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Mythology's affect on literature
The effect of mythology in literature
Influence of mythology on literature
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In the reading of Edith Hamilton’s Mythology, Cupid and princess Psyche fall in love in an interesting story. This story is one of love, revenge, and pettiness. Psyche goes through obstacles to prove she is worthy of Cupid’s love. A king and queen have three daughters but one is more beautiful than the others, the youngest Psyche. Her beauty is soon spread and men travel to adore her stunning qualities. Some even go as far as to say she is more beautiful than Venus, the goddess of beauty. As the number of people that come to see Psyche continuously grow, people slowly start to forget Venus. All her honors she has received are now being stripped of her and given to a mortal who is destined to die. Venus turns to her son for help, Cupid. Cupid …show more content…
She finally convinces him to let them visit even though he warns her how badly it could end. When the sisters finally arrive they are jealous of the royalty that their youngest sister has gotten to live in and they come up with a plan to ruin her marriage. They make Psyche believe that her husband is a hideous monster, with much doubt Psyche decides to take it upon herself to go into the night to see if he is a monster and if so then stab him right through the heart. That night she lights a lamp and sees that her husband is the unbelievably handsome Cupid, with nervous trembling hands she spills hot oil on the God. Cupid wakes up stunned to see Psyche standing over the top of him. Cupid flees the palace and goes to his mother Venus, to heal him of his …show more content…
Psyche defies Venus once again, Venus makes Psyche perform these certain tasks to prove she is worthy of her son, Cupid. Venus makes these tasks impossible knowing that Psyche will not be able to perform them especially since she is mortal. The first task is that Psyche has to sort a heap of seeds, wheat, and poppy into their own piles by nightfall. Psyche thinks to herself “how in the world am I going to finish this.” Then, little ants come and feel bad and decide to help her. They separate and divide until the work is done. Venus sees this and is very angry and says “Your work is by no means over” (p 130). Venus proceeds to give Psyche a piece of bread crust and makes her sleep on the ground because she feels if she were to starve her then that beauty of hers would soon go away. The next task is for Psyche to go near the river bank where there are sheep with fleeces of gold and wants her to catch some of their shiny wool. When she gets down to the river bank she hears a little voice tell her that if she waited until evening she could go and fetch wool that was caught on the fences. She takes a big quantity of it back to Venus but Venus tells her there was no way she did it by herself and someone must have helped her and that is unacceptable. The third opportunity she has to prove herself is to go to the terrible river, called Styx. Venus gives her a flask that she has to fill
What is a hero? The book Mythology by Edith Hamilton has a lot of heroes and most of them have 2 things in common. The heroes are in their own ways superior whether it be strength, intelligence, and/or courage. The second thing they have in common is a quest that establishes their greatness and proving that they are good enough to be called heroes. The catch is that even though they may have the characteristics of a hero, not all of them are epic heroes.
...s talk and the two sisters become awfully jealous of her. After they try to find out the truth of Psyche and her husband, they leave with some jewels. The night after the two sisters leave, Psyche can’t sleep at night and order her servants to bring her a lamp. She sneaks into her husband’s room, to find a beautiful creature with great, white folded, feathered wings. He is the son of Aphrodite’s, Eros – she says. As she quietly moves away, her oil lamp drops oil on Eros burning him and waking him up. He explains to Psyche that “mortals and gods are forbidden to marry” (p.137) that’s why she couldn’t see him and now he must go away from her. In this play we see that Pandora should’ve listened to her husband, Eros, and it caused herself bad in not listening to Eros, but we see that things can work out after something terrible occurs, such as the birth of a child.
"PSYCHE : Greek Goddess of the Soul | Mythology, Psykhe, W/ Pictures." THEOI GREEK MYTHOLOGY, Exploring Mythology & the Greek Gods in Classical Literature & Art. Web. 8 Oct. 2011. .
Mars is the God of war; and Venus is the Goddess of love.(These are the Roman names for the Greek Gods; which in Greek Venus was called Aphrodite and Mars was actually called Aries.) The theme of this painting has to do with Roman mythology. Cupid is tying Mars and Venus together. There are many different explanations that people have came up with to explain this painting. There is always that tie between love and war, even the saying “make love not war”. The most common translation would be [Venus, the woman symbolizes chastity transformed by love into charity and that the horse held back by an armed cupid is an emblem of passion restrained](Metropolitan Museum of Art, pg.185)
Briefly speaking, the Hymn to Demeter is similar in playing out the theme of separation and isolation by depicting Persephone picking flowers in and isolated space. In Ovid's version, the empowerment of women plays an important role by the story being told by a woman, Venus being the mastermind, and Ceres being a strong confident woman and taking swift action. Also, the roles of the gods are switched with the nymphs, and the symbolist use of the environment is seen in the abduction of Proserpine.
Throughout Medea, it showcases willingness to love Jason despite his flaws and mistreatment towards her while Sappho’s demonstrates love for Aphrodite. In Medea’s ancient Greek tragedy which took place in the time period of 431 BC, expresses her deep love for Jason as he mainly used to gain higher social status as well as how women during this time period were since as property which their main job was to conceive children particularly boys and pleasure their husband. “I asked myself, what Sappho, can give one who has everything like Aphrodite?”(Sappho, 4). The idea of Sappho’s love manifest her desire and admiration felt towards Aphrodite. In Greek mythology, Aphrodite defined as the Goddess of love, beauty, and eternal youth which is why Sappho admired her so deeply including other partners that exposes Sapphos emotions. Throughout Sappho, her deeply love later on transformed into hatred as she is left alone and is not loved how she wants to be.
