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Oscar Wilde’s The Picture of Dorian Gray is the life of a wealthy, beautiful young man after selling his heart to the devil. The story begins in the late 19th century London in a luxurious painter’s studio where the readers are introduced to Basil Hallward and his dear friend, Lord Henry Wotton. The two characters, Basil and Lord Henry, discussed the portrait of a golden-haired young man that Basil was painting. Lord Henry Wotton was astonished by the sight of the magnificent painting. He believed that the painting was Basil’s finest work. Lord Henry insists that Basil should show the portrait to the public. Basil refuses to because he states that the painting has to much of him in it. Lord Henry did not understand the meaning of the statement
Aestheticism is the philosophical study of beauty and taste. During the 19th century, the era did not agree with the philosophy. The Aestheticism Movement, a group sought to release art from responsibility of having a moral or a purpose. Oscar Wilde was associated with the group. Wilde published The Picture of Dorian Gray as a response to his essay collection arguing the tenets of Aestheticism, Intentions. In his The Picture of Dorian Gray, he uses the characters as an example of the beliefs of the Aesthetic ideal. Through his character’s experiences, Wilde illustrates the soul of the character, the character’s pursuits of pleasure and the character’s opinion of art. The author’s idea of Aestheticism is art that exists for the meaning of beauty, alone. Art served no purpose in the philosophy because “All art is useless.” (Wilde). Dorian’s reaction to the portrait shows the readers all that matter was he was going to age and the painting was going to stay young and beautiful. The author kind of contradicted the principles of Aestheticism. The readers read his novel and instantly think of the portrait and give it a moral. Lord Henry spoke about the portrait after Basil finished . His expressive words were centered around beauty and how magnificent Dorian’s physical appearance appeared in the portrait. The author contradicts the beliefs of the Aesthetic ideal by Dorian’s reaction of the portrait
Why did these words fill the mind of Oscar Wilde? These words remaining important throughout the novel. Dorian’s innocence dwindles in search of pleasure and remaining young in the process. The author of the novel fabricates characters to illustrate a mind of philosophies. The two philosophies overly known in the novel is Aestheticism and Hedonism. Aestheticism and Hedonism connects these words so beautifully. The portrait of Dorian Gray and the painter are examples of Wilde’s beliefs of art not having a purpose and art exists because of the art’s beauty at the beginning of the novel. The painting receives the soul of Dorian and ironically gives the portrait a purpose of corruption. Dorian Gray is the example of the author’s creation, through Lord Henry’s character, of a new philosophy. The author uses words: youth, beauty, and corruption by connecting the portrait, the painting of the portrait and Dorian with the study of Aestheticism and Hedonism. Oscar Wilde’s important words links to the philosophies he supports during the time of critical
In The Picture of Dorian Gray, Oscar Wilde introduces Dorian Gray as a mysterious and beautiful young man. He has no opinion and is very similar to a ball of clay, in the sense that he has no opinion and is free to be molded by whoever takes interest in him. Basil and Lord Henry both take interest in the young man. While both praise his physical beauty, Lord Henry wants to turn him into a hedonist minion. He convinces Dorian that he is a perfect candidate to live life according to his pleasure and that Basil is a poor influence upon him. Dorian takes this to heart and lives his life this way. He exchanges the purity of his soul for the beauty of his youth in certain painting. This breaks him down. He becomes less and less welcome by those who once admired him. He gets blackballed from clubs, has promiscuous sex and spends seventy-two hour periods in London’s opium dens. His life of seeking pleasure makes him more and more unhappy. When Basil shows up, he wants some one to sympathize with him and tell him that what he has done is not his fault. During the scene of Basil’s murder, Dorian’s want to be seen as good is apparent, but his unwillingness to accept fault and his corrupt ideology drive him to kill Basil, unveiling a new, malicious side to Dorian Gray.
