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What is los angeles notebook by joan didion about
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Meaning/Main Idea - The meaning of Joan Didion’s The Los Angeles Notebook may seem like it is only about the foehn. While this may hold true when the passage is read at face value, further analysis shows that due to the very abstract language, she is shooting for a deeper meaning. This deeper meaning is shown when she mentions that living in Santa Ana exposes her to a “deeply mechanistic view of human behavior” (paragraph 1). This changes the meaning of the whole passage from describing the foehn to expressing the mechanical aspects of human behavior that are shown due to the wind. These mechanistic behaviours vary from how the everyone she meets knows that the wind is coming (paragraph 1) to the strange behaviour of her neighbors (paragraph …show more content…
She starts the essay by broadly describing the supernatural and odd effects of the winds. While doing this, she is using an ominous tone, so all the reader knows is that some wind comes and makes people uncomfortable. As the essay progresses, the description of the wind also progresses. In the second paragraph, the audience is shown the effects of the wind, yet the name of the wind is still not revealed. Finally, in the middle of the third paragraph Didion reveals the name of the wind, the foehn, and describes why it does what it does. This broad to narrow structure is what also gives the essay such an ominous tone. This allows the reader to make up what they think causes this, while slowly revealing what actually is. Her purpose of informing the reader is completed because the information about the wind is still revealed, just in a more dramatic way. It also helps her implicit purpose of entertainment because the slow build up and uneasiness from the slow build up keeps the reader hooked and entertained, since they don’t know the reason that this is happening right …show more content…
For the first two paragraphs, ominous and abstract diction, such as “uneasy”, “ominously”, and “roamed” is used to describe “the victim's” feelings towards the wind (paragraphs 1-2). This creates a tense, uneasy tone that hints towards the idea that the winds are supernatural. Her diction changes as the third paragraph progresses. Here, it goes from supernatural tone to one of well researched analysis. This is assisted by the use of specific terms like “foehn”, “surgeons”, and “ions”, which are words that are not ominous, but specific and scientific. It is also a turn in tone from the mystical “folklore” paragraphs into ones that are not speculative. The overall mood of the remains ominous and uneasy, despite the fact that the cause of everybody’s discomfort is disclosed to some degree at the end. Because this disclosure is not very thorough and people’s reactions are so strange, the mood stays the same as the tone of the first two
Joan Didion uses words such as ‘eerie’, ‘depression’, and ‘unnatural’ bringing an unsettling and serious tone. Didion reflects this uneasiness on the people and how as Santa Ana nears, it affects them. “I have neither heard, nor read that a Santa Ana is due, but I know it, and almost everyone I have seen today knows it too. We know it because we feel it. The baby frets. The maid sulks (Didion).” As Santa Ana looms closer the people living in the area get a strange sensation, almost self preparing themselves for the worst. Linda Thomas however describes the atmosphere in a different light. Thomas uses words such as ‘undisturbed’, ‘undamaged’, and ‘natural’ bringing a more casual and normalized tone. “I awoke to air so dry that the graze of my nightgown against the down comforter created tiny orange sparks… And as I make the drive to work, I find myself beneath a smoky sky the color of fire (Thomas).” The self knowing that Santa Ana is there, just like with Didion, but there is no strange feeling present. It is almost as if the presence of Santa Ana is not bothering and
Every story, every book, every legend, every belief and every poem have a reason and a background that creates them. Some might be based on historical events, some might be based on every culture´s beliefs, and some others might be based on personal experiences of the authors. When a person writes a literary piece, that person is looking for a way to express her opinion or her feelings about a certain situation. A good example is the poem “Southern Mansion” by Arna Bonptems. The main intention of “Southern Mansion” could have been to complain, or to stand against the discrimination and exploitation of black people throughout history. However, as one starts to read, to avoid thinking about unnatural beings wandering around the scene that is depicted is impossible. The poem “Southern Mansion” represents a vivid image of a typical ghost story which includes the traditional element of the haunted house. This image is recreated by the two prominent and contradictory elements constantly presented through the poem: sound and silence. The elements are used in two leading ways, each one separate to represent sound or silence, and together to represent sound and silence at the same time. The poem mixes the two elements in order to create the spooky environment.
