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The french revolution (essay writing
The french revolution (essay writing
The french revolution (essay writing
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The French Revolution was a period of radical social and political upheaval, lead by the lower class of France, which began the decline of powerful monarchies in France and the rise of nationalism and democracy. In A Tale Of Two Cities, written by Charles Dickens, he highlights these aspects of the war between classes and makes them personal to the reader. Throughout the novel, Dickens’ establishes and develops several symbols in order to help the reader better understand the Revolution and the way people acted during this time. He shows that while emotion, desperation, and irrationality run high, humanity, justice, and morality are scarce. The blue flies, Madame Defarge’s knitting, and the sea are three of Dickens’ symbols that develop his theme of man’s inhumanity to his fellow man throughout the novel.
Dickens’ uses the symbol of blue-flies to represent the spectators in Darnay’s trial and their corrupted feelings and enthusiasm in regards to another man’s misfortune. Darnay has been accused of treason for passing information to France, and if he is found guilty, he will be sentenced to death. A large crowd is drawn to the courtroom to watch his trial. Dickens describes their eager anticipation as he states, “When the Attorney-General ceased, a buzz arose in the court as if a cloud of great blue-flies were swarming about the prisoner, in anticipation of what he was soon to become” (Dickens 50). The courtroom cannot wait for the approaching drama that they are about to see firsthand. They act as if they are watching a play or another form of entertainment, and they disregard the fact that this is a moment of life or death for another human being. As the trial continues, Darnay catches Lucie eye, sees her intense compassion and...
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... day, after the mass of murders, the poor are still poor, and the hungry are still hungry.
The blue flies, Madame Defarge’s knitting, and the sea are just three of Dickens’ many symbols that develop the theme of man’s inhumanity to his fellow man in A Tale of Two Cities. Although Revolutions are not particularly humane in themselves, the individual characters and the majority of the peasantry in this book took inhumane to its extreme. Because the revolutionaries follow their ruthless leader, Madame Defarge, they do not question the humanity or morality of the massacre of the aristocracy. In a Revolution meant to free peasants, peasants should be last on the list of those being murdered, and this injustice should be realized. In the French Revolution as well as A Tale of Two Cities, the oppressed become the oppressors and the main cause behind the revolution is lost.
During a time of conflicting warfare, a person’s social position and temperament play a significant role in the ideals of society. A Tale of Two Cities manifests society’s response to the French Revolution. Times like this result in two options, either to keep moving on with life, or give in to the vengeance. Charles Dickens portrays both sides of humanity through his characterization. Madame Defarge is the most prominent character that represents the inability to resist violence during the Revolution. In Madame Defarge’s quest for revenge, her continuous knitting and dominance prompt her character development, establishing her character as the antagonist.
Charles Dickens writes this book explaining the French Revolution, in which the social and economic systems in France had huge changes and the French monarchy collapsed. This causes high taxes, unfair laws, and the poor being mistreated. Charles Dickens shows that cruelty of other people will lead to a revolution and in addition to the revolution more cruelty will occur. He explores the idea of justice and violence through the use of ambiguous characters with positive and negative qualities, meaning that they have to different sides to them; for example, Charles Darnay, Sydney Carton, and Dr. Manette. Throughout the story of A Tale of Two Cities, Charles dickens uses ambiguous characters to shows how violence and cruelty can be stopped through the power of true sacrifice.
To support a major theme of this novel, scarecrows and birds of fine song and feather, wine and knitting, all represent the theme of man’s inhumanity toward his fellow man. The Revolution was a tragically devastating time full of senseless and meaningless violence, deception of neighbors as well as treason towards the government, and blissful ignorance of the surroundings. Many scenes and dialogue from this novel point out what contributed to make the revolution a period of intense political destruction. In A Tale of Two Cities, Charles Dickens includes many themes pertaining to the French Revolution and the moralities and immoralities that goes with violence, betrayal, and ignorance, by using many different types of symbolism.
The French Revolution was a time when many people sacrificed their lives for their beliefs. As the French Revolution moved on, more people joined the movement and risked their lives. A Tale of Two Cities by Charles Dickens is set during this time. Many people who sacrificed their lives for the Revolution felt like it was their fate to do this. This idea of fate is described many times in Dickens’ novel to magnify the story. The theme of fate is prevalent in the novel through the lives of many characters. This theme is used to show how a person is unable to escape their fate because it is already decided. The metaphors and symbols in the novel are greatly used to contribute to the theme of fate through the symbols of knitting, the fountain and water, and the wine.
Dickens wrote A Tale of Two Cities during his time of fascination with the French Revolution. The French Revolution was a time of inequity. There are many occasions in the novel where the problems of the Revolution are displayed. The human race is shown at its worst. Throughout the novel, man’s inhumanity towards fellow man, whether from a different social class or their own neighborhood, is shown through the metaphors of wine symbolizing blood, water symbolizing life, and blue flies symbolizing townspeople buzzing around death.
During the eighteenth century, France was one of the most richest and prosperous countries in Europe, but many of the peasants were not happy with the way France was being ruled. On July 14, 1789, peasants and soldiers stormed the Bastille and initiated the French Revolution. This essay will analyze the main causes of the French Revolution, specifically, the ineffectiveness of King Louis XVI and Marie Antoinette, the dissatisfaction of the Third Estate, and the Enlightenment. It will also be argued that the most significant factor that caused the French Revolution is the ineffective leadership of King Louis XVI and Marie Antoinette.
