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Critical analysis of the tale of two cities
Critical analysis of the tale of two cities
Tale of two cities analysis essays
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Recommended: Critical analysis of the tale of two cities
Mason Fleischauer
Final Draft
Ms. Slevin, Mr. Hendricks
Regis Collegio
Violence is Not the Answer The environment of England and France in the late 1700s was filled with violent conditions and class struggles which ultimately led to the French Revolution. In A Tale of Two Cities, Charles Dickens fills the pages with numerous incidents of violence. There are lots of examples to choose from, but three scenes in particular convey Dickens’s feelings on the use and ill effects of violence in society. Dickens shows us physical abuse, rape, murder and brutal executions. He illustrates the environment of England and France in the late 1700s, and he describes the conditions and class struggles leading up to the French Revolution. In the words of Dickens,
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This portion of the novel is filled with brutality, execution and violence, and Dickens uses the La Guillotine to symbolize that violence is the dominating aspect of society. He also wants the reader to sense that violence is causing society to spiral out of control. In Book 3, Chapter 4, we learn that at least eleven hundred defenseless prisoners have also been beheaded. In Book 3, Chapter 13, Dickens tells us that there are fifty-two people waiting for execution by La Guillotine on that given day alone. In the last chapter of the novel, Dickens describes how Carton is led to La Guillotine, how the crowd watches and analyzes his facial expressions and how they exclaim “Twenty-Three” when Carton’s head is held up by the executioner (389). The fact that Carton’s beheading in the final scene was referred to as only a number illustrates how common and widespread violence was for these people. It also drives home Dickens' belief that violence only leads to more violence. As highlighted above, in A Tale of Two Cities, Charles Dickens portrays violence as a method of revenge, as a display of power and as a tool used between and within classes of society. In each instance, the perpetrator of the violence genuinely believes that the violent act will lead to improved conditions and a better society. However, as Dickens narrates the continuing spiral of violence …show more content…
This portion of the novel is filled with brutality, execution and violence, and Dickens uses the La Guillotine to symbolize that violence is the dominating aspect of society. He also wants the reader to sense that violence is causing society to spiral out of control. In Book 3, Chapter 4, we learn that at least eleven hundred defenseless prisoners have also been beheaded. In Book 3, Chapter 13, Dickens tells us that there are fifty-two people waiting for execution by La Guillotine on that given day alone. In the last chapter of the novel, Dickens describes how Carton is led to La Guillotine, how the crowd watches and analyzes his facial expressions and how they exclaim “Twenty-Three” when Carton’s head is held up by the executioner (389). The fact that Carton’s beheading in the final scene was referred to as only a number illustrates how common and widespread violence was for these people. It also drives home Dickens' belief that violence only leads to more violence. As highlighted above, in A Tale of Two Cities, Charles Dickens portrays violence as a method of revenge, as a display of power and as a tool used between and within classes of society. In each instance, the perpetrator of the violence genuinely believes that the violent act will lead to improved conditions and a better society. However, as Dickens narrates the continuing spiral of violence
Charles Dickens writes this book explaining the French Revolution, in which the social and economic systems in France had huge changes and the French monarchy collapsed. This causes high taxes, unfair laws, and the poor being mistreated. Charles Dickens shows that cruelty of other people will lead to a revolution and in addition to the revolution more cruelty will occur. He explores the idea of justice and violence through the use of ambiguous characters with positive and negative qualities, meaning that they have to different sides to them; for example, Charles Darnay, Sydney Carton, and Dr. Manette. Throughout the story of A Tale of Two Cities, Charles dickens uses ambiguous characters to shows how violence and cruelty can be stopped through the power of true sacrifice.
In every great novel there is a theme that is constant throughout the story. One of the better known themes portrays the fight of good verses evil. Different authors portray this in different ways. Some use colors while others use seasons to show the contrast. Still others go for the obvious and use characters. But what makes them all so different is the authors point of view. In Charles Dicken's A Tale of Two Cities, he portrays good and evil in somewhat of a unique way. Dickens shows this difference by using characters, although we sometimes have to think about the difference between the good and the evil and wonder if they are not the same in the long run. Good and evil differs with the characters in this novel, yet sometimes coincides.
To support a major theme of this novel, scarecrows and birds of fine song and feather, wine and knitting, all represent the theme of man’s inhumanity toward his fellow man. The Revolution was a tragically devastating time full of senseless and meaningless violence, deception of neighbors as well as treason towards the government, and blissful ignorance of the surroundings. Many scenes and dialogue from this novel point out what contributed to make the revolution a period of intense political destruction. In A Tale of Two Cities, Charles Dickens includes many themes pertaining to the French Revolution and the moralities and immoralities that goes with violence, betrayal, and ignorance, by using many different types of symbolism.
The first statement about the cyclic nature of violence is in line 3. Dickens states that “the new era began; the king was tried, doomed, and behead”. This shows cyclicity because it states that a new era had begun, meaning that there was one before it, and it is a “new era” not the final era, thus more will follow it thus showing the cycle of these ‘eras’. In this example, the concept of cyclicity represents the cycle of oppression, a characteristic of which, is extremism, thus showing how the concept of cyclicity shows the return to immorality from extremism. Another example of cyclicity in the passage, can be seen through the literary technique of universality, as “three hundred thousand men, summoned to rise against the tyrants of the earth, rose from all the varying soils of France”. This quote demonstrates extremism leads to universal immorality, as it shows how when the masses of people change their state (from prior state to revolutionary state or “rise against” state), they become immoral (seen through their merciless slaughter). Thus, the concept of cyclicity shows the return to immorality from extremism. Another example of cyclicity can be seen in the second paragraph’s description of the executions. Dickens used the literary device of repetition to describe them as having “no pause, no pity, no peace, no interval of relenting rest, no measurement
Power can allow one to make decisions for others than will benefit them, but too much power can cause one to become corrupt. In the novel, A Tale of Two Cities, the author, Charles Dickens, views power as a way in which corruption arises. Throughout the novel, Dickens speaks about three characters who starts to abuse their power as time passes in the novel. Dickens portrays the characters of the Monseigneur, the Marquis of Evermonde, and the revolutionaries as characters who goes through a change as a result of power.
