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Corruption in a developing country essays
Corruption in a developing country essays
Influence of Western culture on African culture
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"I've got a job with white folks!"
For Ousmane Sembene, one of Africa’s most respected film directors. We are given a film that shows the abuses of power and the corruptions of what the French government wants to keep hidden. Black Girl focuses on the transition from the Western World and the oppression within Third World Countries. To draw attention to the Third World/ Western dichotomy, Sembene contribute a considerable amount to the development of politics within Black Girl through our main protagonist Diouana.
The challenges she faces as many transitions are made with her moving into living as a maid in France. She soon begins to feel trapped and left without any hope, as her maid duties soon become feeling like she is being made into the house slave. Diouna cannot accurately express herself in French; therefore her thoughts are presented to the audience as intermittent voice-overs. We wouldn’t perceive of it to be natural that she would think in a foreign language, however it is obvious that Sembene is trying to show how much influence the French new wave has made impact on the Western culture. Diouana decides to take matters into her own hands and due to her emotions of being trapped she feels as if the only way to come to peace is to end her life within her environment of slave-like captivity. The situation that she is faced with ultimately demonstrate Diouana's internal conflict is not merely just a racial struggle but how it also transcends into the realms of economics and class that troubles her more than her life in Africa.
This seems to illustrate Sembene’s personal storytelling about the patriotism and its effects on the post- colonial African. As the story of Black Girl seems to be nothing more than a tragedy of...
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... film is quiet and thoughtful, yet it takes a forceful approach in shaping its point and view about the presence of war. Director Mahamat-Saleh Haroun nevertheless turns on a transformation by a father stuck in a war-torn Chad. The overall arch of the story demonstrates how generations can shape and reshape each other, even during the hardships of war. A Screaming Man simply states how war is always closer to those surrounding it, even when if they are not affected by it first hand. Overall, it seems that Haroun is trying to state just this for the audience. As families already struggle to survive and that not only is living a difficulty in life, but the sacrifices of those who live in the city must face. Not only does it feel like he is trying to pinpoint Chad directly when it comes to this, but instead war in general and those who have to deal with the outcome.
Pauline Hopkins’ novel “Of One Blood” was originally published serially in a magazine called Colored American, from 1902-03. Within this novel Hopkins discusses some of the prominent racial and gender oppressions suffered by African Americans during this time. Following the Emancipation Proclamation of 1849 which resulted in African American freedom from slavery, but unfortunately not freedom from oppression and suffering. One of the minor characters, and the only dominant female role, within the novel is Dianthe Lusk. Within the novel Dianthe has many identifiers, which limits not only the readers but Dianthe’s understanding of her identity. Some of these identifiers include: women or ghost, black or white, sister or wife, princess or slave, and African or American. However, the most prominent of these juxtapositions in the novel is the racial identity. This paper will argue that the suffrage of Dianthe through her experiences with racial identity and rape serve to locate racial identity as an agent of politics, rather than of one’s color.
Laurence Hill’s novel, The Book of Negroes, uses first-person narrator to depict the whole life ofAminata Diallo, beginning with Bayo, a small village in West Africa, abducting from her family at eleven years old. She witnessed the death of her parents with her own eyes when she was stolen. She was then sent to America and began her slave life. She went through a lot: she lost her children and was informed that her husband was dead. At last she gained freedom again and became an abolitionist against the slave trade. This book uses slave narrative as its genre to present a powerful woman’s life.She was a slave, yes, but she was also an abolitionist. She always held hope in the heart, she resist her dehumanization.
	The novel illuminates light on the situation not just during the Vietnam era, but also rather throughout all history and the future to come. Throughout mankind’s occupation of earth, we have been plagued by war and the sufferings caused by it. Nearly every generation of people to walk this earth have experienced a great war once in their lifetimes. For instance, Vietnam for my father’s generation, World War 2 for my grandfather’s, and World War 1 for my great-grandfather’s. War has become an unavoidable factor of life. Looking through history and toward the future, I grow concerned over the war that will plague my generation, for it might be the last war.
