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Satan as hero by literary devices
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After God created the Earth and mankind, all was right in the Holy kingdom. That is until, a friend, the bearer of light, the morning star fell in battle and ultimately in darkness. This fateful battle made true everything we know and live now. Milton and Dante play on this every concept in two very different ways, for Milton a cunning reflection of man and for Dante an animalisitic dunce. Milton and Dante use the Bible stories as a backdrop for their epic poems of love and of loss wherein a single unique character, a bearer of light is made to reverberate humanity and the supreme basic darkness that is the soul of man, one can note these key elements vis-a-vis his appearance, domain and the influence of Lucifer.
Since the every dawn of time, man has had to make swift judgements. The main point of all judgement is appearance and such this is most logical place to start. Appearance plays a rather crucial role in the works under the scope of this essay. Firstly, in Paradise Lost one should note that a reoccurring theme of: “its better to rule in Hell then be a servant in Heaven,” (Milton.I.263) makes a few significant points regarding make aspects into the neosis of Satan, but more so the appearance of Satan. The line in itself causes one to believe that he hath experienced both dominions in the physical and may further lead us to the pathogenesis and origins on this fallen Angel. However Milton gives us a contrasting view of the Devil compared to Dante. “He stood like a tower; his form not yet lost. All her original brightness, nor appeared less then archangel ruined and the excess of glory obscured.” (Milton.I.591-599) This description leads to the all important grandeur of Lucifer. Dante takes us to completely Devil, a ...
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...s Online - Harvard Theological Review - Abstract - The Social History of Satan, the "Intimate Enemy": A Preliminary Sketch. Harvard Theological Review, 1991. Web. 21 Mar. 2014.
This document gives a history into the image of Satan and a light anthology of him. This text will instrumental in the metaphysical discernment of this essay.
Shmoop Editorial Team. "Inferno." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 20 Mar. 2014.
This source will provide a great wealth of knowledge and act as an authority for this essay. They provide a great insight to Dante's masterpiece.
Shmoop Editorial Team. "Paradise Lost." Shmoop.com. Shmoop University, Inc., 11 Nov. 2008. Web. 21 Mar. 2014.
This sources provides a well of content and most importantly a look at Satan. This in-depth look lends a great hand in the sorting of details. The timeline given will be a great help.
In Dante’s Inferno, the relationship between Dante the Pilgrim and Virgil the Guide is an ever-evolving one. By analyzing the transformation of this relationship as the two sojourn through the circles of hell, one is able to learn more about the mindset of Dante the Poet. At the outset, Dante is clearly subservient to Virgil, whom he holds in high esteem for his literary genius. However, as the work progresses, Virgil facilitates Dante’s spiritual enlightenment, so that by the end, Dante has ascended to Virgil’s spiritual level and has in many respects surpassed him. In Dante’s journey with respect to Virgil, one can see man’s spiritual journey towards understanding God. While God loves man regardless of his faults, His greatest desire is to see man attain greater spirituality, in that man, already created in God’s image, may truly become divine, and in doing so, attain eternality.
...ards monstrous figures and sympathy towards those who seem to be tortured unjustly. In his perverse education, with instruction from Virgil and the shades, Dante learns to replace mercy with brutality, because sympathy in Hell condones sin and denies divine justice. The ancient philosopher Plato, present in the first level of Hell, argues in The Allegory of the Cave that truth is possible via knowledge of the Form of the Good. Similarly, Dante acquires truth through a gradual understanding of contrapasso and the recognition of divine justice in the afterlife. Ultimately, Dante recognizes that the actions of the earthly fresh are important because the soul lives on afterwards to face the ramifications. By expressing his ideas on morality and righteousness, Dante writes a work worth reading, immortalizes his name, and exalts the beliefs of his Christian audience.
