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The importance of dance forms
The importance of dance forms
The importance of dance forms
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“5, 6, 7, 8!” Are the numbers drilled into a dancer 's head as they learn a new dance from a choreographer or dance instructor. Getting to travel the world teaching dance to many kids is what being a choreographer is all about. Or, just staying in your town and running a dance studio teaching hundreds of kids new, exciting skills and the aspects of dance. Most people do not understand what goes into being a choreographer, all the hard work, traveling, staying up late trying to think of a new formation or a new dance move for a big production coming up. Getting to see how happy a kid gets learning something new is a great benefit of being a dance teacher. One gets to watch the kids they teach grow up and learn new things as if they were one’s …show more content…
First off, one must have a significant amount of dance experience (How 3). Dance instructors should be able to assemble and put together dance steps into something artistic and beautiful. Most study many forms of dance to be fully educated and provide the best expression of their creative vision (How 1). The First step to being a choreographer would be to receive dance training. choreographers require a strong dance background so that they can demonstrate all of the dance moves to show the dancers. (How 4). There are different types of dance to study for the styles you will be teaching, for example, if one were to teach ballet they would study classical ballet but a musical theater choreographer would study jazz, modern and dramatic dance (How 5). The second step would be to consider formal education. Earning a degree is not necessary however, a degree program would prepare the choreographer for learning new skills and teaching styles and help them with creative, artistic skills (How 6). The third and final step is to gain experience. It is recommended that one should find any community event to perform the dance pieces at such as, production, dance recitals, and festivals. (How 8). One should join a professional organization such as the National Dance Association, which offer employment listings. choreographers should take workshops and conferences to keep dance skills updated and new (How 9). Another tip would be to not just be stuck with one style, choreographers should be open to many styles of dance (How 10). Therefore, there are many things that go into training for a choreographer that are very helpful and
It will allow me to be a manager and better my leadership skills. I will learn how to manage a big group of people, which is something that can be applied to many various careers. I will learn the best way to be a teacher and to stay calm and focused when things get difficult or crazy. All of these skills are not only applicable to the dance world, but to life in general.
On September 2nd, I experienced one of the most enjoyable folk dances, known as contra dance, at the First Baptist Church. Due to my cultural and religious background, this experience was new to me and full of mystery. However, it led me to wonder how social music, especially contra dance, is powerful enough letting strangers dance and communicate with each other in a perfect harmony.
It is said that ancient times were simpler than the present day. Life was simply about surviving. But of course, change is inevitable. Humans constantly feel the need to expand grounds or to go where conditions are best suited for them. Eventually, a tribe or race would have met another on their own. But what was life like before the different tribes and races met? In present day research, it is seen that though there was no contact whatsoever, separated ancient tribes and/or races were deemed similar. Somehow, human minds branch off into different views of the same topic, depending on where the people are located. Take the Hawaiians and Middle Easterners for example, they remained on opposing sides of the world and yet they have similar forms of
It is surprising that tap began as a necessity for survival before it was an art form. It began during the slave trade when slave-holders found out that Africans were communicating coded messages through their traditional instruments and drums. The slave-holders had the use of these rhythm instruments banned to try and stop communication (Holmes par. 3).The Africans, desperate to make contact with other slaves, transferred the rhythms to their feet and tap dancing was born (Holmes par. 4).
Albert Einstein once said “Dancers are the athletes of God.” Dancers deserve to have the title of athlete, to start, take a look at the definition of an athlete “a person trained or gifted in exercises or contests involving physical agility, stamina, or strength.” While dancing requires great artistry, artistry is just one aspect of dance, because it clearly has an athletic side as well. Dancer’s athletic side is not seen by many because of the reality of what people see on stage, but is what is seen on stage all of it? The amount of passion and dedication dancers have leads to countless hours at the studio every week. With the many genres of dance to choose from, each involves athleticism one way or another. The many different options make it easier for a dancer to branch out and explore new ways of fulfilling their dreams. Dancers need to stop being underestimated by everyone, they need everyone to see them as athletes and artists.
I have been a dancer since the age of 3. My earliest memory of dance was when I was too terrified to go on stage during a recital and I refused to go on no matter how much they tried to push me. Up until the age of about 12, dance had been just a hobby or an extracurricular activity. In fact, I didn’t even enjoy going to dance. I didn’t have friends there and I wasn’t that good of a dancer. It wasn’t until I participated in Dance Bermuda’s summer dance intensive in collaboration with the American Ballet Theatre in 2012, that I realized that I had a passion for dance. At the program, I was exposed to other dancers that were my age and older and most of them were much more advanced than I. So to avoid being the worst dancer in the program, I took to YouTube and watched hours and hours of dance videos. I researched all the ways to improve my ballet technique. I can remember trying to practice my pirouettes in the kitchen and falling onto the table and knocking a whole bunch of things over. I was determined to be as good as the other girls in the program. By the end of the two weeks I was fired up, motivated, and ready to get back to class after the summer.
