A Review of Das Boot Das Boot (1981) is a film directed by Wolfgang Petersen. The film follows a German U-boat captain and crew during WWII and includes both the excitement and boredom involved with war in general. This film portrays an experienced U-boat captain, Captain Lieutenant Henrich on his final patrol with his crew in the Atlantic Ocean and a failed attempt at passing through the strait of Gibraltar. The younger crewmembers are portrayed as having the typical heroic dreams and aspirations seen in youth while the captain and officers exhibit a bitter cynicism toward Hitler and how Germany is managing the war. Several times throughout the film it is clear what Captain Henrich’s opinion is of the war; however, he is a dutiful officer of the German Navy. Several scenes have been selected for a closer review. Both the narrative and cinematographical techniques will be covered for the initial scenes, the boredom of patrol, the contact with the tanker (and subsequent pursuit by the destroyer,) the cruise vessel link-up in Vigo, the attempt at passing Gibraltar, and the ending scenes. The opening scenes of the drive up to the club with drunk sailors all about and the actual scenes that take place in the club show a …show more content…
The captain does not notice a destroyer amid the convoy and chooses to engage after consulting his number two. After the torpedoes are away, but before contact, the escorting destroyer gives chase. Terror is experienced by the crew including a nine tour veteran, Johan the engineer, who loses his nerve and attempts to open the hatch while submerged. The use of audio sound effects is persistent throughout the film. The diegetic sounds of depth charges and propeller noises outside the sub are heard by both the viewers and the crew of the U-96. This amplifies the terror and allows the viewers to share in the fear. Even the ping of sonar adds to the
The Silber Medal winning biography, “Surviving Hitler," written by Andrea Warren paints picture of life for teenagers during the Holocaust, mainly by telling the story of Jack Mandelbaum. Avoiding the use of historical analysis, Warren, along with Mandelbaum’s experiences, explains how Jack, along with a few other Jewish and non-Jewish people survived.
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer develop a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation. This scene is used to emphasise the danger that Dave and The Sapphires are in very real and very lethal danger, the mixture of sinister camera angles to emphasise the visual danger that the characters are in to the inhospitable sounds portrayed by the scene to highlight the explosive danger that the characters are in. The lighting used features the darkness and the difficulty to see due to the night sky.
The sound effects grabbed my attention and continued to make me yearn for what could come next. The sounds bring me to a place where I can’t help but believe in the situation that’s happening. The music heightens my mood and helps create illusion. For example, the first extraordinary sound technique I noticed that the filmmaker used was the echo effect. It was not only used to support the mood the characters were at, but also to express that idea of the ‘emptiness’ in them. This technique dominated the audio when I was taken to a story in the film of a boy who was 18 and poisoned by his own sister. Those are some of the dominant examples of sound usage throughout the movie The Poisoners Handbook. The entirety of the soundtrack is a solid cocoon for the film to stretch and grow
In the opening credits there is sounds of dolphins this sounds very calm to the audience, then it starts to build tensio...
These techniques are significant as it leads the viewers into contemplating about their own High Schools, creating emotional introspection. As a younger viewer it also enables me to empathise with the students being a similar age to the victims of the massacre. The severity of the situation is also felt through the use of sound as the audience can hear the trembling and distraught tones from the emergency calls. Archival sound footage further strengthens the authenticity of the crisis. As the distressed voices are heard as a voice-over, paired with the solemn sound of the acoustic guitar, the camera techniques further complements the disaster.
Captain Viktor Tupolev, a former student of Ramius and commander of the Soviet Alfa-class attack submarine V. K. Konovalov, has been trailing what he initially believes is an Ohio-class vessel. Based on acoustical signature information, Tupolev and his political officer realize that it is Red October, and proceed to pursue and engage it. The two U.S. submarines escorting Red October are unable to fire due to rules of engagement, and a torpedo from the Alfa damages Red October. After a tense standoff, Red October rams Konovalov and sinks it. The Americans escort Red October safely into the eight-ten dry dock in Norfolk, Virginia, where Ramius and his crew are taken to a CIA safe house to begin their Americanization, and Jack Ryan returns to London.
This analysis will explore these cinematic techniques employed by Pontecorvo within a short sequence and examine their effects on our understanding of the issues and themes raised within the film.
Starting in the very beginning, the four man crew is faced with a tragic shipwreck. After the disaster had struck, Crane goes into a long great detail about the knew vessel the crew must
them as unattractive and menacing and everything about this scene is threatening and ugly and makes the audience feel uncomfortable impact. in the audience of the. The music is like funeral music, loud and sad. The... ... middle of paper ... ...bloodshed and murder that follow.
destruction seen in the film into their own lives, by using familiar, mundane sounds that make a
The events that were portrayed in “Black Hawk Down” drastically affected the U.S.’ foreign policy during the 1990’s. The U.S soldiers went into a country in East Africa called Somalia. They went into the one city, Mogadishu, to capture top lieutenants of the warlord Mohamed Farrah Aidid. The mission was only supposed to take an hour, but it ended up lasting the entire night into the next morning. It was a short war that the U.S. never wanted to get into.
In conclusion, I have demonstrated how Coppola exploits a wide array of sound and editing to create suspense, intensity, and anxiety in the sequence to affect the audience’s emotions, using diegetic ambient sound effects, non-diegetic music, voice over and four editing types. With this sequence, Coppola has shown the savagery of war and our complicity in this violence as an audience.
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
In conclusion, director Peter Berg does an excellent job at directing this film by implementing so many different and creative techniques to tell a story that might otherwise be incorrect. This real life memoir was presented to tell the tale of Four Navy SEALs that put their lives on the line to defend their country. The uniqueness of the elements and the way they are used brought out the realistic nature of morality, brotherhood, and honor. These elements showcase the mental and physical hardship that soldiers endure.
Although admittedly some scenes have a comical side to them, Besson's fast paced action and gruesome images hold the tension and suspense brilliantly. His use of close-ups and camera movements, especially the subjective stance used by the victim, convey the feelings felt by the characters and the way in which they behave. Sound plays a crucial role in the opening sequence because, in my view, it is used to control the level of suspense and intrigue.