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The different period of Western and African music history
Worldwide influence of African music
Worldwide influence of African music
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Music evolves through time due to different cultural influences. Since their unfortunate immigration through the trans-Atlantic slave trade into America, Africans brought their musical backgrounds with them to separate the western musical identity compared to European music. Once freed from oppression, African American culture and music diversified the sound of the Christian church. As the acceptance of African Americans increased, their music also was also accepted into white society and directed where music evolved. Without the influence of black culture, the progression and sounds of western music would have never been possible. The movement of African captives by Europeans to America and European countries was known as the trans-Atlantic slave trade, which “began in the 15th century” (Adi). Africans were enslaved to do difficult labour, such as building railroads and working on plantations, for little to no cost for their owners. Africans tried to hold …show more content…
Jazz’s rhythm was influenced by the music of West Africa because of the use of contrasting rhythms in the music, known as polyrhythmics. Jazz also differed from European music because “European classical music achieved complexity in the harmonies of their music, African music developed very complex patterns in the rhythm of music” (Osborne). Vital for both jazz and blues was the use of improvisation, which shared relation to music created by Africans. In Africa, music was played or sung by ear, passed down from person to person, and was not transcribed very often. The sounds of blues and jazz gained popularity in America and especially down in the southern states, where there was a greater population of African Americans. Although blues and jazz were dominated by black musicians and singers, many white American musicians were also heavily influenced by the sounds of black
Ever since there has been humanity, slavery has been a mechanism used by people in order to subjugate and dehumanize other individuals. Abina and the Important Men is a book that illustrates how slavery was still able to manifest, even after it had been abolished within British society. By enslaving young women under the false pretense that the individuals were wards, powerful African leaders and British rulers were able to maintain a social hierarchy where African women occupied the lowest rung. The trafficking of Africans through the Transatlantic Slave Trade, brought wealth to European and other western nations as well as African leaders who were willing to cooperate. Europeans, such as the Portuguese, British, and French, first began arriving to Africa in the 16th century since they were drawn by the valuable resources that could be found in coastal, African societies.
The first appearance of jazz was at the turn of the century in New Orleans and is called “Dixieland Jazz,” or “Classic Jazz.” It developed out of music for street parades in the black community. It also had deeper roots in a style of music called “Blues,” which was used to express the daily experiences of the community (History). Other influences include the combination of West African folk music with the popular classical music of Europe, developing into syncopated rhythms and chord variations on classical pieces (Passion).
Impact of Music of the Harlem Renaissance Upon the Artists of Today. Musicians during the Harlem Renaissance created a style and movement that simply took Americans by storm. Musicians such as Duke Ellington and Louis Armstrong have inspired others all over the country. The Renaissance itself was not only an observation of life for African Americans, but it also showed Americans that they have a place in society.
The Transatlantic Slave Trade started out as merchant trading of different materials for slaves. With obtaining a controllable form of labor being their main focus, the Europeans began to move to Africa and take over their land. The natives had to work on the newly stolen land to have a source of income to provide for their families.Soon others Europeans began to look for free labor by scouring the continent of Africa. Because Europeans were not familiar with the environment, Africans were employed to kidnap other Africans for the Transatlantic Slave Trade. After trade routes were established, different economies began to link together, and various items were exchanged across the world. As the Atlantic Slave Trade grew larger, problems began
Both ragtime and blues originated from African musicians that incorporated the music and dance of Africa with European music and culture. Some aspects of African music that influenced both styles was emphasis on percussion and the use of an overlay of beats and rhythms to create an additive process (Waldo 9). The work songs of slaves as well as hymnals from African churches influenced both styles, as well. Also, the “suspended” tones that characterize jazz music were devised from the influence of black folk singers who tended to slur or break the third and seventh notes of the musical scale (Haskins). In addition, many of the musicians that played either ragtime or blues was influenced by other musicians they heard. Because there was a lack of musicians and a large amount of work available, musicians who played one style of music often chose to perform other styles in order to make some extra money. In this way, all styles influenced each other and there was a blending of popular genres that influenced the way each style was performed. Although blues and ragtime are two very different styles of music, they emerged around the same time and had an influence on each other’s growth in popularity all throughout
Though the Atlantic Slave Trade began in 1441, it wasn’t until nearly a century later that Europeans actually became interested in slave trading on the West African coast. “With no interest in conquering the interior, they concentrated their efforts to obtain human cargo along the West African coast. During the 1590s, the Dutch challenged the Portuguese monopoly to become the main slave trading nation (“Africa and the Atlantic Slave Trade”, NA). Besides the trading of slaves, it was also during this time that political changes were being made. The Europe...
During the Civil Rights era, African Americans changed the way people looked at music by ending the segregation in the music world and by making a well-known “soundtrack” and influence during the Civil Rights Movement.
