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Digital art technology
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A dandypunk makes use of his hand drawn animation style with projection mapping and live performance to combine the boundary between fantasy and reality. Entirely self-taught, the Cirque du Soleil performer’s innovative use of art, movement, and technology was recognized, which awarded him first place and two further honorable mentions in their annual creativity contest. His 2012 work, “Alchemy of Light,” was given the highly sought-after “Staff Pick” seal on Vimeo and has become internationally known as a pioneering example of the emerging medium of projection mapping with live performance and storytelling. He exists to inspire and motivate creativity, non-conformity, whimsy, intense curiosity, do-it-yourself mentality and everyday eccentricity …show more content…
The magic lantern as he calls it otherwise known as the projector was the key to make this happen. It allowed him to interact with his creations in front of an audience. He tries to maintain hand drawn analog style even though he is using a digital medium. His main focus is to keep the performers and the narrative at the forefront of the work. He sometimes says his work is like making puppets out of light. A Dandypunk’s work intrigues me with his abstractness, yet his creativeness is what really stands out. I guess a part of me sees that his drawing is not the best but he still creates incredible work. His work consists of mainly using light as an object to make fantasy come to reality. He can have a drawing of a monster and map it in a way that when you look at it, it seems as if it is alive by just using a little bit of light. The aesthetic that he uses is thought out in every way possible, sometimes I think of how anyone can do anything else. His incorporation of live mapping in media design for performance is in early stages I believe but I know it will expand to become a normal work in almost every show. In most of his work you
Each of these designs has had a great impact in the field of scenic design and on the future of technical theatre design. Due to their artistic talent, hard work, creativity, and drive to reach their dreams these scenic designers have paved the way for future designers and innovation in future productions. The theatre world would not have been the same without their substantial impact and the footprints of genius they leave behind.
Some of these animations add visuals when a complex idea is being described, such as the idea of the ‘lemon dance” or the ‘rubber room’ in New York. Guggenheim also takes the idea of tenure and uses these techniques to twist tenure into somethi...
People usually expect to see paintings and sculptures in Art Galleries. Imagine the surprise one finds when they are presented with a man stitching his face into a bizarre caricature, or connected to a machine which controls the artist’s body. These shocking pieces of performance art come under the broad umbrella that is Postmodernism. Emphasis on meaning and shock value has replaced traditional skills and aesthetic values evident in the earlier Modernist movements.
She also uses the shadowing technique to make the figures look 3D, and to emphasize the foreground and background. She uses bright colors in the clothing and sunlight to brighten up the painting to make it known they are outside. She used a lot of detail in their clothing, and even on the table they are playing chess on. I also noticed on the side of the chess game, she engraved her name on the side, along with some other words I cant make out.
Mark Driscoll, the Pastor at Mars Hill, discusses six different views in his article, “What are the Various Views on Creation?” They are Historic and Young-Earth Creationism, the Gap Theory, the Literary Framework View, the Day-Age View and the Theistic Evolution. In each of these views, Driscoll discusses the age of the earth and the amount of time it took God to create the earth. I believe the Historic Creationism is more scriptural. Genesis 1:1 is self-explanatory when it states, “In the beginning God created the heaven and the earth”. There was no time frame listed.
When I found out I qualified to be a candidate for the NJHS, I knew I had to take this chance. This group is made up of people who depict leadership, character, citizenship, academic success, and service and I would love to join. These characteristics wouldn't just be valuable for a candidate to have, but for everyone to have to exceed in life. If I were to be in the National Junior Honor Society, it would give me an opportunity to ameliorate my future and motivate me to do better.
