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Oscar Wilde on aestheticism
Oscar Wilde on aestheticism
Oscar wilde essay on art
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Looking at landscape art, especially when painted by one of the masters, many have undoubtedly pondered: what would it be like to live there? Shapes and attention to detail are, of course, important in a painting. However, it is color that draws the eye and inspires the heart. Oscar Wilde, an Irish poet and dramatist, spoke well of this when he noted that, “Mere color, unspoiled by meaning, and unallied with definite form, can speak to the soul in a thousand different ways. (qtd in “color”)”. Vincent Ward had a similar understanding of this impact when, in 1998, he directed the movie What Dreams May Come. Looking at this film, one can easily imagine being inside a living painting. The use of color to emphasize the emotional state of a character or event is common in films; nevertheless, Director Ward goes even farther in using color to represent the actual characters themselves. Red is the shade chosen to signify Annie and likewise, blue is used for Chris. Both of these, as will be shown, are accurate in defining these fictitious people. However, it is the profound use of purple in this film that is the true focal point. When mixing red and blue paint, one would find that, after being mixed, they cannot be separated. Likewise, this is true of the life and love these characters build and share. Purple represents the many ways in which Chris and Annie are melded, and joined.
Annie is, by nature, an energetic, passionate and sometimes unstable person. Happy or sad, she extends the same amount of herself into every emotion, action and choice. Around the globe, red is “[r]ecognized as a stimulant, [and]…inherently exciting (qtd. in “Red”)”. Also, red symbolizes danger, and is used quite often to signify potentially harmful or unsa...
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... truly understand the hidden meanings and undertones, one must acknowledge the importance if these colors. Purple, in any shade, cannot exist without red and blue. That being said, purple plays the major role in representing the complexly joined life, death, and afterlife of Chris and Annie.
Works Cited
“Color.” Proverbia.net. n.p., 2009. Web. 6 November 2010.
Smith, Kate. Sensational Color. 2010. 6 Nov. 2010 .
All about the Color Blue
Smith, Kate. Sensational Color. 2010. 6 Nov. 2010 .
All about the Color Red
Smith, Kate. Sensational Color. 2010. 6 Nov. 2010 .
All about the Color Purple
What Dreams May Come. dir. Vincent Ward. perf. Robin Williams, Cuba Gooding Jr., and
Annabella Sciorra. DVD. Polygram Filmed Entertainment, 1998.
While Bill is looking through the art book given by Bud, we see Rembrandt’s self-portrait which symbolises the inner strength of humans and the conflicting nature of humans. The purpose of this painting being introduced in the film helps the viewer understand how the Technicolour characters in Pleasantville revolt against the old ideas of order and push forward new ideas of chaos and excitement. A newfound inner strength is found in these people, in other words. The painting itself was painted in the 17th century in the Netherlands, at the heart of the ‘Dutch Golden Age’ – a period where Dutch trade was among the most acclaimed in the world and a time where the country lived without any war. This may have foreshadowed the events to come from the conclusion of the film, where the town finally becomes free of the bounds that restrain the town from passion. In the film, Cezanne’s Still Life with Apples and Oranges is seen when Betty comes into his shop. Bill is trying to replicate the same painting himself, though with his own twist and technique. The painting itself was a major breakthrough during the French Renaissance, as it symbolised the time itself through the use of still objects. The apples and oranges in the painting are different, yet still fruits, and are placed in bowls or placed randomly around the table. Picasso’s Sleeping Woman Before Green Shutters again plays an important role in supporting Ross’s ideas of change in the film. In fact, it appears as a turning point of the film where Betty finally accepts her colour and gives an emotional impact on
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Toni Morrison's Beloved makes one ponder the essence of life and death. It is a novel that can challenge the brain, and change an opinion about the supernatural. One of the biggest symbols throughout the novel would be colors. Colors such as pink, red, and orange are mentioned on numerous occasions throughout the novel.
