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Society and class in Dickens novel
Dickens hard times and social class
French revolution and social class
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"Sow the same seed of rapacious license and oppression ever again, and it will surely yield the same fruit according to its kind." (385) This quote from Charles Dickens' A Tale of Two Cities illustrates Dickens' bias for the revolting class during the French Revolution. In the book, however, Dickens does vilify the violence that is inherent in this Revolution. He also puts his own slant on the way the Revolution occurs and who leads it. This bias could be attributed to who he was and who his audience was. Because he is an Englishman and the novel is written primarily for other Englishmen, there is a clear bias in the way he presents the classes (through a variety of characters that exemplify each Fcaste) and their actions in the novel that seems to sympathize with British ideals and notions on the Revolution.
First of all, Dickens presents a harsh view of the aristocracy through two of the key characters: Charles Darnay and Marquis Evrémonde. Darnay is a member of the French elite who rejects the cruel ways of his family and flees to London to forget about the injustices his family has committed. While this may seem honorable he is not because he acts as a coward and runs away rather than standing up and trying to stop the inhumane treatment of the poor. Evrémonde on the other hand is as harsh and cruel as they come. He embodies the terrible atrocities committed against the people of France by the landed nobility. The way that Dickens uses these characters he establishes a very cynical view of the elite as being either cruel or impotent; and thus there is no hope for the French people from this class. How does this view stack up to reality during the French Revolution? Well, the nobility were cruel, and had been for...
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... Madame is a vengeful and blood-thirsty revolutionary that makes a list of people that must die in the Revolution. To say that neither figure existed in the Revolution would be a falsehood, but it seems Dickens overstated their power in the movement. This overstatement could come out of his personal feelings towards the working class that stem from his youth. Another possible bias when discussing the role of the lower class here is his bias toward the peaceful transition toward a more democratic system like that of Britain. He could be making the statement that if the change had come from the top, rather than from the bottom, the more educated and less base members of society could have made the transition smoother and altogether less violent. This interpretation further emphasizes Dickens' belief that the changes were necessary, but that he detested the violence.
Although the passage foreshadows the events later throughout the novel, Dickens ultimately uses a pathetic tone toward the social conditions of France before the French Revolution through the use of anaphora in the first half of the passage and the diction throughout the second half of the passage.
In this passage, Dickens’ juxtaposition, personification, detail, and diction reinforce Dickens’ tone of empathy and pity for the social conditions of the people of lower class France. When a large cask of wine spills open on the streets of France there is a mad rush to collect a taste of the spoiled wine. The people’s reactions consisted of “...frolicsome embraces, drinking of healths, shaking of hands, and even joining of hands and dancing a dozen together.” This exciting and scene of much happiness is juxtaposed by the “gloom that gathered on the scene that appeared more natural than sunshine” that occurs after all the wine has run out. This juxtaposition of the momentary happiness that the peasants of St. Antoine experience provide a contrast
During a time of conflicting warfare, a person’s social position and temperament play a significant role in the ideals of society. A Tale of Two Cities manifests society’s response to the French Revolution. Times like this result in two options, either to keep moving on with life, or give in to the vengeance. Charles Dickens portrays both sides of humanity through his characterization. Madame Defarge is the most prominent character that represents the inability to resist violence during the Revolution. In Madame Defarge’s quest for revenge, her continuous knitting and dominance prompt her character development, establishing her character as the antagonist.
Charles Darnay is a French aristocrat who decides to move to England because he could not deal with the cruel ways of the French, especially his uncle, the Marquis. He is an ambiguous character because he is seen by society a negative person because he is a part of the Evrémonde family while he is actually the complete opposite. That was the reason he left his country, “because he had voluntarily relinquished a title that was distasteful to him” (Dickens 288) to get away from his family
To support a major theme of this novel, scarecrows and birds of fine song and feather, wine and knitting, all represent the theme of man’s inhumanity toward his fellow man. The Revolution was a tragically devastating time full of senseless and meaningless violence, deception of neighbors as well as treason towards the government, and blissful ignorance of the surroundings. Many scenes and dialogue from this novel point out what contributed to make the revolution a period of intense political destruction. In A Tale of Two Cities, Charles Dickens includes many themes pertaining to the French Revolution and the moralities and immoralities that goes with violence, betrayal, and ignorance, by using many different types of symbolism.
During the 1800s, the aristocracy of England and France lived in luxury and possessed an enormous amount of power in the society while peasants live in poverty. Dickens links the two countries with the theme of how history repeats itself. Dickens compares the social rankings, rulers, and events of the two countries and warns how if the English aristocracy did not change their ways, what happens in France would happen to them. In the novel, Dickens portrays the character, Monseigneur as an individual character as well as a social class of France. Monseigneur is a character who Dickens portrays as the entire class of the French aristocracy in the way of which he abuses his power. Dickens describes how the Monseigneur was having chocolate prepared for him by four men who are wearing gold watches as peasants were starving and dying. Dickens uses the actions of the Monseigneur to represent the entire population of the aristocrats in the city of St. Antoine. Another way in which Dickens shows how the Monseigneur was corrupt was how he appointed people to be officials not by their skill but by the way they would appraise him or by their status. Dickens foreshadows how France would become corrupt over time from the action...
