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Observational learning essay
About public opinion
Essay of observational learning
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As humans we are afraid of expressing our inner emotions and opinions, constantly hiding in the shadows of our peers trying to escape the harsh reality that may fall from their lips. It's quite alarming to me seeing adults capable of their own thoughts and opinions to change their perspective because of what their neighbor said. It takes a lot of courage to go out in front of a crowd of two hundred plus people and express your feelings, and that's exactly what this 17 year old girl did. The people, place, and the lyrical dance, was all a recipe for a revitalizing new perspective. There was heavy overcast in the sky above, wet, with a cold sensation that sends shivers down your spine making goosebumps emerge on your skin underneath your lightweight jacket. Arriving upon the scene to the dance, I wasted no time getting from my Toyota pickup truck to the old yellow limestone building, towering over the faint streetlights where Sydney was performing. I scampered across the street, diving and dodging oncoming traffic as if i was in a scene from the old atari game Frogger. Ascending the concrete steps I pulled my warm callused hand from my jean pocket and placed it on the cold lifeless aluminum door handle. When I heard my callous make contact with a slight thud I pulled with all my might to swing the …show more content…
Children scrambled to find their seats and a host in towering three inch stiletto heels with a black and white stripped dress that clung to her body like saran wrap came out to introduce the show. The skirt had every intention of flaunting the rock hard calf, ab, and bicep muscles carved by Michelangelo himself. The temptress took every mans attention in the room, their wives picking their jaws up off the floor, putting them back in place just to smack them right back off their face for looking at another woman in such a way. Thank goodness my newly found girlfriend was back behind the curtain preparing for her
Upon the dancer’s departure, “the dancer, who though older was still languid and full of grace, reached out and tapped me with two fingers on the cheek, turned, and walked away” (185). Krauss uses this odd gesture by the dancer helps reinforce the strange quirks of the dancer and the author’s thought of the gesture containing “something condescending in it, even meant to humiliate” (185). The use of the words, “languid and full of grace” continues to strengthen the narrator’s fascination in the dancers beauty but also how the narrator feels uncomfortable with her interactions with the dancer. After the narrator’s encounter with the dancer, she walks by a crowded park “until a cry rang out, pained and terrified, an agonizing child’s cry that tore into[her] as if it were an appeal to [her] alone” (186). The author’s use of the painful and terrifying cry reintroduces the theme of a screaming child from the first passage which reinforces the author’s incapability to manager her guilt. The use of the word “agonizing” in this context suggests the overwhelming amount of guilt the author contains but in form as a youthful shrilling scream. Towards the end of the short story, the agonizing
The story explores many vital concepts accompanied by beautiful illustrations. I felt a strong sense of cultural understanding, spirituality and connection to family and land as though I was on this journey too. I could sense an underlying meaning in each dance, holding great importance to Bertie’s family and a strong connection to their culture. Pryor has attempted to fuse the then and now, by speaking of changes in the land, from a once spiritual gathering place, to a now busy town street where through food, they keep the culture alive (Pryor, 2010).
Kate's family had rented out a ballroom in a neighborhood country club, and we intended to dance the night away. As I approached the scene, disco lights streamed through the large windows and ran all over the lawn. Music enveloped the parking lot as my adrenaline began to elevate. I sauntered in, waving to my friend...
The tone of the dance ebbs and flows, shifting quickly from exciting to sad with just a pause in between phrases. By choosing Angie Hauser–who has a slim, flexible physique–Miller can better express the childlike and sometimes adolescent-like inner workings of the mind, as the dancer is a physical representation of the psyche. While Miller choreographed during the Modern/Millennial era, which her piece clearly fits into with its less traditional and restrictive movements, she also seems to incorporate elements from Ballet–such as the pointed toes and positions–and Dance Theatre–such as narration. She evokes the emotions felt so deeply in 21st century America: the feelings of nostalgia and the happiness, sadness, and anger that come from memories. The 2000’s were an era of reflection, as it was a new century. Her pieces reflect this collective burden: the human
In the end every dancer had rid themselves of their masks, or insecurities, and their unrealistic standards and learned to accept themselves for who they really were. This piece is very relatable, everyone has felt worthless, at least once in their lives, every person has felt like they just aren't good enough, and every person has wanted to change themselves because of the ludicrous beauty standards placed on us starting at such a young age. We need to create a society where we are taught to love and accept ourselves for who we are, the theme of this piece is clearly a dig at our society and how it needs to change. We need to learn to accept diversity and individualism, if we are ever going to be able to fully accept ourselves and those around
Hundreds of feet pound against the floor, sending it to its near death as it concaves with every step. Sweat rolls down my neck as the music reaches nearly 100 decibels. My hands, aching from the death grip of the boy next to me, are dragged forward to keep up with the swift kolo line that moves through the maze of the slick, sweat-filled dance floor like it is an art form. As the song approaches its twentieth straight minute, I become conscious of the energy surrounding me and realize that these people, this dance, and this culture define me, the people’s favor. The gracious and dear girl, also known as the people’s favor, is the definition of Milena, or Mila for short, and that is me.