“The Picture of Dorian Gray” is a novel written by Oscar Wilde. The story takes place in England, where the artist Basil Hallward paints a portrait of the young and beautiful Dorian Gray. During his stay at the artist’s studio, he gets introduced to Lord Henry who later becomes one of the most influential people in his life. Dorian Gray becomes aware of his amazing beauty and youthfulness due to the portrait and wishes that the portrait ages instead of him. His wish comes true, Dorian remains beautiful and youthful while the portrait changes. Lord Henry becomes his best friend and motivates him to live in abundance, to sin and always strive for beauty. After a while, Dorian discovers that his portrait doesn’t only age, but also changes face expression as a result of all his sins and evil deeds. Dorian gets anxious by the fact that the portrait shows his evil soul and is scared that somebody will see it, therefore he hides it. The portrait haunts Dorian although it’s hidden. As Dorian’s sins gets worse, he feels that he can’t handle the pressure anymore and decides to destroy the portrait that shows his true self.
In Wilde’s The Picture of Dorian Gray, we follow the young Dorian Gray as Lord Henry Wotton first introduces him to a new way of being. Lord Henry believes that the only way of being is to understand that beauty is the only worthwhile trait of life. Wilde writes “, Lord Henry looked at him . . . There was something in his face that made one trust him at once . . . There was something in his low, languid voice that was absolutely fascinating . . . But he felt afraid of him, and was ashamed of being afraid. Why had it been left to a stranger to reveal him to himself?”(page18-23) To Dorian, having just met Lord Henry, these words are life altering. Scholars have made the argument that Lord ...
Although Wilde halts short of stating that Basil and Lord Henry have sexual feelings for Dorian , the language he uses to describe their devotion for Dorian is unmistakably the language of deep, romantic intimacy. “Tell me more about Mr. Dorian Gray. How often do you see him?”. “Every day. I couldn’t be happy if I didn’t see him everyday. He is absolutely necessary to me”. This common motif of homoerotic bonds between men plays a large role in structuring the novel. Basils painting is born from his adoration of Dorians beauty , comparatively Lord Henry is overcome with desire to seduce Dorian. This sense of camaraderie between men fits into Wildes aesthetic values, for it returns him to his past where the philosophy of beauty was not only the basis of society but fundamental to culture. As a homosexual living in an intolerant society, Wilde asserted this philosophy in order to justify his own lifestyle.
The novel, The Picture of Dorian Gray, by Oscar Wilde shows the life of three men who are affected by art in the Victorian society. In Victorian times men were expected to provide for himself and his family, accumulate wealth, exemplify good morals and prove his masculinity. If a man did not show one of these qualities in the Victorian time his masculinity would be questioned. In the novel these men show three different sides to masculinity. Each character finds himself unhappy with the role he is forced to play in order to prove his masculinity. For them it seems in order to be successful or achieve happiness they must push past the gender roles society has placed on them. Basil Hallward represents the artist, Dorian
The development of Dorian’s double life discreetly implicates the confinement of homosexuality due to a lack of liberation.1 Before his confrontation with sin, Dorian leads a lifestyle of spiritual freedom and aesthetic oblivion.2 Dorian’s moral corruption does not arise until the forcible fragmentation of his identity when Basil asserts his desire to “stay with the real Dorian,” while referring to the portrait of Dorian.3 His corruption emerges when he begins to feel a “passion for sensations,” which results in a constant fluctuation of emotional stability and discontinuity of his puerile innocense.4 Wilde finalizes Dorian’s breakaway from realism through his proclamation that the portrait was to “bear the burden of his shame,” which foreshadows his shameful future and the degradation of his image.5 The implementation of a double life reflects the beginning of his battle with sin versus morale, and even more intuitively his expression of homosexuality versus traditional relations.6
The Picture of Dorian Gray is a rich story which can be viewed through many literary and cultural lenses. Oscar Wilde himself purposefully filled his novel with a great many direct and indirect allusions to the literary culture of his times, so it seems appropriate to look back at his story - both the novel and the 1945 film version - in this way.
In this novel, we see the corruption of Dorian’s unscathed innocence and his beauty by various outside sources. Dorian first meets Basil, who values Dorian’s beauty so much that he is Basil’s muse for art, his way of living. Basil wants to cherish Dorian forever, and wants to keep him for himself. Additionally, at first, he cherishes Dorian’s beauty more than he does his personality. As an artist, Basil is completely enamored by Dorian’s beauty, and he says, “what the invention of oil-painting was to the Venetians, the face of Antinous was to late Greek sculpture, and the face of Dorian Gray will some day be to me” (Wilde 12).
