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Cruelty in works of literature
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Cruelty, blood, and gore are all accurate descriptions of the French Revolution. This horrific time is correctly represented by the twisted and elaborate plot of A Tale of Two Cities by Charles Dickens. During this time, pity and sympathy leave the hearts of both the revolutionaries and the aristocrats. The hatred felt by the revolutionaries towards their oppressors seizes control of their hearts and results in more ruthless and savage behavior towards their old persecutors. Man, himself, becomes a more brutal race in this time of animosity. He has no compassion towards his fellow man, resulting in extraordinary bloodshed. Throughout A Tale of Two Cities, Dickens conveys the theme of inhumanity by using symbols, especially scarecrows, blue-flies, and dogs.
By using scarecrows to represent the peasants, Dickens successfully portrays the theme of inhumanity. He states, “But, the time was not come yet; and every wind that blew over France shook the rags of the scarecrows in vain, for the birds, fine of song and feather, took no warning” (Dickens 23). The nobles dress flamboyantly and spend their days being entertained, similar to the birds. The peasants are frail looking with baggy clothes resembling the appearance of scarecrows. While they want to scare nobles away, the peasants do not have enough strength to overpower the aristocrats who abuse them day and night. The nobles ignore all weakness of the peasants and take advantage of them. They pay attention to their fancy clothes and spend their days wasting money by being entertained when the peasants continue to fail to scare away their persecutors. The peasants continuously search for food desperately trying to sustain life while being taken advantage of. They are starved, for...
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...inhumane way the Marquis along with other nobles look down upon them.
By developing the symbols of scarecrows, blue-flies, and dogs, Dickens portrays the theme of man’s inhumanity. But, the French Revolution was not the first time ruthlessness and savagery have overcome mankind. Throughout history the same power struggle between upper and lower classes repeats itself over and over again, with the result always being the same—bloodshed. Mankind is a greedy, power-craving race who is never satisfied with what they have. Due to the fact that man will do anything to gain more authority no matter how morally wrong it is, bloodshed and war is inevitable. Wickedness and barbarity will continue to poison the human race so long as it is in human nature to yearn for power.
Works Cited
Dickens, Charles. A Tale of Two Cities. Mineola, NY: Dover Publications, 1999. Print.
During a time of conflicting warfare, a person’s social position and temperament play a significant role in the ideals of society. A Tale of Two Cities manifests society’s response to the French Revolution. Times like this result in two options, either to keep moving on with life, or give in to the vengeance. Charles Dickens portrays both sides of humanity through his characterization. Madame Defarge is the most prominent character that represents the inability to resist violence during the Revolution. In Madame Defarge’s quest for revenge, her continuous knitting and dominance prompt her character development, establishing her character as the antagonist.
In A Tale of Two Cities by Charles Dickens, a historical fiction about the two countries of England and France, he tells us some important things going on and also gives us important messages. Arguable one of the most important themes Dickens writes about in this novel is violence. More specifically he writes about the violence in France, a murder of a young child by a careless Marquis, the rape of a young girl by a pair of aristocrat brothers, the death of thousands of aristocrats and aristocrat sympathizers by the guillotine, and the dirty deeds done by Madam Defarge to “exterminate” the aristocrats and their sympathizers. Dickens
The symbols of wine, water, and the blue flies express Dickens’ theme of man’s inhumanity towards fellow men. A Tale of Two Cities chronicles human displays of cruelty at the time of the French Revolution. Inhumanity seems to be universally human as inhumane actions still happen today; people find entertainment in others’ pain and death. Whether in different social classes or in the same neighborhood, human kindness can be found to be lacking.
One innocent seamstress who was killed at the Guillotine said, “I am not afraid to die, Citizen Evremonde, but I have done nothing. I am not unwilling to die, if the Republic which is to do so much good to us poor, will profit by my death; but I do not know how that can be, Citizen Evremonde. Such a poor weak little creature!” (275-276). The innocent seamstress represents many innocent people killed in the Revolution by vengeful Revolutionaries. The seamstress’ innocence contrasts drastically with the cruelty of the Revolutionaries. The paradox of the Revolutionaries is that their goal is to help the poor and weak but ended up killing many poor innocents instead. Dickens is showing how the revenge in the hearts of the Revolutionaries destroyed more than it built up and their efforts were not worth the innocent lives lost. Furthermore, the Revolutionaries are described as, “The grindstone had a double handle, and, turning at it madly were two men, whose faces, as their long hair flapped back when the whirlings of the grindstone brought their faces up were more horrible and cruel than the visages of the wildest savages in their most barbarous disguise”(203). The gruesome, inhumane description of the Revolutionaries shows how Dickens thinks the revenge of the Revolutionaries takes away their humanity and their actions are not
In A Tale Of Two Cities, Charles Dickens describes a story in the French Revolution, which portray a scene of the angry French peasantry. This novel shows a group of people who rise up against the nobility because of the injustice. The reactions of the peasants review that they also become violent leaders, which end up with people they against for. Also Dickens uses many events to show the violence and fury of the French peasantry, which happened in the preparation and process of the French Revolution. The guillotine is the symbol, which helped the angry peasants to kill ”guilty” people. The most representative event of showing the violence and fury of the
Charles Dickens focuses on the revenge that put the bloody French Revolution in motion in his suspenseful story A Tale of Two Cities. The French Revolution was a revolt instigated by the peasants, who attacked the nobles with vengeful hearts starting in the year 1789, and going on until the year 1799. The settings of the book took place in both London and England, two parallels in novel, two cities where the plotting of the Revolution went into affect. Although the reasons behind the different examples of revenge are exposed, the actions taken with revenge in mind are inexcusable and not justifiable. Dickens portrays the theme of revenge successfully through the joker Gaspard, the brave younger brother who sacrificed himself to protect his family and the brilliant antagonist Madame Defarge.
