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Cultural differences between the us and native americans
Cross-cultural differences and Native Americans
Cultural differences between the us and native americans
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The Journey to Self Discovery
Death and life are contrasting points of view while discovery seems to be the main point in Joan Didion’s essay “On Going Home and, N. Scott Momaday’s essay The Way to Rainy Mountain. For Joan Didion, returning home is a source of comfort, confusion, and conflict. The life she lives with her husband and child are a world apart from the life she grew up in. Her memories are a part of who she is and the kind of mother and wife she hopes to be. Perhaps in her quest, she will find the best parts of her to pour into her new life. In contrast, N. Scott Momaday’s “home” is his grandmother. She encompasses all that he came to know and love. The Kiowa traditions were brought to life in her home through her beadwork, cooking, storytelling, and prayers. Her death is a turning point in his life which sends him on an adventure to discover his Kiowa roots.
Joan Didion’s goal in going home was to share her daughter’s first birthday with her family and hopefully give her a sense of home. At least a sense for the “normal, happy” home she grew up in. Didion’s family hasn’t changed in all the years she’s been gone. The dust hasn’t moved, the conversation hasn’t changed, and their reaction to her husband hasn’t changed. Her brother calls him “Joan’s Husband” and she refers to her marriage as the “classic betrayal.” By bringing an outsider into the family she risks the relationships and family dynamic she has with her mother, father, and brother. She has brought an outsider into the family environment. He is hardly noticed when she brings him over. He writes DUST (1419) in the dust on surfaces in the house which goes unnoticed. Joan Didion faces her childhood memories head on while she empties a drawe...
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... the desire to find out who he is. A Kiowan by birth connected to his ancestors through his grandmother and her love of her people. By the end of Joan Didion’s quest to face the past, she realizes she doesn’t have to create the same life that she had for her daughter. Didion holds on to the things that bring her joy, such as her grandmother’s tea cups, and gets rid of the things she can’t control. She realizes that she can create memories for her daughter through giving her the love and time she needs. She wants to allow her daughter to experience being a kid without having to please anyone. “...would like to pledge her picnic on a river with fried chicken and her hair uncombed, would like to give her home for her birthday.” Because she can’t offer those things to her because of how they live, she gives her a xylophone and promises to tell her a funny story.
In the essays "You Can Go Home Again" by Mary TallMountain and "Waiting at the Edge: Words Towards a Life" by Maurice Kenny, both writers are in search of something. Throughout their lives, they 've been mocked and felt out of place due to their Native American heritage. Both authors wanted to disown their heritage; however, it is through this attempted renunciation, that both authors wanted to fit in amongst their peers. In order to do so, TallMountain and Kenny had to search for their selves. Both, TallMountain and Kenny, search for their identity through family, school, and nature.
... seeing and feeling it’s renewed sense of spring due to all the work she has done, she was not renewed, there she lies died and reader’s find the child basking in her last act of domestication. “Look, Mommy is sleeping, said the boy. She’s tired from doing all out things again. He dawdled in a stream of the last sun for that day and watched his father roll tenderly back her eyelids, lay his ear softly to her breast, test the delicate bones of her wrist. The father put down his face into her fresh-washed hair” (Meyer 43). They both choose death for the life style that they could no longer endure. They both could not look forward to another day leading the life they did not desire and felt that they could not change. The duration of their lifestyles was so pain-staking long and routine they could only seek the option death for their ultimate change of lifestyle.
Grief played a large role in the lives of the Boatwright sisters and Lily Owens. They each encountered death, injustice, and sadness. Grief impacted and left an imprint on each of them. Grief proved fatal for May. August knew that grief was just another aspect of life; that it had to be accepted and then left in the past. June and Lily learned to not let grief rule their lives. Life is not inherently good or bad – events not solely joyful or grievous – it is glorious in its perfect imperfection.
This blues poem discusses an incredibly sensitive topic: the death of Trethewey’s mother, who was murdered by her ex-husband when Trethewey was nineteen. Many of her poetry was inspired by the emotions following this event, and recounting memories made thereafter. “Graveyard Blues” details the funeral for Trethewey’s mother, a somber scene. The flowing words and repetition in the poem allow the reader to move quickly, the three-line stanzas grouping together moments. The poem begins with heavy lament, and the immediate movement of the dead away from the living, “Death stops the body’s work, the soul’s a journeyman [author emphasis]” (Tretheway 8, line 6). Like the epitaph from Wayfaring Stranger, Trethewey indicates that the dead depart the world of the living to some place mysterious, undefined. The living remain, and undertake a different journey, “The road going home was pocked with holes,/ That home-going road’s always full of holes” (Trethewey 8, line 10-11). Trethewey indicates that the mourning is incredibly difficult or “full of holes”, as she leaves the funeral and her mother to return home. ‘Home’ in this poem has become indicative of that which is not Trethewey’s mother, or that which is familiar and comfortable, in vast contrast to the definition of home implied in the
... loss of loved ones like Junior in The Absolutely True Diary of a Part-Time Indian and Andi in Revolution or faced your own inevitable passing like Hazel Grace in The Fault in Our Stars, you are not alone. In confronting and facing death, these characters learn that death is merely a small part of living. It is an element of the human experience. To return to the wise words of the late Steve Jobs, “Almost everything – all external expectations, all pride, all fear of embarrassment or failure- these things just fall away in the face of death, leaving only what is truly important…There is no reason not to follow your heart.” Living is the adventure. In facing their fears and sadness, these characters learn how to be courageous, how to hope, how to love, and how to live. Join them on their journeys by checking out one of the spotlighted books at your local library.