The French Revolution was a period of radical social and political upheaval, lead by the lower class of France, which began the decline of powerful monarchies in France and the rise of nationalism and democracy. In A Tale Of Two Cities, written by Charles Dickens, he highlights these aspects of the war between classes and makes them personal to the reader. Throughout the novel, Dickens’ establishes and develops several symbols in order to help the reader better understand the Revolution and the way people acted during this time. He shows that while emotion, desperation, and irrationality run high, humanity, justice, and morality are scarce. The blue flies, Madame Defarge’s knitting, and the sea are three of Dickens’ symbols that develop his theme of man’s inhumanity to his fellow man throughout the novel.
Cruelty, blood, and gore are all accurate descriptions of the French Revolution. This horrific time is correctly represented by the twisted and elaborate plot of A Tale of Two Cities by Charles Dickens. During this time, pity and sympathy leave the hearts of both the revolutionaries and the aristocrats. The hatred felt by the revolutionaries towards their oppressors seizes control of their hearts and results in more ruthless and savage behavior towards their old persecutors. Man, himself, becomes a more brutal race in this time of animosity. He has no compassion towards his fellow man, resulting in extraordinary bloodshed. Throughout A Tale of Two Cities, Dickens conveys the theme of inhumanity by using symbols, especially scarecrows, blue-flies, and dogs.
The French Revolution was a time of chaos and uprising in France during the mid-19th century that divided the French people. A Tale of Two Cities by Charles Dickens is a novel that is set during this tumultuous time in history. During this period of time, the people of France made many sacrifices. Sacrifice is a common theme that is developed throughout this novel. One reason many people make sacrifices is for love, and throughout the novel this theme is developed through the characters Miss Pross, Doctor Alexandre Manette, and Sydney Carton.
Throughout the book, Dickens portrays his objectivity between the classes through a series of graphic descriptions. For example, the horrid events that occur when the Marquis murders the child is a time when Dickens most definitely favors the rebels. Dickens’s attitude when Jacques kills the Marquis is that justice has been supplied. There is a definite tone of approval in his voice after these actions. On the other hand, Dickens’s attitude towards the mutineers is not always one of endorsement. When the activists nearly kill Gabelle and burn the Chateau, Dickens’s attitude changes from one of approval to one of disbelief. His disposition is almost one of sorrow for all the beauty being carelessly destroyed. As the reader can see, Dickens’s opinion varies greatly in accordance to the portion of the story the person is reading.
With imagery revealing the poor straits and desperation of the peasant class of France, Dickens influences the reader to pity them. He writes, “The cloud settled on Saint Antoine, which a momentary gleam had driven from his sacred countenance, the darkness of it was heavy—cold, dirt, sickness, ignorance, want were the lords waiting on the saintly presence—nobles of great power all of them; but most especially the last” (Dickens 22). Through hunger, want, etc. being personified and compared to nobles through language such as “nobles” and “lords”, Dickens shows the extent of the suffering of the peasants, their deserving to be pitied, and the human nobles’ apathy towards them. The peasants of Saint Antoine suffer in the 1770s, and the town’s name is made into a play on words with “saintly presence”, with the cloud of cold, dirt, sickness, ignorance, and want looming forming the imagery of irony. Another description of the peasants’ plight is revealed in the quote saying, “Ploughed into every furrow of age and coming up afresh, was the sign Hunger. It was prevalent everywhere...Hunger was the inscription on th...
Charles Dickens, the author of A Tale of Two Cities portrays the aristocracy as an oblivious body of self-entitled people that wholeheartedly believe in their destiny of wealth. Their understanding of the poor people’s fate as stepping stools to their success allow them to injure and even murder them without any repercussions. This constant abuse of the rich to the poor fuels the fire that is the French Revolution. The Marquis St. Evrémonde shows an extreme sense of ignorance when, after running over an innocent child, he simply, “threw out a gold coin” as a token
History has not only been important in our lives today, but it has also impacted the classic literature that we read. Charles Dickens has used history as an element of success in many of his works. This has been one of the keys to achievement in his career. Even though it may seem like it, Phillip Allingham lets us know that A Tale of Two Cities is not a history of the French Revolution. This is because no actual people from the time appear in the book (Allingham). Dickens has many different reasons for using the component of history in his novel. John Forster, a historian, tells us that one of these reasons is to advance the plot and to strengthen our understanding of the novel (27). Charles Dickens understood these strategies and could use them to his advantage.
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.
The French Revolution and the legacy of A Tale of Two Cities & nbsp; It is a commonplace of Dickensian criticism that the writer was influenced by Carlyle's The French Revolution in A Tale of Two Cities. Taking Dickens's comment that he read Carlyle's history "five hundred times" (I. Collins 46) as a starting point, many critics have discussed Carlyle's influence on several aspects of the novel, such as the narrative technique (Friedman 481-5), the imagery associated with the Revolution (I. Collins 52; Baumgarten 166; Lodge 131-2), and the narration of the historical episodes (Lodge 134; Friedman 489). And yet, Dickens's outlook on revolutionary violence differed significantly from that of Carlyle. As Irene Collins points out, Dickens "dislikes the violence of the revolutionaries, both in its popular form (the mob) and in its institutionalised form (the Terror). Unlike Carlyle, he can no longer see justice in the violence" (53).