The Sanctuary is a painting created by Danie Mellor in 2013. This artwork illustrates a scene of wildlife. The audience is looking up at the sky and trees. This scene is primarily coloured blue and white excepting for the koalas and apes jumping around and living in the trees. These animals were painted natural colours which helped to contrast against the trees. This helps the animals stand out and draw the audience's attention towards them. The contrasting colours of the flora and fauna helps represent native animals feeling and looking out of place after Australian
In Susan Faludi’s “The Naked Citadel”, she analyzes the homosocial nature of men as she tries to discover the causes behind sexism and to find out “why men who oppose women’s progress are so angry” (Faludi, 72). The main subject of her reading is the all boys college named the Citadel and its vehement opposition to admitting a female into its ranks. The boys become aggressive and angry about the thought of an independent and unique woman becoming a part of their student body. The thought of it threatens the gendering society established within the Citadel where the boys rely on each other to establish their own gender identities. Gender identities rely a lot upon the shaky foundation of the social dominance of one sex over the other. In today’s
An artwork will consist of different elements that artists bring together to create different forms of art from paintings, sculptures, movies and more. These elements make up what a viewer sees and to help them understand. In the painting Twilight in the Wilderness created by Frederic Edwin Church in 1860 on page 106, a landscape depicting a sun setting behind rows of mountains is seen. In this painting, Church used specific elements to draw the viewer’s attention directly to the middle of the painting that consisted of the sun. Church primarily uses contrast to attract attention, but it is the different aspects of contrast that he uses that makes the painting come together. In Twilight in the Wilderness, Church uses color, rhythm, and focal
The piece uses a gorgeous palette of green, blue, and yellow. Creating a calm and relaxed tone that flows throughout the whole painting. The sole cypress tree is the focal point of the piece. Dark green attracts the eye from the overall light colored piece but does not distract the viewer completely since used sparingly. The brushstrokes used to create the piece bring it to life. The piece goes beyond the canvas by engaging the imagination of what else is there but left unseen. I picture a river to the right of the wheat field which eventually leads to a small town on the other side of the blue mountains. To the left I see the rest of the wheat fields for miles on end with farmers plowing and children playing. I feel the wind blowing, the clouds moving, and the trees rustling. I feel as if Van Gogh intended for this piece to feel alive, for the viewer to feel as if they were there embracing
“Watch your tone young lady” a phrase known all too well to the American culture, whether it be from mom giving her children a lecture or on a television screen being spoken out by an actor. The tone of voice that one uses while speaking plays an extremely significant role in what the spoken words actually mean. Many times one can say one thing and mean another just from placing emphasis on a particular word. With tone of voice plays such a vital role in the meaning of a sentence it becomes clear that poetry, although often times found in books as written work, is meant to be read aloud; this was not all that clear to me until I attended my very first poetry reading. On November 10th Ramapo College welcomed the marvelous poet Mark Doty to its campus. Through Mark Doty’s reading of “House of Beauty” and “Theory of Marriage” it became clear that the use of emphasis and tone are vital characteristics that allows for the poet to challenge poetic traditions and conventions.
The White Porch is a pleasant and easy poem to read. It resembles the tale of Rapunzel, who is famously known to have long hair. In the first verse paragraph, the narrator, who is implied to be a woman, is an adult who expresses that her hair takes forever to dry. Then in the second verse paragraph, she goes on to recall the times when her mother fixed and cared for her hair as a youngster. At night, she would let the rope, her hair, down and meet with someone, most likely a lover, privately. A similar aspect occurs in Rapunzel. Rapunzel would throw her hair out from her tower, thus meeting with her prince behind the witch’'s back. Like Rapunzel, the narrator treasures her hair greatly and even considers it like “a bridal veil.” Hair can symbolize
For some time colored people have been missed judged because of their genetic makeup; and because of it they had to live under different circumstances. While white people had the right to live where they want and get any job they wanted. That is still true today and because of it we have colorism “prejudice or discrimination against individuals with a dark skin tone”. In, the novel “The House Behind The Cedars” by Charles W. Chesnutt points out how the mulattos struggle dramatically in racial society and even their own. Compare to mulattos and blacks, white people were privileged and respected, which is Charles W. Chesnutt primary message about race relation.
“Poems differ as much as the people who write and read them, or as much as music and movies do” (Mays 846). Poems are the most difficult form of writing to analyze because they can be interpreted differently. Poems are composed of figurative language. Many times poems can be overanalyzed or not analyzed enough which could lead one to obtain an idea out of the poem that the writer never intended to provide.