Change is one of the tallest hurdles we all must face growing up. We all must watch our relatives die or grow old, our pets do the same, change school or employment, and take responsibility for our own lives one way or another. Change is what shapes our personalities, it molds us as we journey through life, for some people, change is what breaks us. Watching everything you once knew as your reality wither away into nothing but memory and photographs is tough, and the most difficult part is continuing on with your life. In the novel Ceremony, author Leslie Silko explores how change impacted the entirety of Native American people, and the continual battle to keep up with an evolving world while still holding onto their past. Through Silko’s
N. Scott Momaday, shares the cultural background of the Kiowa tribe in “The Way to Rainy Mountain”. He is a long descendent that has no experience with the tribe during their traditional era but from the stories he has heard from his grandmother, he feels more connected to the Kiowa culture. He spreads light about who the Kiowas were and described who his grandmother was as well. With the experiences he shared with his grandmother, likely influenced the person he is today. In the end he is happy and proud of who his grandmother was and will remain even after death.
Through an intimate maternal bond, Michaels mother experiences the consequences of Michaels decisions, weakening her to a debilitating state of grief. “Once he belonged to me”; “He was ours,” the repetition of these inclusive statements indicates her fulfilment from protecting her son and inability to find value in life without him. Through the cyclical narrative structure, it is evident that the loss and grief felt by the mother is continual and indeterminable. Dawson reveals death can bring out weakness and anger in self and with others. The use of words with negative connotations towards the end of the story, “Lonely,” “cold,” “dead,” enforce the mother’s grief and regressing nature. Thus, people who find contentment through others, cannot find fulfilment without the presence of that individual.
Leslie Marmon Silko is a Native American from New Mexico and is part of the Laguna tribe. She received a MacArthur "genius" award and was considered one of the 135 most significant women writers ever. Her home state has named her a living cultural treasure. (Jaskoski, 1) Her well-known novel Ceremony follows a half-breed named Tayo through his realization and healing process that he desperately needs when he returns from the horrors of World War II. This is a process that takes him back to the history of his culture.
In Amy Hempel’s Short Story “Going,” we take part in a journey with the narrator through loss, coping, memory, experience, and the duality of life. Throughout the story we see the narrator’s struggle through coping with the loss of his mother, and how he moves from a mixture of depression, denial, and anger, to a form of acceptance and revelation. The narrator has lost his mother to a fire three states away, and goes on a reckless journey through the desert, when he crashes his car and ends up hospitalized. Only his thoughts and the occasional nurse to keep him company. He then reaches a point of discovery and realizations that lead to a higher understanding of mortality, and all of the experiences that come with being alive.
During the Great Depression, there was a massive migration from rural areas to more populated areas. During this era the Joad family decided to migrate from Oklahoma to California in search of work. As the Joad family traveled to California, the Grandfather dies. During this rough time, Ma helps comfort Grandma over her husband’s death. Ma knew that if Grandma was understanding and accepting of Grandpa’s death, the family would use that courage and her example to get through the mourning period faster. “She seemed to know, to accept, to welcome her position, the citadel of the family, the strong place that could not be taken. And since Tom and the children could not know hurt or fear unless she acknowledged hurt and fear, she has practiced denying them in herself. And since, when a joyful thing happened, they looked to see whether joy was on her, it was her habit to build up laughter out of inadequate materials” ( Steinbeck 48). The mourning period went by quickly because Ma showed strength in herself and in the family.
Narrated by the mother of two daughters, the story opens with an examination of one daughter's favoring of appearances over substance, and the effect this has on her relatives. The mother and her younger daughter, Maggie, live in an impoverished rural area. They anticipate the arrival of the elder daughter, Dee, who left home for college and is bringing her new husband with her for a visit. The mother recalls how, as a child, Dee hated the house in which she was raised. It was destroyed in a fire, and as it was burning, Dee "(stood) off under the sweet gum tree... a look of concentration on her face", tempting her mother to ask, "'why don't you do a dance around the ashes?'" (Walker 91) She expects Dee will hate their current house, also. The small, three-room house sits in a pasture, with "no real windows, just some holes cut in the sides" (Walker 92), and although, as Dee asserts, they "choose to live" in such a place, Dee keeps her promise to visit them (Walker 92). Her distaste for her origins is felt by her mother and Maggie, who, in anticipation of Dee's arrival, internalize her attitudes. They feel to some extent their own unworthiness. The mother envisions a reunion in which her educated, urbane daughter would be proud of her. In reality, she describes her...
Joan was like every other girl until her teenage years. When she was sixteen, a young man in her town wanted to marry her, but, to everyone’s surprise, Joan refused his proposal. The reason Joan did not want to get married was a very important secret she had been keeping ever since she was thirteen- Joan had been hearing voices and having visions of saints (16).
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
As I have reflected on the examined life, intellectually, physically, emotionally, socially and spiritually, over the span of this semester and applied it to our own life, I have noticed a theme that links each of these dimensions together. Life is a journey of self discovery where individuals are constantly trying to come to terms with who they are as a person. Through this journey, individuals can find their calling or vocation in life, discover their potential, know one’s self, and even just make sense of life. Furthermore, I will examine this theme of self discovery in the context of each dimension and apply it to what I have learned over the course of this semester.