Dickens hated and feared such violence; there is not a sign of approval or defense of it; he attributes every kind of monstrous wickedness to its leaders; but he projects in to his treatment of it his own feelings of desperate impotence in the face of the problem of political power. The first set of oppressors might have become so due to lack of sympathy or humanity, but the second set is born out of a need for revenge. The basis of all their actions, thus, is blind fury and a need to avenge all wrongs done to them.
In his novel, A Tale of Two Cities, Charles Dickens explores the complex nature of mob mentality. He analyzes the build in momentum from a group of individuals to one single body. In order for this being to function, Dickens illustrates how the person loses his individuality to the crowd. He also shows how people get swept into the mob and commit crimes when under the crowd’s influence. This mental transformation parallels the change from mob to monster and the change from order to disorder. By giving the crowd animal characteristics, Dickens defines how this feral beast acts. These actions depict the growing chaos within the mob and its fickle behavior. The crowd is not so wild that it is uncontrollable as certain self appointed leaders emerge to direct it. These leaders, nevertheless, exploit this flaw of the mob’s terrifying qualities to incite more pandemonium while also following their agenda. As the novel progresses, Dickens accentuates the crowd’s tendency towards violence and bloodshed amidst the increasing disarray. To reinforce these characteristics throughout the novel, Di...
...kens’ foreboding images of shadows elucidate their connection to, and tendency to imitate, the characteristics of fear. Through Alexandre Manette’s apprehensions concerning the inescapable horrors of his past imprisonment, one recognizes the follower aspect of both fear and shadows. For shadows, this stands quite literally; for fears, however, it depicts the common truth that deep-seated fears frequently remain with someone throughout a lifetime, present but not always active. Through the experiences of Lucie Manette and the revolutionaries, the oppressive aspect of shadows unveils itself: symbolic of fear, shadows cast themselves over others like tyrants, deprecating them and inducing terror in the process. It goes without saying that Charles Dickens’ usage of visual imagery constructs a sound and solid connection between the concepts of shadows, and inherent fear.
In A Tale of Two Cities, anger instigated the French revolution which is the prime mover of plot. Dickens portrays his historical subject with some duplicity. The French Revolution was instigated because the aristocracy oppressed the poor, driving them to anger. The poor search for their liberty and rights. The incident of the Marquis’s rape of the peasant in addition to other details of aristocratic mistreatment of the lower classes provide some justification for the anger of the French revolution .storming the Bastille, the death carts and the guillotine blade, this is the French Revolution. Through the hostility between the French aristocrats and the peasants, Dickens highlights the principal that violence creates anger and even more violence, until the chain eventually exhausts itself. “Power and the abuse of power are the principal topics underlying the
When one first thinks about the French Revolution, what comes to mind are often themes of violence, despair, and revenge. However, if one examines the motives behind the revolt, one discovers the underlying themes of sacrifice and love. In Dickens’ A Tale of Two Cities, the portrayal of the French Revolution includes more underlying themes than just violence and revenge. Different problems throughout the novel were fixed through someone’s selflessness. The use of sacrifice in various situations throughout the novel adds much more emotion and poignancy to the plot and adds to a more powerful and complex ending. The theme of sacrifice is developed throughout A Tale of Two Cities using sacrifices of reputation for the greater
The French Revolution was a time where people began to think in more liberal and radical ways. A Tale of Two Cities by Charles Dickens highlights the radical things that occurred during this time period. The people were upset with how their lives were being controlled by others. This led to their progressive thinking. The more progressive and extreme their thinking became, the more extreme and inhumane their acts became. The inhumanity in A Tale of Two Cities is caused by man’s need to be apart of a group bigger than themselves, man’s entitlement, and man’s hunger for revenge.
The environment of England and France in the late 1700s was filled with violent conditions and class struggles which ultimately led to the French Revolution. In A Tale of Two Cities, Charles Dickens fills the pages with numerous incidents of violence. There are lots of examples to choose from, but three scenes in particular convey Dickens’s feelings on the use and ill effects of violence in society. Dickens shows us physical abuse, rape, murder and brutal executions. He illustrates the environment of England and France in the late 1700s, and he describes the conditions and class struggles leading up to the French Revolution. In the words of Dickens,
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Dickens begins A Tale of Two Cities with this famous sentence. It describes the spirit of the era in which this novel takes place. This era is the latter part of the 1700s - a time when relations between Britain and France were strained, America declared its independence, and the peasants of France began one of the bloodiest revolutions in history. In short, it was a time of liberation and a time of terrible violence. Dickens describes the two cities at the center of the novel: Paris, a city of extravagance, aristocratic abuses, and other evils that lead to revolution and London, a city rife with crime, capital punishment, and disorder. In both cities, the capabilities of an angry mob were a dangerous thing, to be feared by all.