In “The Fish” by Elizabeth Bishop, the narrator attempts to understand the relationship between humans and nature and finds herself concluding that they are intertwined due to humans’ underlying need to take away from nature, whether through the act of poetic imagination or through the exploitation and contamination of nature. Bishop’s view of nature changes from one where it is an unknown, mysterious, and fearful presence that is antagonistic, to one that characterizes nature as being resilient when faced against harm and often victimized by people. Mary Oliver’s poem also titled “The Fish” offers a response to Bishop’s idea that people are harming nature, by providing another reason as to why people are harming nature, which is due to how people are unable to view nature as something that exists and goes beyond the purpose of serving human needs and offers a different interpretation of the relationship between man and nature. Oliver believes that nature serves as subsidence for humans, both physically and spiritually. Unlike Bishop who finds peace through understanding her role in nature’s plight and acceptance at the merging between the natural and human worlds, Oliver finds that through the literal act of consuming nature can she obtain a form of empowerment that allows her to become one with nature.
With his down-the-rabbit-hole approach to design and obsessive attention to detail, Wes Anderson, writer, director and auteur, is best known for his highly stylized movies. His extremely visual, nostalgic worlds give meaning to the stories in his films, contrary to popular critical beliefs that he values style over substance. Through an analysis of his work, I plan to show that design can instead, give substance to style.
Poet Gwendolyn Brooks states, “Art Hurts. Art urges voyages - and it is easier to stay at home” which is true for many viewers when experiencing Bruce Nauman’s work. Nauman is classified as a contemporary American artist whose works also incorporate ideas of post-modernism and minimalism. He has been making art since the early 1960’s and has moved through many different mediums as his art progressed and his style changed. At first Nauman was a painter who soon ended that career and turned to sculpting, photography, film, and video. Bruce Nauman’s works of art have interested me and inspired my final assignment by his professional legacy, inspirations, and techniques.
Intangibles—Cirque du Soleil reputation and brand name are intangibles resources. Just as the creative people who produce the shows with groundbreaking technology. Specialty equipment used by the trapeze artists when the used the “indoor evaporating lake” i...
” Edward Hopper, a classic realist painter of the twentieth century, had a fascination for light. His plays on the mood of light stretch as a major theme throughout his works, and contribute to the intensifying effect he could inject into seemingly every day scenes. His works took a dramatic appeal through the “eerie stillness's” and lone figures sprinkled throughout his paintings. Although influenced by Edgar Degas and Edouard Maent, Edward Hopper easily added his own personal touches to the beautiful style of realism.1 Born in July of 1882 in New York, Hopper grew up interested in art and encouraged by his parents. After attending both the Correspondence School of Illustrating in New York City and the New York School of Art, Hopper experienced a shift in interest from illustrations to the fine arts1.
Without light, the theatre cannot exist, that much is certain. As actors, as audience members, as technical visionaries, we are only as powerful as the light we are given. The extent to which we depend upon light in performance has changed dramatically throughout history, however, as light technology developed and expanded. In the history of performance, the artistic community is constantly victim to the limits of lighting technology, and exponentially altered by breakthroughs. From the utilization of candles and natural light to isolated light and electricity, the histories of illumination and theatre are virtually inseparable, and continue to push the boundaries of live performance.
A conventional face represents an idealised self-portrait. In ‘Transfiguration’, Olivier de Sagazan builds an existential performance based on layers of clay that he paints onto his face and body to transform, disfigure and take apart his own figure from the physical world that constraints his emotions and passions. Jolting viewers out of ordinary patterns of thinking. Sagazan’s face test his viewers perceptions of the totemic face, the grotesque face, the face in performance, the violent face—all the while creating a dialogue between past, present, and what’s yet to come.
CrazyBulk is a company that sells muscle-gain and fat-burning supplements labeled as ‘Legal steroids with no side effects’. While there is a lot of hype surrounding these types of products right now, a lot of people are wondering whether or not they are truly safe and effective to use. We have done quite a bit of research on both this company and their products. They are said to deliver the same basic benefits as real steroids, but without any of the side effects. They have garnered some very positive reviews online, and have been making quite a stir in fitness media circles.
If we go back beyond Lumière Brothers’ projection of their cinematography in Paris over Christmas 1895, which is too straightforward birth narration of cinema; ancient visual forms like Egyptian hieroglyphics or pre-cinematic technologies of image capture and projection, known as magic lanterns, employing a series of lenses and light sources, were early proof of humanity mesmerised by the play and tricks of light and shades.