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The aftermath of divorce
The impact of women divorce in society
The aftermath of divorce
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Dhowli and her mother were forced into the world of being untouchables because they were widows. It was not from a choice or action; it was because their husbands had died. In India, widows were forced to live a life of isolation and have very limited financial and social opportunities. “Dhowli” by Mahasweta Devi tells the story of Dhowli and the challenges facing widowed untouchables in India. “Dhowli” is about a woman facing a forbidden love that ultimately brings her final downfall of losing her family and becoming a prostitute. Throughout the story, the reader begins to understand the discrimination and hardships that untouchables faced.
Dhowli lives a life of hardships. To begin the story, Dhowli’s parents married her off at a very
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young age. Her husband ended up dying and so Dhowli was forced to moved back home to Tahad. After Dhowli moved back her father ends up dying and her family’s land is taken away, so Dhowli and her mother have to grovel just even get a job tending to goats and cleaning yards. While cleaning the yards they would pick up fruit that the birds and bats had eaten part of off the ground to take home and eat. They did not get to take home ripe fruit off the tree, but the nasty partially eaten fruit from the ground and even then they had to get permission. This shows that the untouchables were viewed as so lowly that they had to eat after the birds and insects. One of the Brahman boys, Misrilal, who’s yard Dhowli cleaned was making advances on her that she was trying to ignore and turn down without being rude. He was a boy of the highest rank and she was a Dusad girl, a widow—an untouchable. She eventually fell for him and became pregnant. Misrilal swore he would stay with Dhowli, but his family arranged for him to marry a girl of his own caste. He did as his family planned for him and turned his back on Dhowli and his baby. Dhowli desperately wanted Misrilal to come back and take care her and the baby, but he never did and his family also stopped giving them employment and food.
So, Dhowli turned to the only source of income left to her—prostitution. She avoided being a prostitute for as long as she could; hoping that Misrilal would send or financial support which never happened. If she had not done this her child, mother and herself would have starved to death. When Misrilal found out Dhowli was supporting his son with money made from prostitution he was appalled he said, “No Brahman’s son is to live on the filthy handouts of the untouchables! How dare you! I’ll kill you” (256). Misrilal never offered to help Dhowli by giving her land or money, but he still felt entitled to have a say in how their child was raised and how Dhowli was providing for her family. He even threatens to kill her and even asks why she has not killed herself before becoming a prostitute. Dhowli’s reply was “At first I wanted to do that. Then I thought, why should I die? You’ll marry, run your shop, go to the cinema with your wife, and I’ll be the one to die? Why?” (255). Dhowli did not want to end her life just to make his life simpler. There was a way for her to live and support her family and she was going to do it because she is a strong, independent, and capable woman. She does not choose the easy route of suicide where she would never have to starve or struggle for money, but it would also be a world …show more content…
where Misrilal did not have to live with his actions because they disappear all but vanished from his memory. Dhowli wanted to prove to her and everyone else that she was strong and could withstand their discrimination and disapproval—to wear the name of untouchable and not be ashamed. I decided to look into the untouchables of India in present time.
There is an estimate of 40 million widows in India today that are still social outcasts and shunned by their family and friends. Vrindavan, known as the City of Widows, is a city for widows and other untouchables to go for a safe haven. Vrindavan’s 5,000 temples accept donations from Hindu pilgrims to help provide lodging and a small amount of food to the most destitute (Dhillon). Recently widowed untouchables and some upper caste priests and scholars broke a 400-hundred-year tradition and celebrated Rakhi together (Jaiswal). These widows and upper caste members are progressive and realized that the times have changed and acts such as this one needed to be done to set an example for the
public. Before reading “Dhowli” I had no idea what an untouchable was—I had not even heard of it. The story allowed me to understand the discrimination and social repression that many people of the Dusad caste experienced. There are approximately 170 million untouchables in India and I had never heard of them. Discrimination is still prevalent and goes unnoticed. I think Devi did an excellent job expressing the treatment and hardships that untouchables went through especially widowed untouchables. The untouchables had to be brave, strong, independent, and self-reliant. They were shunned from society and had no one on their side. Most turned to begging and prostitution just to scrape by. I believe the recent progress the untouchables made is a victory. The influence that the higher caste priests and scholars have will show the public that the untouchables are still people and deserve to be treated like anyone else. Discrimination against the untouchables still exists, but is starting to dissipate with the help of progressive members of higher castes. “Dhowli” was intended to show the reader the conditions and treatments that the untouchables receive and how lowly they are viewed. It did that and much more it opened my eyes that discrimination is not only in the United States but everywhere. The US news only ever talks about the discrimination within our own country and never addresses the problem in other countries, but this story gave insight into the Hindu culture.