This work shows impeccably drawn beech and basswood trees. It was painted for a New York collector by the name of Abraham M. Cozzens who was then a member of the executive committee of the American Art-Union. The painting shows a new trend in the work of the Hudson River School. It depicts a scene showing a tranquil mood. Durand was influenced by the work of the English landscape painter John Constable, whose vertical formats and truth to nature he absorbed while visiting England in 1840.
Looking at landscape art, especially when painted by one of the masters, many have undoubtedly pondered: what would it be like to live there? Shapes and attention to detail are, of course, important in a painting. However, it is color that draws the eye and inspires the heart. Oscar Wilde, an Irish poet and dramatist, spoke well of this when he noted that, “Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways. (qtd in “color”)”. Vincent Ward had a similar understanding of this impact when, in 1998, he directed the movie What Dreams May Come. Looking at this film, one can easily imagine being inside a living painting. The use of color to emphasize the emotional state of a character or event is common in films; nevertheless, Director Ward goes even farther in using color to represent the actual characters themselves. Red is the shade chosen to signify Annie and likewise, blue is used for Chris. Both of these, as will be shown, are accurate in defining these fictitious people. However, it is the profound use of purple in this film that is the true focal point. When mixing red and blue paint, one would find that, after being mixed, they cannot be separated. Likewise, this is true of the life and love these characters build and share. Purple represents the many ways in which Chris and Annie are melded, and joined.
“The Wall” is a breathtaking short story written by Marlis Wessel, a former Canadian teacher, who has also written short stories, children’s plays and monologues for theatre. Ms. Wessel’s’ short story is a remarkable journey to Germany of a young couple in the late 80’s, where they learn the significance of the country’s history and present existence. The story is written in third person perspective with fulfilling and symbolical details within the characters’ every move and speech.
The Animal Kingdom is a modern exhibit designed to follow the “natural pattern” of an African community. The most eye-popping attraction, the Kilamanjaro Safari, is an open-air, nearly barrier-free animal reserve at Florida’s Walt Disney World. It was a major shift from a cow playground to a zone of care for other wise caged animals. Here, African animals freely roam through acres of savanna, rivers, and rocky hills. The rider is advised to be aware, “You never know what could happen in the wilderness” (Tate 1).
Color is a very meaningful part of almost all artworks. For this sculpture, the artist chose a particularly vibrant blue. The light blue hue used is not only a common color for balloon animals, but it also is one of the first colors we learn as children, which further ties this piece to memories of our youth. This artwork conveys simplicity in its use of only one color. This is reminiscent of the simplicity of childhood.
It captures a calm scene during the winter. Looking at the painting, some of the things that jump right out are the paved side walk/ bike path, the evergreen trees, and the ground covered by clear fresh snow. The side walk starts on the right side of the painting, curves to the left and comes back to the right and fades into the evergreen tree, which is right in the middle, the emphasis of the painting. The other evergreen trees are painted behind the middle tree. They are evenly spaced and each tree is painted in different perspectives, which adds depth to the view of the nature/scene being captured. Since there is fresh snow on the ground and the time seems to be set in the morning or midafternoon, the whole painting has a snow white
The main driving element in William Morris’s life has been the nature around him and the houses he lived in. The most prominent influence was the Kelmscott Manor. Therefore, I chose to go with Kelmscott Manor’s layout plan that exhibits the “inspirational garden “ that led to most of his design decisions, a map that depicts the pockets in the manor and how Morris was inspired by it. In addition to this, an original drawing of the Kelmscott Manor’s exterior that depicts how the manor amalgamated within the garden. To reinforce this, I picked a watercolor of the Kelmscott Manor and a photo that captivates the various perspectives of the garden in the manor. Moving on to his designs that interprets his love for nature I picked up the very first of his wallpaper design of the trellis that has a very naturalistic touch to it with the vines which seemed to be an extension of the “inspiration garden” on to the paper. Also chose one of the wallpapers he designed during the middle of his lifetime and one of his last designs as well. The underlying concept behind picking those was to outline the consistency in his design concept throughout his life. William Morris was a poet , whose poetry and compositions were also inspired by nature, and to depict his poetry in form of naturalism concept I picked a stance from one of his compositions that talks about forest, flora and fauna which directly ties to his underlying concept. Also the compositions he wrote always had engraved borders which was ...
In certain, remote sections of this wild nature reserve, there are only a few manmade structures, including a small wooden church. Perhaps someone’s way of showing gratitude towards the creator of this pristine world. It’s an attractive motif which has been immortalized by the numerous photographers and artists who have discovered it. Subtle details like these further add to Yosemite’s one-of-a-kind