Even from the first paragraph, Hurst's use of vocabulary evokes an emotional response to the story line. His word choice as the narrator describes his surrounding and hints to a fatal event that awaits the reader's attention. Hurst uses words and phrases such as “dead autumn,” “rotting brown magnolia,” “graveyard flowers.” The last sentence, “...speaking softly the names of our dead” adds one final melancholy statement (91). The imagery throughout the paragraph helps to imagine an eerie swamp land surrounded by death and depressing memories. This melancholy setting foresha...
In the first two lines, an aural image is employed to indicate a never-ending anger in the girl's father. Dawe uses onomatopoeia to create a disturbing and upsetting description of his enraged "buzz-saw whine." An annoying, upsetting sound, it gives the impression of lasting ceaselessly. His anger "rose /murderously in his throat." Because "murderously" begins on a new line, a greater emphasis is placed on it and its evil and destructive connotations. An image of a growling lion stalking its prey is evoked in the reader, as it threateningly snarls from its throat. The girl is terrified as it preys on her persistently "throughout the night." Furthermore, because there is no punctuation, these few lines are without a rest, and when reading out aloud, they cause breathlessness. This suggests that the father's "righteous" fury is ceaseless and suffocating the girl.
Bestial imagery is used to convey the monstrosity that is the Windigo. The “hackles of dry brush,” while the dog creeps off into the “deepest part of the woods” signals the threatening presence looming (Erdrich, “Windigo” 4-6). “You [see] me drag toward you,” the Windigo says to the child as the reader sees its “pale, melting fur” (Erdrich, “Windigo” 12, 15). It is important to note, while sight is an integral part in horror, arguably even more important, is the utilization of sound. The reader can hear the flapping of the towels “on the hooks,” and the dog creeping off, “groaning, to the deepest part of the woods,” as well as the Windigo speaking to the child “in the hackles of dry brush [as] a thin laughter started up” (Erdrich, “Windigo” 3-6). Through the cold trees, the Windigo says, “New one, I have come for you, child hide and lie still” (Erdrich, “Windigo” 10). Although Erdrich makes great use of both sight and sound, what makes Windigo even more frightening is Erdrich’s usage of the senses touch and taste. “Oh touch me, [the Windigo], murmur[s]…lick[ing] the soles” of the child’s feet, as the child “dug [her] hands into the Windigo’s “pale, melting fur” (Erdrich, “Windigo” 14-15). The Windigo steals the child away, “a huge thing in [its] bristling armor,” as “steam rolled from [its] wintry arms, each leaf [shivering] from the bushes [they] passed
The Santa Ana winds cause people to act more violently or unruly and makes others irritable and unhappy to a great extent. Joan Didion explains to the reader about how the Santa Ana affects human behavior in her essay “Los Angeles Notebook.” Through the use of imagery, diction, and selection of detail Didion expresses her view of the Santa Ana winds.
She describes the ominous changes that occur right before a Santa Ana struck, “eerie absence of the surf”, “surreal heat”, etc (Didion 2). This imagery provides a clear picture of the malicious change in Los Angeles. To convey disorder and corruption, Didion states one would be woken up to the sound of “peacocks screaming in the olive trees” (Didion 2). Peacocks, normally perceived as regal and elegant scream in contrast to this. Being that the olive tree is a symbol of peace, these two contrasting ideas evoke a sense of confusion. Didion describes how she will “see black smoke back in the canyons, and hear sirens in the night”. Her use of sensory words such as “hearing” and “see”, ignite the 5 senses. The reader can picture the smoke through her words. “Hearing sirens” gave us a sense of danger and this was something Didion wanted to express. The fear and anguish expressed through Didion’s imagery evokes pathos from her
“Death could so easily rise up” and “boyish afternoon, billow up like fog” describe how powerful the language is because figurative language is used to produce an effect on the excerpt making the language be powerful. Figurative language is used to reveal the hidden meaning. The writer compared violence to rain and fog., and this comparison makes the language powerful. Violence might be compared to those because rain and fog come unexpectedly, and when they come they will not leave right away, instead it will take some time to let fog and rain vanish. Rain is compared to violence because sometimes rain is thick and powerful just like violence. Fog instead avoid people from seeing far away. Rain and fog combined are compared to violence because violence is unexpected just like fog making people not able to see what is yet to come, and as well it is powerful just like thick rain. At the same time “bodies were enslaved by a tenacious gravity” meaning that some people were enslaved, separated from the rest of the World. The passage also shows that there are “two planets” and they orbit in their spheres, so that they will never collide and
“The very winds whispered in soothing accents, and maternal nature bade me weep no more” (77).
