The Foundations of Jazz: Ragtime and Blues Although jazz first appeared in New Orleans in the twentieth century, the music it was derived from has been around for much longer. The roots of jazz can be found in both African and European influences that blend together to create a distinctive musical quality and swing character. It encompasses a wide range of music, including that of ragtime and blues, which are two of the most prominent genres that influenced jazz in its early stages. Although there are many differences between the musical styles and instrumentation of ragtime and blues, there are also some similarities in terms of common origin that helped drive the birth of modern-day jazz. Although both influenced jazz, ragtime and blues Ragtime was preceded by minstrel shows, and adapted many of the same rhythms and swing-feeling to its music (Haskins). “[Ragtime’s] intoxicating compulsion came from within the depths of its symbolic drama: the triumph of freedom over slavery” (Waldo 34). Many stipulate that ragtime is not true jazz because there is little to no forms of improvisation, a hallmark of modern jazz. However, ragtime was extremely influential because music was played using syncopation, which is when notes that are off the beat are emphasized, instead of playing songs like the traditional marches of the time. The song “Michigan Waters,” published by New Orleans native Tony Jackson, is sometimes pointed to as the beginning of ragtime (Haskins). However, Scott Joplin’s “Maple Leaf Rag,” which uses a form of syncopation, is usually thought of as the beginning of popular ragtime, and many of his later songs set the standard for other ragtime compositions. Ragtime eventually led to more classical pieces, usually played by white orchestras that had the same “ragged” notes that so closely was related to Both ragtime and blues originated from African musicians that incorporated the music and dance of Africa with European music and culture. Some aspects of African music that influenced both styles was emphasis on percussion and the use of an overlay of beats and rhythms to create an additive process (Waldo 9). The work songs of slaves as well as hymnals from African churches influenced both styles, as well. Also, the “suspended” tones that characterize jazz music were devised from the influence of black folk singers who tended to slur or break the third and seventh notes of the musical scale (Haskins). In addition, many of the musicians that played either ragtime or blues was influenced by other musicians they heard. Because there was a lack of musicians and a large amount of work available, musicians who played one style of music often chose to perform other styles in order to make some extra money. In this way, all styles influenced each other and there was a blending of popular genres that influenced the way each style was performed. Although blues and ragtime are two very different styles of music, they emerged around the same time and had an influence on each other’s growth in popularity all throughout
The first appearance of jazz was at the turn of the century in New Orleans and is called “Dixieland Jazz,” or “Classic Jazz.” It developed out of music for street parades in the black community. It also had deeper roots in a style of music called “Blues,” which was used to express the daily experiences of the community (History). Other influences include the combination of West African folk music with the popular classical music of Europe, developing into syncopated rhythms and chord variations on classical pieces (Passion).
The music of jazz became an important aspect of American culture in the early 20th century. The crisp syncopation of ragtime and the smooth tunes of the blues seeped into American mainstream music through dance halls and saloons and later through ballrooms. Instruments like the piano, trumpet, trombone and clarinet became important and symbolized the “swing-feel” of jazz because of their capability to syncopate and improvise precisely. With the help of the booming recording industry, musical geniuses were discovered and their talent and contributions to the emergence of jazz spread throughout the entire country. Such musicians include composer, arranger and pianist Jelly Roll Morton who heavily influenced the development of early jazz by his unique piano style, his “invention” of musical notation for jazz, and his compositions that have become the core in the jazz repertory. Because the style was new and different and so successful in drawing in large audiences, musicians around the world tried to mimic it. Furthermore, Morton’s masterpieces were the first to show notation for complicated jazz music and thus, formed the basis for standard notation in jazz compositions today.
All types of music require musicians. In the H.R (Harlem Renaissance), there were many who contributed to this new style of music known as jazz. These musicians all have their own style and form. Each of these styles has in some way influenced the evolution of jazz. Louis “Sachmo” Armstrong is recognized as the most famous trumpet player of this time. His “hot bop” style was heard in places like the Cotton Club and the Apollo Theatre. Everyone from all over the country would come to see him. Armstrong recorded such works as I’m in the Mood for Love, and You Rascal you (http://library.thinkquest.org/26656/english/music.html). Another famous person during this era was Coleman Hawkins, a saxophone player. Hawkins is recognized as the first great saxophonists of Jazz. His most famous work was a piece named Body and Soul (http://library.thinkquest.org…). Hawkins has also recorded with artists such as Thelonious Monk and Duke Ellington. Other people such as Bessie Smith, Josephine Baker, Duke Ellington, and “Dizzie” Gillespie have also made many contributions to the development of Jazz.
In 1899, a local music store owner and music publisher named John Stark printed Joplin’s song “Maple Leaf Rag.” Immediately popular, this song featured a pleasing melody and a catchy beat. It became a classic model of ragtime music and thrust Joplin into the national spotlight. In 1901, Joplin and several of his friends moved to St. Louis hoping to become successful performers and composers in this urban center. With their presence, Sr. Louis became a focal point for this special kind of music.