Oscar Wilde`s novel The Picture of Dorian Gray is written primarily out of the aesthetic movement of the Nineteenth Century. Therefore, the text contains a profuse amount of imagery which reflects the concepts of beauty and sensory experiences. By taking the aesthetic approach, Wilde was able to revive the gothic style through grotesque imagery of the portrait and the character whose soul it represents. Wilde is not using gothic elements to shock his audiences; rather he uses the gothic to capture the hideousness of Gray`s corruptness which leaks out of the painting and into the tone of the entire text.
In this novel, Oscar Wilde displays Dorian’s moral corrosion negatively in order to convince his audience of the detrimental effects of aestheticism. As Dorian descends deeper into the depths of his depravity, the audience loses faith in him. His innocent, childlike and charitable qualities, seen in his philanthropy and petulance when he is first introduced, are lost, and he acts cruelly and selfishly. For example, when his lover, Sibyl Vane, performs on stage and fails to meet Dorian’s expectations, Wilde fashions Dorian’s reaction to be callous and bitter to her so that the reader sympathizes with Sibyl.
In the novel The Picture of Dorian Gray written by Oscar Wilde readers are presented with a vast depiction of the art of immorality in the face of ignorant innocence portrayed by the character Dorian Gray. In the beginning it seems to be a quaint novel on artistry and the paradoxical relationship between two lifelong friends by the name of Basil Hallward and Lord Henry. The plot takes a surprising twist when introduced to the real center of attention, the character of the seemingly innocent Dorian Gray. Upon this introduction Wilde then begins to tell the tale of what a life of secrecy and deception will lead to without the consciousness of a moral threshold and the inescapable burden of Dorians horrid accumulation of sins. The deception begins with a simple shout out to the heavens for the impossible to be granted. This then flourishes into unspeakable acts caused by an Egyptian statue, bringing misfortune to Dorian Gray by giving him exactly what he so desperately desires, thus teaching the world a lesson. Not everything we so strongly desire the world to provide is good for the soul.
In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.
In The Picture of Dorian Gray by Oscar Wilde, Dorian Gray slowly becomes more influenced by things and people around him. Eventually, Lord Henry gifts him with a book describing a wealthy man’s pursuit of aesthetically and sensually pleasing items. “The yellow book” has a much stronger effect on Dorian Gray’s perception of beauty than Lord Henry Wotton does. Although it can be argued that Lord Henry introduced Dorian to the idea of aestheticism, the “yellow book” drives Dorian to live a life full of it, and changes his focus. Dorian shows the fact that he is not strongly influenced by Lord Henry through his interactions with Sibyl. Contrary to this, Oscar Wilde illustrates the substantial influence the yellow book has on Dorian by one, the
He also blames all the misery of his life on the hideous painting of him (152). Dorian 's hatred towards the two pieces of art mirror how Victorian society looks upon art created by people like Oscar Wilde. Oscar Wilde 's plays, essays and other works of art are looked poorly upon by some in the Victorian era as his work was considered by some to be corrupting. Oscar Wilde, however uses the book The Picture of Dorian Gray to subtly counter these points. “All art us at once surface and symbol. Those who go beneath the surface do so at their peril. Those who read the symbol do so at their peril” (4). Oscar Wilde criticizes Victorian culture as he implies that too many people read and analyze the surface or read the symbol, but not both. In order to properly understand a piece of literature the reader must interpret both surface and symbol. Dorian Gray fails to do this as he interprets merely the surface of the portrait and also of the yellow book, but he fails to investigate the symbol of each piece of art. By failing to completely analyze the text he draws terrible conclusions of what the purpose of the book is and as he begins to formulate horrible ideas based off these incomplete conclusions he has drawn from the book. He then proceeds to blame all his corruptness on the book, when in reality it is his poor analysis of the book
To avoid getting hurt, he pretended to be Lord Henry: decadent, cynical, eloquent, rebellious, and a bit evil in the eyes of bluenoses. Dorian Gray is what he would like to be: be loved, taste all the beauties and exquisite in life and die for what he wants to defend. In this novel, Wilde portrays his philosophy of "aesthetic idealism." He favored nature when it was explained as an internal individualistic impulse, just like Lord Henry who suggests that beauty is the greatest good and doing so diminishes the role of the soul. He does this out of a half-facetious, half-earnest pursuit of that which is more genuine, less socially constructed and therefore less hypocritical.