Prior to open practice of Satanism, the Roman Catholic church used Satanism as a label for individuals and groups who held views or ideologies that conflicted with those of the church. This was an attempt to delegitimize their opponents and to strengthen the Church’s following. While these accusations were initially harmless and limited to heretics, they became increasingly frequent and extreme. These wild accusations spread to rumors of violent rituals claimed to be performed by Satanists which built up to widespread fear and panic. Ultimately, this would result in events like the Salem Witch Trials where innocent people were put to death due to false suspicion of individuals performing witchcraft and becoming possessed by the Devil. Ironically, while the church merely intended to bolster both its image and following with these accusations, the widespread panic that resulted put Satanism on the map, and “several scholars identify fundamentalist Christianity as one of the major influences shaping and driving the” onset of the Satanist movement (Underwager and Wakefield, 281). This sheds light on the true relationship between the conflicting belief systems of Christianity and Satanism. Although the two are at odds on even the most basic levels, their relationship is largely codependent. Christianity uses the fear surrounding Satanism and the
Many arguments have been made that Dante’s Inferno glimmers through here and there in Milton’s Paradise Lost. While at first glance the two poems seem quite drastically different in their portrayal of Hell, but scholars have made arguments that influence from Dante shines through Milton’s work as well as arguments refuting these claims. All of these arguments have their own merit and while there are instances where a Dantean influence can be seen throughout Paradise Lost, Milton’s progression of evil and Satan are quite different from Dante. Dante’s influence on Milton is noted by many scholars and is very apparent in several instances throughout Paradise Lost, however, Milton shows a progression of evil through his own vision of Satan and creates a Hell that is less meticulously constructed than Dante’s and more open to interpretation.
In John Milton’s epic, Paradise Lost, the author establishes Satan as the most complex and thought-provoking character in the tale through his depiction of Satan’s competing desires. Throughout the first four books of Paradise Lost, Satan repeatedly reveals his yearning both for recognition from God and, simultaneously, independence from God. The paradox that prevents Satan from achieving his desires may be interpreted as a suggestion of Milton’s establishment of a sympathetic reading for this character, as he cannot truly find happiness. In actuality, the construction of Satan’s rivaling aspirations evince Satan’s repulsive depravity to Milton’s audience and encourage readers to condemn his character.
Dante introduces Satan in the “Inferno” as the worst sinner of all times, and he relates his complexity with the sins that he committed and his punishment. Satan is described as the angel who rebelled against God, and hence he has wings. The wings of Lucifer are not the wings that an angel would have; instead he has bat-like wings, which demonstrates that now he has the wings the dark creatures as bats have. He is firstly in the story presented as an impure monster that is trapped in ice and unable to escape. “No feathers had they, but as of a bat their fashion was, and he was waving them, so that three winds proceeded forth therefrom” (Canto 34, 50).Dante’s depiction of Satan is different from the common known version of Satan, which is
Dante’s Inferno presents the reader with many questions and thought provoking dialogue to interpret. These crossroads provide points of contemplation and thought. Dante’s graphic depiction of hell and its eternal punishment is filled with imagery and allegorical meanings. Examining one of these cruxes of why there is a rift in the pits of hell, can lead the reader to interpret why Dante used the language he did to relate the Idea of a Just and perfect punishment by God.
Milton’s Satan in Paradise Lost is a complex character meant to be the evil figure in the epic poem. Whenever possible Satan attempts to undermine God and the Son of God who is the true hero of the story. Throughout the story Milton tells the readers that Satan is an evil character, he is meant not to have any redeeming qualities, and to be shown completely as an unsympathetic figure. Satan’s greatest sins are pride and vanity in thinking he can overthrow God, and in the early part of the poem he is portrayed as selfish while in Heaven where all of God’s angels are loved and happy. Satan’s journey starts out as a fallen angel with great stature, has the ability to reason and argue, but by Book X the anguish and pain he goes through is more reason for him to follow an evil path instead. Even so, Milton uses literal and figurative imagery in the description of Satan’s character to manipulate the reader’s response to the possibility that Satan may actually be a heroic figure. As the plot of the story unfolds there are moments where the reader can identify with Satan’s desires and relate to his disappointments.
