the Red Death. However, a personified Red Death kills all of the partygoers. “The Fall of the House of Usher” is about a man who visits his mentally ill childhood companion, Roderick Usher. At the climax of the story, Roderick’s twin sister, Madeline, murders him after he buries her alive. Edgar Allan Poe’s short stories employ the stylistic decisions of symbolism, dream-like imagery, and tone to affect the reader by furthering understanding of the theme and setting and evoking emotion in readers.
In the first scene when Cameron is introduced, two white cops get a call about a stolen car. The openly racist cop, Officer Ryan, pulls over Cameron and Christine’s Lincoln Navigator, although it is obvious that their Navigator is not the stolen vehicle. The cop thinks he sees the couple participating in a sexual act while driving. When he approaches the car to ask for registration and license, Cameron and Christine laugh and find the whole situation humorous. Officer Ryan then asks Cameron to step out, and although Cameron obeys, he acts confused. He is obviously not drunk or wanting trouble (in the movie it even states that he is a Buddhist), and he declares that he lives only a block away. When his wife comes out of the car protesting the absurdity of the stop, the officer tells both of them to put their hands on the car so he can check for weapons. The cop then humiliates Christine by feeling her up between her thighs while Cameron is forced to stand by and watch. In this scene, Cameron does not protest but unbelievingly stares at what is happening to his wife. He is in a vulnerable situation because if he objects, he and his wife could be arrested and his reputation ruined. When the police ask Cameron what he should do with what they did in the car he slowly says, “Look, we’re sorry and we’d appreciate it if you’d let us go with a warning, please.
The symbols that are used in literature can have a large impact on the story and what the reader pulls out from the story. If there was no symbol used in To Kill a Mockingbird, people would miss a lot of the story going on and they may not see the more innocent side of the story. Although symbols are used in many different forms, the one used in To Kill a Mockingbird made the story what it was. The mockingbird gave the story a whole different approach. By using a symbol in the story, the author was able to make th...
“You know, you have to move fast or face the consequences,” said the officer after a dozen passengers moved out of earshot. Frank’s head shook in disbelief. Eyes were everywhere. He played cool. He hated the way the officer smelled, like wet dirty clothes worn for more than they should.
A virtuoso of suspense and horror, Edgar Allan Poe is known for his Gothic writing style. His style is created through his use of punctuation, sentence structure, word choice, tone, and figurative language. Punctuation-wise; dashes, exclamation marks, semicolons, and commas are a favorite of Poe. His sentences vary greatly; their structures are influenced by punctuation. Much of his word choice set the tone of his works. Figurative language colors his writings with description. Such is observed in the similarities between two of his most well-known short stories, “The Cask of Amontillado” and “The Tell-Tale Heart”