To begin comparing Euripides Medea and Ovid’s Metamorphoses Book 7, we need to look at three components: context, characters, and themes. Both Euripides and Ovid tell the story of Jason abandoning Medea for another woman; however, they do not always share a perspective on the female protagonist’s traits, behavior, and purpose. Euripides portrays a woman who reacts to discrimination by beginning a battle to gain revenge all who harmed her, which she is prepared to follow through with even if it means resorting to the most despicable methods. Ovid, on the other hand, tells of a much less severe figure whose modest goal is only to persuade Jason to return. Despite these written differences, both of their Medea’s create trouble by acting with emotions instead of with reason, and as a result, put themselves in undesirable situations. Euripides and Ovid present two different sets of motivations for Medea's behavior wh...
The first scene of A Midsummer Night’s Dream introduces a tangled web of lovers. Hermia presents herself for judgement as she refuses to marry Lysander, the man of whom her father approves, as she is infatuated instead with Demetrius. Meanwhile her friend Helena is besotted by Demetrius, but he loves Hermia. The scene plays out like a soap opera with dramatic relationships galore, but Shakespeare establishes greater depth with the help of allusions. The most significant references in this scene appear when Hermia and Lysander speak privately for the first time. In their brief conversation, Hermia alludes to Cupid, Venus, and Dido. The first two are gods of love, and Dido is a queen who burned herself on a pyre after being abandoned by her lover. Shakespeare uses each of these mentions of mythology to make the point that the affair between Hermia and Lysander is no passing fancy. However, when Helena enters and converses with the star-crossed lovers she makes no mention of mythology as she discusses her unrequited love for Demetrius and resulting jealousy of Hermia. The absence of allusions in Helena’s speech accentuates the divide between herself and her friend. Barbara A. Mowat speaks eloquently on this concept in the Folger Library edition introduction. As Ms. M...
Diamant’s magic enables a romance to flower from violence and the formulation of a “voiceless cipher” into an ingenious being transpire (1). She forces the reader see that in the eyes of trial and tragedy, happiness and love, we find reflections of ourselves no matter the age gap. She emphasizes that such a task could not happen if not for the “scolding, teaching, cherishing, giving, and cursing one with different fears (2),” that “summon up the innumerable smiles, tears, sighs and dreams of human life” (321). All this, Diament reminds all females, can be sequestered in the red tent.
.../Dian's bud o'er Cupid's flower /Hath such force and blessed power. /Now, my Titania; wake you, my sweet queen. (IV.i.29-54)
A sea nymph, Thetis, was getting married to Peleus, a mortal. All of the gods and goddesses were invited to this great wedding, except Eris, a rather unpopular goddess. When Eris discovered that there was a wedding going on that she had not been invited to she decided to get back at all who went. She decided to roll an apple into the reception of the wedding, but she put an inscription on the apple that intended it for the most beautiful goddess at the wedding. When the apple rolled in and the inscription was read Hera, Athena, and Aphrodite all felt that she, respectively, was the most beautiful and should get the apple. All three goddesses begged of the gathered gods to choose, but all of the gods refused to make an enemy of the other two that he did not choose. So finally, someone made the suggestion that the three goddesses should let a mortal choose; Priam's son, Paris, was designated to choose. The goddesses went to him and each begged him to choose her. Hera offered Paris, if he chose her, the chance at infinite wisdom; Athena offered to let him defeat the Achaeans if they went to war; and finally, Aphrodite offered Paris the love of the most beautiful woman in Greece, Helen.
Love is often misconstrued as an overwhelming force that characters have very little control over, but only because it is often mistaken for the sum of infatuation and greed. Love and greed tread a blurred line, with grey areas such as lust. In simplest terms, love is selfless and greed is selfish. From the agglomeration of mythological tales, people deduce that love overpowers characters, even that it drives them mad. However, they would be wrong as they would not have analyzed the instances in depth to discern whether or not the said instance revolves around true love. Alone, true love help characters to act with sound reasoning and logic, as shown by the tales of Zeus with his lovers Io and Europa in Edith Hamilton’s Mythology.
If it doesn’t for Venus asking Cupid they would have never feel in love or for the doves poking out there eyes maybe they could have ruined Ashputtle’s wedding. If it wasn’t for the evil relatives getting punished the story wouldn’t have had a happy ending. The evil relatives added some interest to the story and it questions the reader if they both will get to be with the person that they love at the end. The happy ending was the cherry on top of the cake it had to go with the theme to never give up. Overall I feel the story wouldn’t be the same without the relatives getting punished and both of them getting to married who they
Even in today’s society, gender roles play a part in how people view the world. Although more important than the gender roles are the emotions that antagonize the psyche of the human. Medea shows how jealousy can lead to revenge and influence bad decisions and ruin or even end lives. Ironically, the decisions she makes to kill her children, leaves Jason helpless much like a Greek wife during this time. She removes the opportunity for him to voice his opinions, needs, and desires. This flip of traditional gender roles shows how gender roles are not a reliable way to view a society.
In the story of Daphne and Apollo, the chief agent of transformation is love, represented by Venus and her youthful and mischievous son, Cupid. When the god Apollo brags to Cupid of his great might exemplified by his defeat of the python, Cupid humbles him by reducing the great god to a shameless lover with his gold-tipped arrow of love. A transformation of sorts takes place when the Cupid's arrow strikes Apollo. Apollo transforms from a bragging God who claims superiority over Cupid by saying, 'You be content with your torch to excite love, whatever that may be, and do not aspire to praises that are my prerogative,';(p. 41) to a man possessed by desire. Despite his powers of strength and domination, the God of War is humbled by Love. A lesson is being taught to Apollo by Cupid. A weakness is spotlighted and exposed, and the role of Apollo is almost completely reversed. He is transformed from a figurehead of power to a crazed lover with no power over his love.