When you put all these aspects put together with my interpretation of what is happening in the painting, a sense of calmness and security was constructed for me. No matter what this couple may be going through at the end of the day they still lean on each other for support. The complementary colors symbolized a sensation of strength between them, the balance of the composition created a stability characteristic, and the smooth and fluid brush strokes created a tranquil energy between the
The French 1884 oil on canvas painting The Song of the Lark by Jules-Adolphe Breton draws grasps a viewer’s attention. It draws an observer in by its intense but subtle subject matter and by the luminous sun in the background. Without the incandescent sun and the thoughtful look of the young woman, it would just be a bland earth-toned farm landscape. However, Breton understood what to add to his painting in order to give it drama that would instantly grab an onlooker’s interest.
In Beloved, Toni Morrison portrays the barbarity and cruelty of slavery. She emphasizes the African American’s desire for a new life as they try to escape their past while claiming their freedom and creating a sense of community. In Beloved, "Much of the characters’ pain occurs as they reconstruct themselves, their families, and their communities after the devastation of slavery" (Kubitschek 115). Throughout the novel, Morrison uses color to symbolically represent a life complete with happiness, freedom, and safety, as well as involvement in community and family. In many scenes, Morrison uses color to convey a character's desire for such a life; while, in other instances, Morrison utilizes color to illustrate the satisfaction and fulfillment, which the characters experience once they achieve this life.
When I imagine an artist, I picture a Parisian dabbing at a sprawling masterpiece between drags on a cigarette seated in an extravagantly long holder. He stands amid a motley sea of color, great splashes of vermillion and ultramarine and yellow ochre hiding the tarp on the studio floor. Somehow, not one lonely drop of paint adorns his Italian leather shoes with their pointed toes like baguettes.
The purple color itself symbolizes love in the story. When Celie is shopping for the first time in her life for new clothes, she wants to get something purple. However, she cannot find any purple garment while seeing a lot of people wearing purple. This is a symbol of her search for love: she sees so many people who are loved and happy, yet no matter how long and hard she looks, it seems impossible to find love and happiness for herself .
Similar to many of the van Gogh’s paintings completed close to the end of his life, Vincent van Gogh's Wheat Field with Crows is a representational painting depicting nature around him. This piece is showing the wheat fields surrounding the graveyard of the Church in Auvers-sur-Oise - the graveyard where both van Gogh and his brother, Theo, were buried. The artist shows his interpretation of the wheat field on a stormy day, with three paths converging in the center of the painting's foreground. The center path disappears into the distance with an “abrupt termination” on its way to the horizon, creating a true sense of depth, while the other two ...
The color blue is symbolic of two separate emotions that Adele and Emma experience throughtout the film. These emotions are pleasure and pain (blueisthewarmestcolormovie). Adele and Emma’s very first encounter reveals elements of blue. All Adele could see whilst walking past a crowd of people is Emma’s blue hair and jacket. Adele’s first kiss reveals that Emma is wearing blue nail polish. It is used especially well when the color is used in the while Adele and Emma have sex. The color blue is therefore especially important in the film because pleasure is emphasized throught the use of this color.
...rivers of paint rush across the dark black ground, creating writhing intertwining shapes that suggest figures in a landscape setting, but without any specificity whatsoever.
Like many of Van Gogh’s paintings, Olive Trees commences as a landscape and expands into a complex work, disclosing influences from other times and places. Using the color theory and separated brushstrokes of the Impressionists, the movement and vivid colors of the Romantics, and lighting and composition inspired by Millet, Van Gogh achieves the potency and significance that characterizes his work. Van Gogh’s paintings can’t possibly be mistaken for those of another artist of his time because, despite the fact that all of his means have criterion, his end results do not.
...at make up the crowd or the eerie, bulbous faces on the train. Stephen fulfils his role as an artist by becoming a sort of teacher-shaman as he gives his discourses on esthetics to Lynch and prepares to depart into the world, like some wandering monk or sage. Separate from society he is able to search out and convey the truth of society. Pink's isolation, however, utterly destroys him. Unable to endure, the wall is torn down by the hammer of conformity and Pink becomes the very personification of repressive society. If the role of the artist is to objectively show society the truth of itself, then Pink emerges an artwork in himself, an accurate mirror of the forces that shaped him.