In examining the poem the speaker does stay true to this hypothesis as she explains the “such perfect agony,/one learns to smile through”(Dove 1). In connection to the real world, most audiences do not realize how much breakthrough it takes to make a dance routine appear so simple. Similar to Dove’s life, as much criticism and pressure she faced to present her works in a way that could be easily categorized or stereotyped, she found her own burning voice, and used
The first dance I chose to attend was the ballroom 1 dance on the 3rd of November. At this dance, the dances that I participated in, and watched were the swing, the waltz, the cha cha, and the tango. At this dance, there were some good dancers. There moves were flowed well together, and there was a very good variety between each of their moves. They also had very good posture while dancing and they always seemed to be loose, but not too loose.
I had my first dance recital on the day I turned four. Now I don’t remember anything from that day, but I believe that that day is when I learned I loved to perform. I’ve been taking dance lessons since then, and many things that I do now involve performing in some type of way.
The whole day had been a nightmare. I failed 3 quizzes, had to wake up super early to pick up some girl and take her to school, and I forgot to pack a lunch. After school, I told myself that the rest of the day would be great and I just needed to calm down and breathe. As much as I tried to calm myself down, I just could stop worrying. Today at my dance studio we were having cuts for our competition dance, one that I wasn't particularly good at anyway so I would have been nervous no matter the events of the day. Since Graystone lets out early, I had about 3 hours to kill before heading to my dance school. My mom and I decided that we would eat at a new Italian restaurant in Albermarle. I was already skeptical about his because some Italian
It was the second day of our family’s annual three-day trip to Colonial Williamsburg. We had spent the majority of the day strolling about the colonial area, and tensions were getting high. My brother, as the middle child, always picked the most inopportune times to annoy my sister, the youngest. After several near fights, my parents thought that a little separation was in order, at least until dinner. My mother suggested that we go see a program entitled “Dance: Our Dearest Diversion”. Of course, she knew that neither one of us would care to go see the show, being as uninterested in colonial dancing as a cat is of swimming.
Dance is a form of art that uses the body, space, time and energy to convey images of well thought out performances. There is no specific style or look for dance. Dance can simple be standing in one spot or running rapidly around in a wide space. There is no set of rules or regulations for dance. The dance that most interest me is fast rapid dance. My definition of rapid fast dance means jumping around and moving hips, arms, and legs to portray a wild yet calm performance. I like more chaotic dances with a lot of action because I feel like it is more eye boggling then something with little to no action. I enjoy dance performances with a lot of energy and movement along a stage. I don’t necessarily see the dance I like needing to be on stage, I can see my dance anywhere; like parties, on stage or in public. I also prefer big groups of people of about fifteen to thirty people all in sync. When I used the terms chaotic but calm I was referring to the dance
there are times when the simple dignity of movement can fulfill the function of a volume of words. There are movements which impinge upon the nerves with a strength that is incomparable, for movement has power to stir the senses and emotions, unique in itself. This is the dancer's justification for being, and his reason for searching further for deeper aspects of his art." ~Doris Humphrey, 1937 "Behind each victory is a long train of suffering!" ~anonymous "I don't have an attitude, I'm just REALLY good!" ~Dance
Dance is a form of communication. Through dance one can tell the story of the lineage. It can also reveal where someone has been and where they are going. Dance is one of the oldest forms of communication between people. People have had body expression long before they had paper in pain and technology. Communication through dance is more that emotional it is also spiritual level. It can shoot a feeling that cannot be described in words but only through movement.
“Dance, the art of precise, expressive, and graceful human movement, traditionally, but not necessarily, performed in accord with musical accompaniment. Dancing developed as a natural expression of united feeling and action.”