“Segu is a garden where cunning grows. Segu is built on treachery. Speak of Segu outside Segu, but do not speak of Segu in Segu” (Conde 3). These are the symbolic opening words to the novel Segu by Maryse Conde. The kingdom of Segu in the eighteenth and nineteenth century represents the rise and fall of many kingdoms in the pre-colonial Africa. Therefore, Segu indirectly represents the enduring struggles, triumphs, and defeats of people who are of African decent in numerous countries around the world. There are three major historical concepts that are the focus of this book. One is the spread of the Islamic religion. Another is the slave trade, and the last is the new trade in the nineteenth century and the coming of new ideas from Europe (legitimate commerce). However, Segu does not simply explain these circumstances externally, but rather with a re-enactment that tells a story of the state of affairs on a personal level, along with the political one. By doing this, the book actually unfolds many deceitful explanations for the decline of West African countries in the eighteenth and nineteenth century.
The setting of the story plays a major role because it takes place in two different countries, Senegal followed by France further into the story. The two countries are completely different, Africa being a continent plagued by poverty and France is portrayed as a country of opportunity. After a few years working for Monsieur and Madame, they decide to go back to France for a while but they ask Diouana if she wants to come along. She immediately accepts because she has high expectations of France. She begins to despise her homeland and everything she grew up with becomes worthless. “Everything around her had become ugly, the magnificent villas she had so often admired seemed shabby” (135). When she thinks about of
While female solidarity and partnership is at the center of Bande de filles, throughout the film, male opposition stands as its dividing factor. The benefits of women helping and building up other women become instrumental to the progressions within Bande de filles on multiple occasions. Sciamma (the film’s director) understanding that “[s]ame-sex friendships [provided] a dedicated space for women to give each other mutual support on gender issues…[and that] these friendships provide support during the process of breaking with gender conventions… [diminishing] women’s feelings of isolation or marginality (Bachmann 177)” became pivotal to individual and the collective female growth in Bande de filles. Furthermore, female solidarity allows for individual growth and exploration in a safe and understanding space, lead and directed by women for women. Throughout
Published in 1789, “The Interesting Narrative of the Life of Olaudah Equiano” tells the captivating life story of none other than Olaudah Equiano himself. Not only did this story contribute to British’s abolitionist movement but it also depicts the Trans-Atlantic slave trade. The narrative, written by Equiano, told about his experience as a slave. For the majority of Equiano’s life he went by the name of Gustavus Vassa, which one of his masters Henry Pascal gave to him. Equiano goes through his memories as a child, in Eboe, better known today as Nigeria. Equiano was born in 1745 in a region named Essaka. At a young age the British kidnapped, sold, and separated both his sister and himself. Eventually, a slave trade bought Equiano. Equiano describes his journey from the Middle Passage to the West Indies on to Virginia. In Virginia, Henry Pascal, the Captain of a British trading vessel bought Equiano. Before King, a slave owner in Montserrat, bought him, Equiano spent many years at sea. In Montserrat, Equiano continually traveled the sea on trade routes. Along the way of the trade routes Equiano traded his own goods. Through doing this he earned enough money to buy his freedom back. King only made Equiano pay him 40 pounds for his freedom, which was the same amount he had bought Equiano for. Equiano then was able to live the life of a free man and later returned to England. Through Equiano’s life he experienced many different events that changed his views of race.
In the first four chapters, he explains the currents in modern African-America thought. In chapter one he tells us stories of victimology. The second chap...