Jazz was introduced directly after World War I by African-Americans (Boundless.com par. 1). Although jazz was composed by many different African-Americans the main founder of jazz was Ethel Waters (McCorkle par. 8). Jazz was first played in New Orleans, but as the African-Americans moved north, white citizens caught on and tuned jazz into a new craze (Lindop 107). Even though jazz was created in New Orleans, Chicago became the home of jazz music (Bingham 8). The first jazz players derived the tune from a mixture of Latin American, African, and European rhythms, making it very popular among many different types of people (“Latin Jazz” par. 1). Jazz was so well-liked because it gave the artists the opportunity to make the predetermined tune their own (“What is jazz par. 1). When listening to jazz the same song is never heard twice because the band members each put their own spin on the way they play their instrumen...
The influences of Jazz music came from African Americans and Europeans. The African American influences to jazz provided a call and response to jazz music.
On July 5, 1954, forty-nine days after the Supreme Court handed down the decision on the Brown vs. Board of Education case, a nineteen year old truck driver recorded an Arthur Crudup blues track called “That’s All Right Mama” (Bertrand 46). Memphis disc jockey Dewey Phillips found the cut and played it on his radio show a few weeks later. He received calls all over from people, mostly white, who wanted to hear more. He quickly located the musician and brought him into the studio for an interview, audiences were shocked to learn that Elvis was white (Bertrand 46). Elvis’s music brought black music into white mainstream pop culture almost overnight. The breakthrough of Elvis happening almost simultaneously with the dawn of the Civil Rights Movement was no accident. As any scholar of the humanities would tell you that often times after a great war there exists a time of enlightenment, prosperity and reformation. One such cultural revival took place in this nation after the closing of the Second World War. The progressive thought of the ‘50s nurtured new ideas and cultures including the Civil Rights Movement and the fast spread of rock and roll. In an essay entitled “Color” written to Esquire magazine in 1962 the essayist James Baldwin describes the revival of white culture after WWII with the following passage:
“Together the matrices of race and music occupied similar position and shared the same spaces in the works of some of the most lasting texts of Enlightenment thought..., by the end of the eighteenth century, music could embody differences and exhibit race…. Just as nature gave birth and form to race, so music exhibited remarkable affinities to nature” (Radano and Bohlman 2000: 14). Radano and Bohlman pointed out that nature is a source of differences that give rise to the different racial identities. As music embodies the physical differences of human, racial differences are not only confined to the differences in physical appearances, but also the differences in many musical features, including language, tonality and vocal expression. Nonetheless, music is the common ground of different racial identities. “In the racial imagination, music also occupies a position that bridges or overlaps with racial differences. Music fills in the spaces between racial distinctiveness….” (Radano and Bohlman 2000:8) Even though music serves as a medium through which different racial identities are voiced and celebrated individually, it establishes the common ground and glues the differences
Southern Musical Tradition and the African Tradition The second major tributary of the southern musical tradition comes from the African continent and is the heritage import of the five million slaves brought to North America against their will to provide the bulk of the labor in the pre-industrial agrarian south. Contemporary blues, while not exclusively black music by any means, remains largely black in terms of its leading performers and, to a lesser extent, its listening audience.
Although White and Black Americans were very clearly segregated and European culture was oppressing the spread of African ideals, it is surprising to witness how neither culture assimilated into one another, as there were several conditions that allow this phenomenon to happen. Firstly, it was undeniable that a huge part of Europe’s economy relied on the production from the slaves to provide the necessary primary goods. Therefore a huge number of slaves were sent to American to meet this demand for labor. The African heritage was constantly refreshed in the peoples mind from the continuous waves of Africans capture and sent to America. Secondly, the multi-tribal composition the African-Americans turned American into a huge cultural furnace as the different traditions meet and interact closely. With limited historical/political/social constrain due to their enslaved status, African-Americans became very adaptive to their constantly changing environment. Thirdly, the introduction of Christianity established a pathway for the slaves to learn English which was forbidden by law as they got in touch with hymn singing. As African traditions heavily revolves around music, hymn singing was then merged with features of African music. These conditions “gives witness to a form out of which slaves sang the blues before there was a blues; where it has ceased, other forms have encased the function formerly served by lining out.” (Dargan 9) Its potential of unceasing adaptation resisted and endured the dominance of European culture, which prevented cultural assimilation where black slaves would be completely removed from their African
Ironically, it is nearly impossible to find the pinpoint of where jazz got started. Many early types of music, such as: Blues, Afro-Latin Caribbean rhythms, work songs, Protestant church hymns, Jewish songs, silly contemporary tunes, English and Irish dance music, gospel and spiritual, and ragtime, all went into the creation of jazz. A lot of credit goes to the African Americans for the creation of jazz. (Taborelli, Giorgio). “Jazz was born out of the cultural experience of African Americans and can be traced in a direct line to the slave songs of the plantations through the Negro Spirituals, Ragtime, and the Blues”("Jazz Musicians as
In conclusion, music is played all over the world, for this reason, the African American community decided to use to reach out to the masses and continue the lines of communication. A will thought out plan and it worked, their works from the Harlem Renaissance Era that studies are still trying to explain. Jazz and Blues influenced listeners and evolved throughout the years, the messages are delivered in music of today. These styles can be found in Gospel, Country, Rap, and countless others genre of music.