Innocence ripped away and replaced by premature struggling through life is what outlines Sold by Patricia McCormick. This historical fiction novel follows the story of Lakshmi, a thirteen-year-old girl living in Nepal. Desperately poor, Lakshmi can only enjoy simple pleasures, such as raising her speckled goat named Tali, and having her mother Ama brush and braid her hair. When the violent Himalayan rains tear away all that remains of their cucumber crops, Lakshmi’s maimed stepfather says she must take up a job, for he cannot get work. Lakshmi is introduced to the charming Bajai Sita who promises her a job as a maid in a wealthy area of India. Excited and full of hope to help her family, Lakshmi endures the long trek to India where her journey ends at the “Happiness House.” Soon she learns the frightening truth: she has been sold into prostitution. She is betrayed, broken, and yet still manages to come through her ordeal with her soul intact. Sold depicts a story meant to teach and inspire, making the novel a piece that is highly important for all to see and read.
Symbolism is a poetic and literary element that interacts with readers and engages their feelings and emotions. In Sold, thirteen-year-old Nepali girl, Lakshmi, is forced to take a job to help support her family. Involuntarily, she ends up in prostitution via the Happiness House; this sex trafficking battle forces Lakshmi to envision her future and possibility of never returning home. The very first vignette of the novel speaks of a tin roof that her family desperately needs, especially for monsoon season. At the brothel, Lakshmi works to pay off her debt to the head mistress, Mumtaz, but cannot seem to get any sort of financial gain in her time there. Both the tin roof and the debt symbolize unforeseen and improbable ambitions, yet she finds the power within herself to believe. How does Lakshmi believe in herself despite her unfathomable living conditions and occupation?
In America, long gone are the days of gender based marital roles where the man financially provides for the family, and where the woman is uneducated, maintains the household, and regards her husband as superior. In today’s western society, education is for all individuals, marital roles are defined by both spouses, and needs are equally important regardless of gender. In contrast, there are cultures still existing who value the old marital traditions. The protagonist, simply referred to as “the husband”, in Divakaruni’s The Disappearance, is a fully developed character who values these old traditions still active in his homeland of India; ill equipped to cope with western culture and unable to respect his wife’s needs, this static character is a victim of his actions.
I picked this theme because no matter how much Mumtaz (the ‘owner’ of Lakshmi) tried to get Lakshmi to give up on her life at home and instead wanted her to stay miserable at ‘happiness house,’ Lakshmi never forgot she had a country, an age, and a family. “You are safe here only if you do not show how frightened you are.” (McCormick, 116) In the back of her mind, there always were thoughts of her friend Ama, her stepfather, and her baby brother suffering back from Nepal. She always thought of her real home in Nepal and always said one thing to herself, looking at the mirror. “My name is Lakshmi. I am from Nepal. I am thirteen years old.” (McCormick, 263/many other pages) She never forgets where she comes from, who she really is, how old she is, and that she is a child and does not belong to ‘happiness house’. This has helped her keep up a positive attitude, and soon enough, she was thinking about her family and how she should take care of them once she was free. This helped her not only persevere but to complete the work and eventually
Families in poverty often have to make painful sacrifices in order to survive. Women in third world countries during the 1980s often had to put their families’ needs above their own. In the novel Secret Daughter by Shilpi Somaya Gowda, through the use of flashbacks, negative tone and painful diction, the author emphasizes the sacrifices and grief poverty forces Kavita to endure in order to ensure a better life for her family.
Jhumpa Lahiri in The Namesake illustrates the assimilation of Gogol as a second generation American immigrant, where Gogol faces the assimilation of becoming an American. Throughout the novel, Gogol has been struggling with his name. From kindergarten to college, Gogol has questioned the reason why he was called Nikhil when he was a child, to the reason why he was called Gogol when he was in college. Having a Russian name, Gogol often encounters questions from people around him, asking the reason of his name. Gogol was not given an Indian name from his Indian family or an American name from the fact that he was born in America, to emphasize that how hard an individual try to assimilate into a different culture, he is still bonded to his roots as the person he ethnically is.
