Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Miltons characterization of satan
Miltons characterization of satan
Satan as a villain
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Miltons characterization of satan
The struggle between good and evil, the rewards of Heaven, and the consequences of sin are all Christian themes shared in the works of Hildegard, Dante, and Milton. While their works vary in style and substance, they are informed by a common religious background and understanding. Hildegard’s Ordo Virtutum, Dante’s Inferno, and Milton’s Paradise Lost all have a common character in Satan. Satan in both the Ordo Virtutum and Inferno appears in a significant, but limited role. In Paradise Lost, Satan is a primary character and expresses a full range of traits and provokes a wide range of responses from the audience.
Hildegard’s Devil appears seductive more than anything else and he demonstrates the allure of sin. The singing in Hildegard’s vision before the play begins warns of the “most foul deceiver” (382). In the play, the Soul at first appears content among the Virtues, before feeling burdened by its body and the desire to explore the world. The Devil appears at this moment of weakness to appeal to the Soul’s feelings and exploit its vulnerabilities. Despite being the opponent of Virtues, to the Soul he appears as empowering, not threatening. He tells the Soul, “Serve the world, and it will embrace you with great honor” (384). When Humility cites scripture to inspire the other Virtues, the Devil responds in turn with an argument based in scripture. The action of the play occurs rapidly, but the draw of the Devil is clear. When the Soul repents for her actions she describes how “a fiery sweetness swallowed [her] up in sin” (386). Hildegard’s Devil is a flat character. He does not cause the audience to feel strong emotions the way later portrayals would, but Hildegard succeeds in demonstrating that the Soul, repres...
... middle of paper ...
... shifts to Eve because of her naivete. Satan’s action was intentional, but it is mankind that is punished for it. His actions have caused his own fall from Heaven and mankind’s fall from Paradise. Though his words are attractive at times, his actions as an unrepentant rebel opposed to God and indifferent towards the suffering of others make him a disdainful character. He completely fails to redeem himself and loses the audience’s sympathy by the end of the epic.
Across these three works Satan was transformed from a seductive, but flat, character, to a suffering monster, to a complex, multidimensional antagonist. Within the Christian world, Satan provides an interesting representation of evil. He can be used to demonstrate the charms of sin or its consequences. The these three works demonstrate a changing and increasingly complex understanding of evil and sin.
Satan is the core of Milton’s master piece and no matter how he is interpreted; the overall complexity of his character cannot be overlooked.
Furthermore, within these two main models of heroism critics mostly attempt to define the characters of Satan, Adam and the Son of God, depending on their characteristics throughout the poem. Historically, it has been the character of Satan who is defined as the hero of Milton's epic, one who was defined by the Romantics as a 'tragic-hero'. At the beginning of the poem he is presented as one with an iron fast will, who will overcome his challenges in order to gain a victory, like the heroes of the classical epics. Upon waking up, cast out of Heaven by God, Satan's first action is to attempt to rally his troops, defiantly proclaiming that they can “make a heaven of hell, a hell of heaven. ”4 (PL, I: 255, p.156) Milton manages to create a Satan so vivid and compelling it is little wonder that so many were drawn to this figure,
At times he becomes torn with conflicting emotions. His inner debates and self-criticism reveal him as a dynamic being. Satan flows through his heroic story, allowing himself to be the anti-hero the story. The authors believes that Satan is created as “an example of the self deception and the deception of others which are incident to the surrender of reason to passion.”
Altering an audience's opinion is a struggle that many writers face; it is always possible, however, to unite the reader with the speaker's position. In Paradise Lost by John Milton, the author attempted to persuade his readers into thinking that the theme of obedience to God will keep you in a blissful state and disobedience will keep you in a wretched state by the use of light in his books. God is associated with a radiant white light; while on the other hand, Satan is affiliated with a dark shady black. With this use of this contrast of symbolism of light and dark, there is a clear distinction that light is righteousness and more desired than the darkness, which is evilness and bad.
..., this self-justification and rationalization is a way of him saying, I am justified, which is an innate human quality. This representation is very different from what most people are used to seeing, which results in the reader relating to him and viewing him as victim because we identify with him. The humanizing aspect of Satan in the poem to have an initial reaction and say I am wronged in this situation is identical with our innate reaction to similar incidents. Even though we are different than Satan in many ways, we usually do not take accountability when we are expected to. Thus, we sympathize with Satan in this poem because we also rely on self-justification to avoid taking blame for our wrong doings and accept that we are sometimes wrong. Hence, since we understand his situation due to the way it mirrors our human nature, we consider Satan to be a victim.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
This document gives a history into the image of Satan and a light anthology of him. This text will instrumental in the metaphysical discernment of this essay.