Jazz was introduced directly after World War I by African-Americans (Boundless.com par. 1). Although jazz was composed by many different African-Americans the main founder of jazz was Ethel Waters (McCorkle par. 8). Jazz was first played in New Orleans, but as the African-Americans moved north, white citizens caught on and tuned jazz into a new craze (Lindop 107). Even though jazz was created in New Orleans, Chicago became the home of jazz music (Bingham 8). The first jazz players derived the tune from a mixture of Latin American, African, and European rhythms, making it very popular among many different types of people (“Latin Jazz” par. 1). Jazz was so well-liked because it gave the artists the opportunity to make the predetermined tune their own (“What is jazz par. 1). When listening to jazz the same song is never heard twice because the band members each put their own spin on the way they play their instrumen...
Scott Joplin is known as the father of ragtime and has played a critical role in evolution of American music. Within this paper, I will discuss how the primary elements within Joplin’s piano rags are reflective of his life and the time period in which he lived, how his music played a role in the American culture at the time he was actively composing and performing, and how his genre became the essential pioneer in the evolution of jazz. While arguing this, I will use the scores of his most popular piano rags such as Maple Leaf Rag and The Entertainer, as well as multiple biographical sources.
Jazz is referred as “America’s classical music,” and is one of North America’s and most celebrated genres. The history of Jazz can be traced back to the early era of the 20th century of the U.S. “A History of Jazz” presents From Ragtime and Blues to Big Band and Bebop, jazz has been a part of a proud African American tradition for over 100 years. A strong rhythmic under-structure, blue notes, solos, “call-and response” patterns, and
Ragtime music is described as having a syncopated or “ragged” rhythm, and that is exactly how Scott Joplin’s music sounds. The music he writes sounds to me like upbeat but light piano music. The music is not classical and dramatic; it is hoppy and sometimes delicate. All of it however has a strange but incredibly catchy beat or tune. I wasn’t sure if I would like ragtime music because I thought that I had never heard any before, and since its origins are from the early 1900s. However, I had heard ragtime music before and just hadn’t realized it, and I liked it a lot. Something about the beat of the music made it easily get stuck in your head and I found myself singing the beat to The Entertainer over and over in my head.
In the early 1900’s African American musicians from various European cultures created a new style of music, known as Jazz. New Orleans is known as the birth place of Jazz with the French and Spanish migrants shaping early New Orleans’ culture. Settlers from other European countries including Italy, England and Germany combined Blues, Ragtime and Big Band Music to create what we now call Jazz.
Besides the slave music and the blues music, there is also another kind of music that make a lot effect to African American music.
Jazz music is one of the only musical genres originally developed in the United States. Almost all other forms of music come from other parts of the world, obviously predating the creation of the jazz. This is perhaps why jazz music is one of the most diverse, original, spontaneous, and wild forms of music. Jazz music draws from a rich history of African, Latin American, and European influences. Jazz was created at time in which women in the United States were making great progress in securing equal rights. However, this progressive form of music still held fast to deep seated discrimination against allowing the involvement of women.
Ragtime, also called “ragged rhythm”, was first a piano style know for its fast paced beats. It first came into the publics eye in 1893 when he performed an instrumental ensemble at the World Exposition in Chicago. His originally developed style of rag time know as “Maple Leaf Rag” First came on the scene in a club in Sedalia, Missouri as his own form of ragtime. In 1899 He gained nationwide popularity after selling over one million copies worldwide.
Ironically, it is nearly impossible to find the pinpoint of where jazz got started. Many early types of music, such as: Blues, Afro-Latin Caribbean rhythms, work songs, Protestant church hymns, Jewish songs, silly contemporary tunes, English and Irish dance music, gospel and spiritual, and ragtime, all went into the creation of jazz. A lot of credit goes to the African Americans for the creation of jazz. (Taborelli, Giorgio). “Jazz was born out of the cultural experience of African Americans and can be traced in a direct line to the slave songs of the plantations through the Negro Spirituals, Ragtime, and the Blues”("Jazz Musicians as
They were a mixture of story telling and talking with a definite call and response. Religious music was very important in forming blues music. Because most blacks went to Christian churches from an early age and were exposed to Christian hymns. Ragtime was an influence that came later and is a faster blues played with the piano and someone singing which was usually played in bars called barrel houses.
Jazz is the best-known artistic creation of the Harlem Renaissance. “Jazz is the only pure American creation, which shortly after its birth, became America’s most important cultural export”(Ostendorf, 165). It evolved from the blues. In the formally standardized, instrumentally accompanied form of “city blues”(as opposed to the formally unstandardized and earlier “country blues”), the blues was to become one of the two major foundations of 1920s jazz (the other being rags). City blues tended to be strophic songs with a text typically based on two-line strophes (but with the first line of each strophe’s text repeated, AAB) and a standard succession of harmonies underlying each strophe’s melody.... ...