This opposition between Christ and Lucifer is further emphasized by another textual element, which focuses on nomen. The Inferno, in fact, is the text where the word Dite __ Lucifer __ is inscribed and where the word Christ is never recorded. Thus a written sign characterizes Lucifer in the first cantica, whereas the text's silence typifies Christ. As we shall see, however, the meaning of this verbal presence and absence is ultimately turned around: Lucifer's presence becomes a failure, whereas Christ's absence signifies a victory. As a sign of his textual presence throughout the first cantica, Lucifer, the character whom the Pilgrim contemplates in the nethermost pit of the universe, is designated by means of various words and circumlocutions.
In conclusion, a great deal of tension and contrast between “dark” and “light” in The Inferno helps us to explore Dante’s self portrait—he fears dangerous desires and sinful darkness, but shows much courage and hope towards life since he nevertheless follows his guide Virgil to dive into horrible Hell. As shown in Canto I, such emotional reaction to dark and light symbols lays a great foundation for developing Dante’s broad and universal traits as his journey progresses.
Dante makes himself everyman, and the journey that God decreed through hell is one man’s personal transcendent journey from deep intellectual moral confusion to a sound and steadfast faith and hope, in which Dante renews his faith. Dante awakens our hope, and warns against moral complacency by peeling away the dangerous illusions of adequacy, leading one upward, toward the eternal heart of reality. Dante compels the reader to share his growing abhorrence of sin and his obligation to uphold God’s will. The poem’s purpose is to re-awaken Dante, and, by extension, the reader, to the reality of sin and the accompanying need for confession and repentance, to return to the straight path that leads to eternal salvation.
...epictions of Satan as manipulative in his actions, anthropomorphic in his relationships, and adept in orchestrating evil, both works result in same final effect: they imbue the devil with a more frightening and pervasive form of power. Ultimately, these two characterizations of the devil reflect the importance of perspective and interpretation, which are critical as society continues to globalize and intercontinental relations fortify. Individuals and nations must learn to listen to one another and respect each other’s perspectives. After all everyone’s stance is unique; everyone’s opinion contributes to a greater whole.
Ask anyone to draw Satan and you 'll get a red snake-like figure with horns and a pitchfork. Satan, as introduced in the Hebrew bible is an unworthy adversary of God. His longing to be like God is quickly recognized and dealt with. God banishes him from Heaven and sends him to Hell. That 's the last we see of him until he talks with God about his faithful servant Job. In each interaction we see Satan in, we get only a glimpse of who he really is. Satan 's motive is not developed and we assume he does evil simply because he is evil
The question of whether Satan is the hero or the villain of John Milton’s Paradise Lost has been largely debated by scholars over the centuries. The ones who believe Satan is the villain of the epic, more commonly known as the Anti-Satanists, tend to argue that Satan is too foolish to be considered a hero, as his “hostility to Almighty power” is ultimately a futile endeavour (as God’s power is omnipotent) (Carey, 135). C.W. Lewis, also an anti-Satanist, goes as far as to claim that to “admire Satan, then, is to give one’s vote not only for a world of misery, but also for a world of lies and propaganda, of wishful thinking” (Lewis, 203). The ones who claim Satan is the hero of the epic, the Satanists, perceive him as the rebellious angel who rises up and defies God’s monarchy and “the tyranny of Heav’n” (174).They choose to focus on Satan’s “nobler qualities, his loyalty in leadership, fortitude in adversity, unflinching courage and splendid recklessness” (Satan/Promo, 3). While these two positions are both valid, this paper will be focusing on a third position; the individuals who believe that Satan is neither the hero nor the villain of the epic. Helen Gardner addresses this notion, claiming how “Satan is, of course, a character in an epic, and he is no sense the hero of the epic as a whole. But he is a figure of heroic magnitude and heroic energy, and he is developed by Milton with dramatic emphasis and dramatic intensity” (Baker/Helen, 208). Satan is without a doubt the antichrist, or “villain” in the biblical scriptures, however one must take into consideration his alternative and more ambiguous portrayal in Paradise Lost. In this paper, I will analyze Satan’s actions, physical portrayal and speeches in Book I of Paradise Los...
...ubts himself, has jealousy, confidence and does not know he is wrong when he is; all of which a reader can identify with. Satan is in the same position as human beings under an omnipotent God who has foreseen their fate and yet argues that they possess free will. Both Satan and mankind have a choice to obey or do evil, and that is where they are similar.