A traditional extended family living in Northern India can become acquainted through the viewing of Dadi’s family. Dadi, meaning grandmother in Hindu, lets us explore her family up close and personal as we follow the trials and tribulations the family encounters through a daily basis. The family deals with the span of three generations and their conflicting interpretations of the ideal family life. Dadi lets us look at the family as a whole, but the film opens our eyes particularly on the women and the problems they face. The film inspects the women’s battle to secure their status in their family through dealing with a patriarchal mentality. The women also are seen attempting to exert their power, and through it all we are familiarized to
The Namesake by Jhumpa Lahiri Living in America, the Ganguli’s have the difficult choice of choosing between two dramatically different cultures. As a second generation Indian American, Gogol Ganguli is expected to preserve the ideals of his traditionally Indian parents while still successfully assimilating into mainstream American culture. In “The Namesake,” Jhumpa Lahiri reveals the stark contrasts between the perceptions of Ashima, Ashoke and Gogol in relation to their Indian and American views of relationships.
Solitude and consequent feelings of displacement is a prominent problem experienced by immigrants is beautifully depicted with the help of the character Ashima Ganguly. The issue of acute lonliness of exile is portrayed elaborately when we come know that Ashima ganguly is pregnant and expected her baby in a couple of weeks. She is hospitalized butthere is no one to give her company. Ashima reflectsthat had it been in Indiashe would have been surrounded by her big family. Lying in the hospital, she remembers when the Gangulis were boarding the plane to the United State, twenty six of her family membersactually came to the airport to bid her good bye. The novel vividly captures the emotional crises of Ashima ganguly:
In drill team, there are positions of power, such as sergeant, lieutenant, and captain. In the drill teams across Texas, there is a problem. With such high positions, it is easy to let the power of position go to the head. Often, it is the case that girls will be bossed around by the sergeants and lieutenants to stay in line and not mess up or they face the consequences. Similarly, abuse of power is also seen in conflicts across the world. Abuse of power is the most important issue in today’s world as it leads to loss of identity and dissolving of cultures.
She did not feel ready for marriage, but she eventually abandoned all hope as she realized that her father was not going to change his mind and there was nothing her mother could do. “After all, she had wed through an arranged marriage, like most Yemeni women, so she was in a good position to know that in our country it’s the men who give the orders, and the women who follow them. For her to defend me was a waste of time” (Ali & Minoui, 2010, p. 55). This is the first time in the book that Nujood expresses her discontent with the culture that she lives in. She cannot make any decisions for herself because no other women in her culture have been allowed to. The hierarchy construct began to directly affect Nujood, her body, her happiness, and her
In this text Mohanty argues that contemporary western feminist writing on Third World women contributes to the reproduction of colonial discourses where women in the South are represented as an undifferentiated “other”. Mohanty examines how liberal and socialist feminist scholarship use analytics strategies that creates an essentialist construction of the category woman, universalist assumptions of sexist oppression and how this contributes to the perpetuation of colonialist relations between the north and south(Mohanty 1991:55). She criticises Western feminist discourse for constructing “the third world woman” as a homogeneous “powerless” and vulnerable group, while women in the North still represent the modern and liberated woman (Mohanty 1991:56).
According to a Maternal Mortality Ratio (MMR) study of 2008/09 done by the ministry of health and population in Nepal, suicide was found to be the leading cause of death among the Nepalese women. Nepal is a landlocked country with the population of 26.5 million among whom 51.5% are female while 48.5% are male (Central Bureau of Statistics, 2011) . Nepal offers a variety of diversity in regards to its religion, values, ethnicities, and geography, which have a huge impact on the socio-economic status of the people. In addition, Nepal is hugely a patriarchal society with a transparent social and economic disparity throughout the country due to its hindu caste- based hierarchy. As a result we can see that there is a huge unequal gap between the marginalized and disadvantaged groups who are usually the people at the bottom of the caste hierarchy (untouchables or Dalit and Janajati).
The God of Small Things by Arundhati Roy tells the story of the communist state of Kerala and the forbidden love between two castes, which changes the lives of everyone. In the novel an ‘Untouchable’, Velutha is a carpenter and works at Paradise Pickles and Preserves for much less than he deserves because of his status as an Untouchable in the caste system. Velutha falls into a forbidden love with a divorced woman, Ammu who is associated with an upper caste Syrian Christian Ipe family. Marriage was the only way that Ammu could have escaped this life, but she lost the chance when marrying the wrong man, as he was an alcoholic and this resulted in them getting a divorce. Ammu breaks the laws that state ‘who should be loved, and how and how much’, as their affair threatens the ‘caste system’ in India, which is a hierarchal structure and social practice in India in which your position in society is determined and can’t be changed. Arhundati Roy portrays the theme of forbidden love within the caste systems and shows how they are t...
Amanda Hitchcock. 2001. “Rising Number of Dowry Deaths in India.” Annual Editions: Anthropology 11/12, 34th Edition. Elvio Angeloni. New York: McGraw-Hill Higher Education.