Have you ever witnessed or participated in an act of mob mentality? Many people without realizing it take part in a form of mob mentality, whether it is at a sporting event, concert, or even a protest or riot; these are all forms of mob mentality. The term “mob mentality” is usually something negative, where large groups of people deindivduate themselves. People lose control and are pressured to fit in with what the rest of the crowd is doing. In the book, A Tale of Two Cities, by Charles Dickens, mob mentality has a big impact on the plot. A Tale of Two Cities, shows how mob mentality ties in with history repeating itself, portraying manslaughter and homicide, and also depicting riots.
The blue flies, Madame Defarge’s knitting, and the sea are just three of Dickens’ many symbols that develop the theme of man’s inhumanity to his fellow man in A Tale of Two Cities. Although Revolutions are not particularly humane in themselves, the individual characters and the majority of the peasantry in this book took inhumane to its extreme. Because the revolutionaries follow their ruthless leader, Madame Defarge, they do not question the humanity or morality of the massacre of the aristocracy. In a Revolution meant to free peasants, peasants should be last on the list of those being murdered, and this injustice should be realized. In the French Revolution as well as A Tale of Two Cities, the oppressed become the oppressors and the main cause behind the revolution is lost.
A Tale of Two Cities Essay Throughout history, the powers of love and hate have constantly been engaged in a battle for superiority. Time and time again, love has proven to be stronger than hate, and has been able to overcome all of the obstacles that have stood in the way of it reaching its goal. On certain occasions, though, hate has been a viable foe and defeated love when they clash. In the novel A Tale of Two Cities, Charles Dickens presents several different power struggles between love and hate.
Frederick Douglass once said, “Where justice is denied, where poverty is enforced, where ignorance prevails, and where any one class is made to feel that society is an organized conspiracy to oppress, rob and degrade them, neither persons nor property will be safe.” He meant that if people are oppressed, one day they will pass their breaking point and fight back. As a consequence neither side will be safe or secure as violence and terror would corrupt them both. In A Tale of Two Cities by Charles Dickens, the author employs satire, symbolism, and irony to emphasize the social/economic inequality between the wealthy and the poor. The inequality is revealed by Dicken’s satirical description of the lifestyles of Monsignor of Chocolate and the Marquis Evrémonde. In contrast with the people in the wine cask scene; the scene indicates that the people are on their breaking point. Finally, the irony of the trials emphasizes Dicken’s warning to the upper class of England during the 1850s; if they abuse power then vengence will be sought. If action is not taken, England will be engulfed in violence and both the aristocracy and the peasants will suffer.
The very first signs of sacrifice are noted in the opening scenes of the book. Dickens writes of a “fated revolution” by metaphorically comparing the woodsman and the forester to the creation of the guillotine. Dickens notes that in the midst of a revolution, heavy bloodshed must be made in order to achieve the vengeance that the peasants desire. Though the peasants were originally people of good faith, they were forced by the aristocratic government to take drastic actions. Poverty, the mother of all crimes, along with the aristocrats “crushing of humanity out of shape once more” gave the peasants no choice.” Dickens conveys here that because of the negligence of the government, the people were forced to sacrifice their good nature and engage in the violent acts that caused a time of great animosity and dejection.
Dickens begins A Tale of Two Cities with this famous sentence. It describes the spirit of the era in which this novel takes place. This era is the latter part of the 1700s - a time when relations between Britain and France were strained, America declared its independence, and the peasants of France began one of the bloodiest revolutions in history. In short, it was a time of liberation and a time of terrible violence. Dickens describes the two cities at the center of the novel: Paris, a city of extravagance, aristocratic abuses, and other evils that lead to revolution and London, a city rife with crime, capital punishment, and disorder. In both cities, the capabilities of an angry mob were a dangerous thing, to be feared by all.
As he planned the events, he ended up in Darnay’s cell waiting to be beheaded. Before Carton is beheaded, his mind becomes completely clear. He looks at his life and knows he is going to a far better place. “It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to, than I have ever known.” (367) Carton’s act of saving Charles Darnay was truly a positive decision for himself.
Dickens is often held to be among the greatest writers of the Victorian Age. Nonetheless, why are his works still relevant nearly two centuries later? One reason for this is clearly shown in Dickens’ A Tale of Two Cities. In the novel, he uses imagery to sway the readers’ sympathies. He may kindle empathy for the revolutionary peasants one moment and inspire feeling for the imprisoned aristocrats the next, making the book a more multi-sided work. Dickens uses imagery throughout the novel to manipulate the reader’s compassion in the peasants’ favor, in the nobles defense, and even for the book’s main villainess, Madame Defarge.
The main focus of Dickens’ novel is the French Revolution. This was a tragic time that took place between the years of seventeen eighty-nine and seventeen ninety-nine. It was the lower class revolting against the corrupt authoritarian government. The ideals that the French stood for were liberty, equality, and brotherhood. Dickens uses this for the background of his novel. Marie Shephard once said that Dickens was helped by his friend Carlyle for a background on the French Revolution, and tried to focus more on the plot than a character (51). Another historian said that “the French Revolution exists in the novel only insofar as Dickens’s characters vivify it, live through it, react to it, and make its reality manifest to the reader”(Allingham). Dickens understood this and used it to help him write the novel, and to help us in understanding it.
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.