In order to attempt to discern if Satan is a tragic hero, his character must fit a certain profile. According to Aristotle's theory, the tragic hero has the potential to be great, but is doomed to fail. The tragic hero, although fallen, still wins a moral victory. The general characteristics follow that the tragic hero is a noble, is responsible for their fate, contains a tragic flaw, and is doomed to make a severe error in judgment. Eventually, the tragic hero falls from a high status, realizes the mistake that was made, faces and accepts their death, and finally ends in a tragic death. It is important to state that, in all tragic heroes, the audience is affected by fear and/or pity. In Paradise Lost, the reader is easily able to relate to Satan, even pity him at some points...
Among the followers of Christianity, questions arise in order to find the righteous path to Heaven’s gate. On the contrary, there are those who seek answers for what is forsaken. Dante Alighieri fully expresses himself on this dilemma in his written work, The Divine Comedy. The first part of the epic poem is Inferno; Dante defines and constructs Hell, based on the morals and judgments set by common beliefs during his time. Dante also uses Aristotle’s philosophical work to shape the structure of Hell. Undergoing a journey through Hell as himself, Dante places famous literary icons to assist in questioning the acts of justice. Dante builds and contrast between the sinners who are innocent, and those who deliberately perform evil deeds. Virgil, a fellow poet and pagan, exemplifies wisdom and clarity that which Dante must learn through his endeavor. Virgil’s guidance will provide contrast and the necessary guidance to reach Paradise. The change of character Dante experience, is dreadful; pity and remorse must be exempted to honor retribution for the sinners’ defiance against God. All the answers regarding Hell, lies upon meeting the primal sinner, Lucifer, the Fallen Angel. Dante’s journey unfolds a critical analysis in which portrays the human struggle in every individual. There are several implications of the four functions of myth that can be derived from Dante’s Inferno. Dante divides Hell into three dispositions: incontinence, malice and brutality. (Alighieri, Dante, and Longfellow 6.79-82)
In Milton’s Paradise Lost, the readers are presented the perspective side of Satan to the biblical story, Adam and Eve. Over the past centuries, there have been numerous stories about Adam and Eve, but there was never a view from the devil himself, Satan. Satan started as a confused and angry person in the beginning. As the story progressed, Satan’s character became stronger and powerful. Toward the middle of the story, Satan acted almost as a political figure; he knew when and what to say to persuade other angels to follow him. Some reader suggests that Satan is the protagonist of the story because he struggled to combat his mistrusts and weaknesses. Nonetheless this goal was evil and Adam and Eve turned out to be the pure heroes at the end of the story while they help begin to fix humankind’s evil fate. There are several reasons why Milton focused so much Satan and gave him all the good lines.
In the eyes of a non-religious person, the figure of Satan might appear as an obsolete, mythical character of an antiquated view of the world. However, upon immersing oneself in the study of this persona, one can observe the strong belief in its power and the influence that the figure of Satan represents in the religious world. One might wonder how such a feat is possible even after hordes of scientists and academics objected to the existence of such a fabled character. Moreover, many theologists advanced theories that strived to diminish the importance of Satan in order to achieve a more monistic religion. It would be normal, nowadays to find the figure of Satan relegated to the status of a mere myth of the old times much like the ancient
After reading Book 1 of Paradise Lost, which was about Satan starting to plot against God, I was impressed by Satan’s determination to make an attempt to take over Heaven once again, even though he and his followers were chained to the flaming lake, tortured, as their punishment from God. I admired the fallen angels’ determination to defeat God by warping his good creations to evil, since they all know that God is too powerful for them. Although Satan is banished from Heaven, and cast down to Hell by God, Satan’s evil character has not changed.
Milton uses many events like the ones listed above to encourage the reader to view Satan as a hero. "Satan is described to be the brightest and most important angel" (McColley 32). These traits of Satan show...
...s. This is quite different from the popular conception of Satan during the Renaissance that can be seen in Giotto di Bondone’s painting, “The Last Judgment.” Giotto gives Satan a very dominant role in Hell and portrays him as very violent and gruesome. Dante’s “Inferno” changes the way that people think of and view Satan. For example, painters William Blake and Nardo di Cione depict Satan as he appears in “Inferno.” Dante greatly influenced both the Renaissance understanding of Satan and also Christian theology in general.
His pride, his envy and his manipulative nature all cause him to rebel against God and lead to his own downfall. Not unlike Achilles or Oedipus, Satan is portrayed as the engineer of his own misery. This heroic characterisation of the first few books highlights the scope of his fall, from a dashing angel to a deceitful snake, and shows the audience the sneaky ways evil can be tempting. As Russell writes: “Milton also deliberately made Satan appear magnificent at the beginning so that his audience might feel all the glamour of evil” (Russell, chap.12, p.15). And magnificent he is indeed! He is described as princely and godly, a clearly unnatural being of great power. He is compared to Teneriff and Atlas, and is said to reach the sky to emphasise his grandeur. Everything about his description at the start is tempting and glamourous. Quickly though, as the poem progresses, so do the images associated with him and soon, Satan’s evil deeds are reflected even through his physical appearance. When he is