Throughout the years many variations of the ideas on race, class, and culture have been presented based upon different factors. In earlier times people’s views were not nearly the same as they are presented today. Ideas that women belong in the kitchen or that African-American’s were an inferior race were common. Those views were very popular during the time of Kate Chopin’s book “Desiree’s Baby.” Chopin’s book explores the controversial areas of race and class as well as touching on the subject of culture. “Desiree’s Baby” shows the life of Desiree from a young child through adulthood. The young Desiree was found by a rich family alone on the streets. Even in a time where race and social class was important the wealthy, a rich couple took in young Desiree without knowing her ancestral background. Desiree lived a good life with the family. The story then switches to when Desiree was a young adult and falls in love with Armand Aubigny. Armand also comes from a wealthy background and still falls for Desiree without knowing her racial background. Eventually, the young couple has a baby but to their surprise the baby comes out with African traits. Armand is not happy and rethinks whether she has African in her background or if maybe she had an affair with a slave. Desiree’s mother offers to have her and the baby come back and stay with them but when Desiree leaves she disappears and is never seen again. Later, Armand finds out that it may not have been Desiree that carries African roots but himself, from his mother’s side. Overall, Chopin’s work looks into the controversial issues of race, class, gender and culture using ironies and the story-line to infer the views of these topics.
In the story of “Desiree’s Baby” by Kate Chopin, there are many literary themes that can be analyzed such as love, racism, gender inequality, and miscegenation. What this analysis will focus on is primarily on the central male character, Armand Aubigny, and on his views towards racism. More specifically, what this essay will aim to prove is that Armand Aubigny looked down upon the African race to the point where he hated them. One of the biggest driving points to aid this idea is how his family name shaped his behavior and actions according to the societal normalities of his time period. Another important aspect that will be considered is his very relationship towards his slaves in how he treated them cruelly even to the point where he is described as “having the spirit of Satan” (Chopin 3). In addition to this, the reader will also see Armand’s negative reaction to being aware of the implications of his son and wife having mixed blood in where he practically disowns them. With all this culminating to Armand finding out the ugly truth that the race he had treated so horribly is actually a part of his very own blood as well.
Awa Thiam speaks on the topic of the daughters of black Africa trying to find themselves. She also states the comparison of the black women struggle with the European women. Thiam is arguing the point that the European feminist imposed the false argument “Rape is to women what lynching is to Blacks” (Thiam 114). Women in the text suffered from double domination and double enslavement by the colonial phallocratic. Thiam explains the false consciousness of the black women as well. The goal for the women is to achieve total independence, to call man bluff and all alienating influences.
"The Life of Olaudah Equiano” is a captivating story in which Equiano, the author, reflects on his life from becoming a slave to a freeman during the 19th century. Through his experiences and writing, Equiano paints a vivid picture of the atrocities and cruelties of European slavery. Ultimately through his narrative, Equiano intends to persuade his audience, the British government, to abolish the Atlantic slave trade as well as alert them of the harsh treatment of slaves. He successfully accomplishes his goal by subtly making arguments through the use of character, action, and setting.
In the 20th and 21st centuries, women have earned and been granted with many rights that place a backbone in many corporations, businesses, households, and most importantly society today. If Desiree’ was a citizen in today’s society, she would not have to first be ashamed to have a baby of African descent or take anything from her husband if she did not want to. The background knowledge presented in this paper allows you to gain an image of what times were like for women in the 19th century and why Armand would have to be a different man with a different mindset in order to be accepted in today’s society.
Chinua Achebe analyzes a culture he is not accustomed with. The Madwoman in the attic theory comes into play as a westerner writing about “savage Africa”. Things Fall Apart provides an important understanding of Africana identity and history for those in the West who may be unfamiliar with African culture. Achebe tackles female identity within this book with delicacy keeping with the Ibo view of female nature in the background of the story but the forefront of the reader’s mind. A discussion of womanhood must touch upon manhood because they operate as a complementary, opposing, and equal entity.
A feminist analysis on the other hand shows that Anowa is a woman who is struggling against the 1870’s African feminist identity (the identity of weakness). The drama surrounds the story of a young woman called Anowa who disobeys her parents by marrying Kofi Ako, a man who has a reputation for indolence and migrates with him to a far place. Childless after several years of marriage, Anowa realises that Kofi had sacrificed his manhood for wealth. Upon Anowa’s realisation, Kofi in disgrace shoots himself while Anowa too drowns herself. In a postcolonial analysis of “Anowa”, we can see some evidence of colonialism.