The French Revolution evokes many different emotions and controversial issues in that some believe it was worth the cost and some don't. There is no doubt that the French Revolution did have major significance in history. Not only did the French gain their independence, but an industrial revolution also took place. One of the main issues of the Revolution was it's human costs. Two writers, the first, Peter Kropotkin who was a Russian prince, and the other Simon Schama, a history professor, both had very opposing views on whether the wars fought by France during the Revolution were worth it's human costs. Krapotkin believed that the French Revolution was the main turning point for not only France but for most other countries as well. On the other hand, Schama viewed the French Revolution as unproductive and excessively violent.
The French Revolution is a war between the peasants and the aristocrats. A Tale of Two Cities is by Charles Dickens and is set in England and France from 1775-1793. The French Revolution is starting to come about because the French peasants are trying to model their revolution after the American Revolution. King Louis XVI of France supported the colonists in the American Revolution; therefore, it is ironic that he does not help the poor, distressed, and oppressed peasants in France. The peasants are trying to rise against the oppressive aristocrats because the rich are unfeeling and mean towards the poor serfs. In A Tale of Two Cities, the symbols help represent the theme of man’s inhumanity toward his fellow man because the symbol of the scarecrows and birds of fine song and feather is helpful in understanding the differences between the poor and the rich, the Gorgon’s head is meaningful because it shows that change needs to occur, and the knitting is insightful because one learns that evil can come out of good intentions.
Throughout the book, Dickens portrays his objectivity between the classes through a series of graphic descriptions. For example, the horrid events that occur when the Marquis murders the child is a time when Dickens most definitely favors the rebels. Dickens’s attitude when Jacques kills the Marquis is that justice has been supplied. There is a definite tone of approval in his voice after these actions. On the other hand, Dickens’s attitude towards the mutineers is not always one of endorsement. When the activists nearly kill Gabelle and burn the Chateau, Dickens’s attitude changes from one of approval to one of disbelief. His disposition is almost one of sorrow for all the beauty being carelessly destroyed. As the reader can see, Dickens’s opinion varies greatly in accordance to the portion of the story the person is reading.
“People have only as much liberty as they have the intelligence to want and the courage to take.” This quote by Emma Goldman not only perfectly sums up the French Revolution, but also reflects on the issue in society today with police racism and brutality. In Charles Dickens’ novel A Tale of Two Cities, the peasants suffer extreme injustice, they allow the revolution to go to their heads, and we see how violence only ever brings more violence . When Dickens describes the peasants he makes sure their plight is made clear to all. The nobles consistently take advantage of them and do not show any compassion.
Throughout the novel, Dickens employs imagery to make the readers pity the peasants, have compassion for the innocent nobles being punished, and even better understand the antagonist and her motives. His use of personified hunger and description of the poor’s straits made the reader pity them for the situation caused by the overlord nobles. However, Dickens then uses the same literary device to alight sympathy for the nobles, albeit the innocent ones! Then, he uses imagery to make the reader better understand and perhaps even feel empathy for Madame Defarge, the book’s murderous villainess. Through skillful but swaying use of imagery, Dickens truly affects the readers’ sympathies.
The focus of A Tale Of Two Cities concerns the impetus and fervor of 18th century European socio-political turmoil, its consequences, and what Dickens presents as the appropriate response of an enlightened aristocracy and just citizenry.
At the beginning of A Tale of Two Cities (1859), Dickens once again expresses his concern. The novel opens in 1775, with a comparison of England and pre-revolutionary France. While drawing parallels between the two countries, Dickens also alludes to his own time: "the period was so far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only" (1; bk. 1, ch. 1). The rest of the chapter shows that Dickens regarded the condition to be an 'evil' one, since he depicts both countries as rife with poverty, injustice, and violence due to the irresponsibility of the ruling elite (1-3; bk. 1, ch. 1). As the novel unfolds, however, England becomes a safe haven for those escaping the violence perpetrated by the French Revolution. In this paper, I shall argue that A Tale of Two Cities reflects the popular confidence in the stability of England in the eighteen-fifties, despite Dickens's suggestions at the beginning. A Tale of Two Cities thus becomes a novel about the England and the English of Dickens's time. And yet, many people today would believe that the novel is essentially about the French Revolution, which brings me to my second point. If in the nineteenth century the novel served to affirm the stability of Britain, in this century it has been greatly influential in the formation of the popular image of the French Revolution, mainly thanks to film and television adaptations. The purpose of this paper is to look at the popular reception of the novel from the time of its first publication in 1859 to the nineteen-nineties.
Charles Dickens’s A Tale of Two Cities is a novel of exploration: it explores what it means to be oppressed or to oppress and the importance of virtue in the face of wickedness and iniquity. Dickens also explores the concept of identity and its ability to be transformed. In the novel, these transformations of identity can come from a place of light, or love, or the darkness of hatred. In the case of Dr. Alexandre Manette and Sydney Carton, the reconstruction of their identities results from the love they feel towards Lucie and, in turn, the compassion she feels towards them. For the poor and downtrodden people of France, their individuality is deconstructed and reconstructed into a single identity that reflects the darkness and anger within
A Tale of Two Cities, by Charles Dickens, is a story set in the year 1775 and through the turbulent time of the French Revolution. It is of people living in love and betrayal, murder and joy, peril and safety, hate and fondness, misery and happiness, gentle actions and ferocious crowds. The novel surrounds a drunken man, Sydney Carton, who performs a heroic deed for his beloved, Lucie Manette, while Monsieur and Madame Defarge, ruthless revolutionaries, seek revenge against the nobles of France. Research suggests that through Dickens’ portrayal of the revolutionaries and nobles of the war, he gives accurate insight to the era of the Revolution.