During the story the author often uses foreshadowing to give hints to the reader of things that will happen in the future. When the story starts, a storm is coming on a late October night. The storm symbolizes the evil approaching the town. Usually it seems a storm would resemble something dark and evil, because a stormy night is always a classic setting for something evil. At the climax of the story, Charles Halloway reads a passage ...
The main setting is Dr Roylot's house in the middle of a wild, stormy night. This immediately creates a sense of uneasiness in the readers mind. In his description of the storm, Conan Doyle uses sounds to very good effect. He talks about the howling wind and the rain beating on the windows. This language has a double impact because the words `howling' and `beating' are onomatopoeic.
It begins with Didion as a 20-year-old arriving at old Idlewild Terminal, this is when she gets her first impression of New York City. This is the first miscommunication that occurs she is still under the illusion of what New York is. “The warm air smelled of mildew and some instinct, programmed by all the movies I had ever seen and all the songs I had ever read about New York, informed me that it would never be quite the same again.” I think Didion did a fantastic job in giving details of her first experience and the knowing at that moment things will be different. Afterward,she becomes ill and she gets lost in miscommunication. “It did not occur to me to call a doctor, because I knew none, and although it did
To begin, the story opens with a family receiving a visit by a stranger on a November evening. Since the author uses words like “chill, damp, deepening dusk” (Oates 325) to describe the condition of the
The author selects techniques of diction such as connotation, repetition, and onomatopoeia, to establish the fear is the overall excerpt. He manipulates connotation to enhance the mood. As the character is driven about the midnight landscape by the mysterious coachman, he notices the “frowning rocks” hanging over the road, a “ghostly flicker” of blue light which he cannot explain and off in the distance the “long agonized wailing” of dogs. The word “frowning” allows us to see that this is no happy setting, even the rock that cannot feel is frowning and not smiling. The author uses the word ghostly to describe the flicker of light. Light usually portrays a saving or some sign of hope. By using ghostly as a descriptive word, he makes it seem supernatural or like it’s faintly there. If he wanted this to be a sign of hope he could have worded it a flickering light, but he did not causing the character to feel fright and no hope. The utilization of repetition by Stoker applies reinforcement to the atmosphere. Throughout the excerpt the narrator continues intensifying the effects by also repeating phrases such as “another and another.” By repeating these words the reader is being reminded of the alien emotions and surroundings of such a strange place. The use of intensifying repetition strengthens the negative connotation words following directly before or afte...
It is said that this book is considered as one of the most famous horror novels, if not the most famous one. The Gothic descriptions in the novel are very prominent at the beginning. The portrayal of the countryside of Transylvania, of the ruined Dracula Castle, etc, all provide the effect of horror in the sense of spooky and gloomy atmosphere, which you can obtain close at hand. Everything is so obvious. The originally beautiful scenes are changed by the writer¡¯s magnification of some specific details which provide certain effect on the readers. All of the above reminds how one¡¯s personal feelings can alter their attitudes towards what they see or what they experience. Sometimes when you are sad, everything look so depressing. It is like the whole world is against you. The sunset could be a fantastic scene when you are filled with joy but an extra source of sorrow when you are not in the mood. Harker is separated from her lovely fianc¨¦e to meet some foreign count in the exotic and unknown eastern world.