There are hundreds of professional dancers across the world waiting to reach their success, and out of those hundreds of dancers, I qualify in becoming one. Dance is my passion, my adrenaline, and my focus that keeps me persevering through life and its obstacles. Dancing requires a lot of dedication and hard work. “Successful dancers must have excellent balance, physical strength, and physical dexterity, so they can move their bodies without falling” (Dancers and Choreographers). If serious about dance, dancers have to have discipline in taking the time out to practice, study, and practice some more. If dance is what you're look forward to doing, I'd get busy because time waits for no one…
Irish dance is known all around the world for its music, style, and costumes. What once started as a cultural folkloric dance has now turned into a worldwide phenomenon because of many contextual factors on the three defining characteristics. In this paper I will attempt to show how the Gaelic League, An Coimisiún, and Riverdance influenced and changed the posture, movement, and appearance of the dance form. The story of Irish dance thus far is one of a constant changing dance that reflects the influences around it. Each of the changes in the style, costuming, and meaning of the dance has molded it into the globally accepted and loved dance form seen today.
Ballet is a popular dance form that originated in the 1500s around the time of the renaissance. It consists of many different forms that have evolved over the years. Some examples of these forms include French Ballet, Vaganova (Russian Ballet), Cecchetti (Italian Ballet), and Balanchine. Ballet forms and variations originated mainly from Italy, Russia, and France. However, today, many different forms of Ballet exist. Despite the many different variations, all Ballet has certain things in common. It is an effective form of exercise, requires special equipment, contains many set principles, and can result in specific injuries.
Razzle Dazzle: A Journey into Dance is a 2007 Australian Mockumentary directed by Darren Ashton. Featuring main actors including Ben Miller who starred as Mr. Jonathan, Kerry Armstrong who played Justine and Shayni Notelovitz as Tenille. The main genres of this movie are documentary, comedy and musical. This mockumentary takes the audience on a journey with Mr. Jonathon and Ms. Elizabeth’s dance groups as they battle for the top prize at a national dance competition in Australia. This film is a great film for family viewing. Although some jokes were hard to laugh at, there were many hilarious moments on screen.
Understanding that revising and reworking already known steps counts as creating dance, students become confident enough to step outside their personal comfort zone, and then in turn their creativity would grow and expand. In a creative dance workshop a facilitator must remember to have a flexibility of behaviour, as this will increase chances for creative development. When delivering within a school environment it is important to take into consideration the national curriculum, A Curriculum for Excellence (CfE). Although CfE is organised under curricular headings those experiences and outcomes (E’s and O’s) relevant to Expressive Arts (EXA), especially dance, should be recognised in the planning and delivery of creative dance workshops. For example, EXA 0-8a; 1-8a; 2-8a; 3-8a: “I have the opportunity and freedom to choose and explore ways that I can move rhythmically, expressively and playfully.” Key terminology from this experience is “freedom to choose” and it is the creative dance facilitators role to ensure freedom is delivered in a positive and constructive fashion. Even when teaching out with schools it is still important to remember the experiences and outcomes from CfE. A creative dance teacher should aim to give their students as much freedom as appropriate for their level. Dancers creativity cannot be developed if they are only copying and repeating. Dancers need freedom within set dance exercises and they need freedom to improvise. It is crucial for dancers to explore their physicality in class and get constructive criticism and verbal feedback on what they do. A way to incorporate this into a creative dance workshop is by adding set counts to dances for the students to freestyle. Just as a key to learning is repetition, the easiest way to develop creativity is through repetition. The more dancers
I imagine the Indian people as a quite lot with deep cultural practices and impressive art forms. I have encountered some of their tales in short stories which have made me perceive them as a peaceful nation with deep respect for animal life (virtually every like). Additionally, I perceive them as a culture that appreciated the value of dance and often indulges in dance regularly. Their dress code is mostly full dresses for women and long trousers for men, I take them to be a conservative society that aims at concealing the dignity of a woman through the dress code. Penultimately, they are a culture with a diverse variety of foods, mainly greens since they value the lives of animals. Last but not
Randai performances have such a unique movement because there are the most important elements in Randai that make the Randai looks different from other performances. The visual of Randai performance is a combination of alternating dances, acted scenes and songs. However, the circular dances are called Galombang. Galombang is a feature of martial arts movements as well as a quite amazing and totally unique type of pants-slapping percussion called tapuak. The tapuak patterns have become the signature feature of Randai theatre. They are usually performed in a remarkably energetic manner by slapping special pants while dancing. The one who lead the performance is called tukang goreh. The tukang goreh is a main leader in the performance and tukang
The Northern Territory is known for its culturally diverse population and some would say it is the ‘multicultural hub’ of Australia. With all of these cultures comes distinctive customs and traditions. Throughout history dance has been used to help people develop a sense of identity, the younger generations are also taught social patterns and values through the different dances. The significance of these traditional dances was to reinforce and celebrate cultural law and practices including the celebration of the passage from child to adulthood or spiritual worship. The predominantly Western culture in Australia often causes minority groups to struggle for recognition regarding their beliefs and traditions. This is parallel to the Australian dance industry, where many cultural dance groups feel they have to justify who they are and are often
“Dance, the art of precise, expressive, and graceful human movement, traditionally, but not necessarily, performed in accord with musical accompaniment. Dancing developed as a natural expression of united feeling and action.”