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The history of music essay
The history of music essay
History of music
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Scott Joplin was know as the kings of ragtime. I will explain also explain how he grew up and what type of music he played. I will also write about why I believe he deserves the title that he has been bestowed upon him.
The first thing I will talk about is the type of music he is know for which gave him that name. Most people listen to the type of music he composed but next to none know who or how it was composed. There seems to be an abundance of music fans who know little or nothing about the origin of their music. By discussing what he has accomplished it will explain why he is considered to be so important to his type of music.
Rag time as it is most commonly know was the type of fast paced music played around 1885 in St. Louis. Scott Joplin was born in 1868 and lived until 1917, but has done a lot in his life span. He was one of the first African Americans to be know as a composer. Born in Texarkana, Texas to a large family with musical background, he began learning to play the guitar and beagle, and gained free piano lessons by showing such fast progression to his teachers. After death of his mother, he left the house at age fourteen. He learned much form traveling through Mississippi playing in local spots and learning form what was offered to him. In 1885 he arrived in St. Louis, at the time a center for a new music phenomenon called ragtime.
Ragtime, also called “ragged rhythm”, was first a piano style know for its fast paced beats. It first came into the publics eye in 1893 when he performed an instrumental ensemble at the World Exposition in Chicago. His originally developed style of rag time know as “Maple Leaf Rag” First came on the scene in a club in Sedalia, Missouri as his own form of ragtime. In 1899 He gained nationwide popularity after selling over one million copies worldwide.
After this Joplin tried to make this new from of piano style he had grown to love more widely know form of music In 1911 he finished an opera called Treemonisha, designed to reach this status. Sadly this opera was not well accepted by the public and caused him to slip into a state of depression.
Scott Joplin, commonly known as the "King of Ragtime" music, was born on November 24, 1868, in Bowie County, Texas near Linden. Joplin came from a large musical family. His father, Giles Joplin was a musician who had fiddled dance music while serving as a slave at his master's parties. His mother, Florence Givens Joplin, born free and out of slavery, sang and played the banjo, and four of his brothers and sisters either sang or played strings.
Ragtime takes place in New York City, during the 1900’s. This time period is referred to as the Progressive Era. This era was true to its name because many insightful people endeavoured to make the society of the ...
Ferdinand Joseph LaMothe, more commonly known as Jelly Roll Morton, was born to a creole family in a poor neighborhood of New Orleans, Louisiana. Morton lived with several family members in different areas of New Orleans, exposing him to different musical worlds including European and classical music, dance music, and the blues (Gushee, 394). Morton tried to play several different instruments including the guitar; however, unsatisfied with the teachers’ lack of training, he decided to teach himself how to play instruments without formal training (Lomax, 8). ...
in folk music. He began playing guitar and writing songs, which he sang at local folk
He had exposure to several different genres growing up in his St. Louis, MO hometown. He heard country from the whites, rhythm & blues (R&B) from mostly blacks, even Latin music. His family environment set him up well for future success while growing up in a middle class home in the middle of the Great Depression of the 1930s. His parents sun...
The first instrument Robert played was the harmonica. Robert quit school as a teen and started working in the cotton fields. Robert left that life to travel and play his music. He began to play the guitar around the age of fifteen. Famous blues men; Charlie Patton and Willie Brown influenced Johnson when he was young. At age 17, Robert married Virginia Travis. She and their first baby died during childbirth. Johnson then went on the road. Robert traveled all over the Midwest and all the way down to Mississippi and Arkansas. He married Calletta Craft during his travels. She died only a few years later while Robert was on the road.
Berlin, Edward A., A Biography of Scott Joplin. Scott Joplin International Ragtime Foundation, 1998. Web. 28 Nov. 2010
He had a lot of Expectations to live up to with his parents being very talented just as he was. His mother was a very talented pianist who took her music very seriously, urging her son to become just as good as she was at performing different types of music. His father was an amazing Opera singer, he was very well known. He eventually died of cancer. This period of his death was known as Bloody Sunday. This was a very sad day for the people who loved and enjoyed the works that he had performed. He identified himself as the great inventor of music. Considering that he knew a lot about music and was very intelligent.
Copland's growth as a composer followed the important trends of his time. After his return from Paris he worked with jazz rhythms in his "Piano Concerto" (1926).
The fact that his contemporaries gave him many awards proves that he was one of the greatest composers of his time. Still, the strongest point in proving his greatness is that fact that he was able to adapt to the changes around him. By his own admission, "...an entirely new public for music had grown up around the radio and phonograph. It made no sense to ignore them and to continue writing as if they did not exist. I felt that it was worth the effort to see if I couldn't say what I had to say in the simplest possible terms." His success in changing to the times speaks volumes about his ingenuity. Many people have an extremely difficult time dealing with
The jazz pianist and composer James Hubert "Eubie" Blake was born in Baltimore, Maryland in 1883. The son of former slaves, he began organ lessons at the age of six and was soon creating the tunes he heard in his mother's Baptist church. While still in his teens, Blake began to play in the ragtime style, which was popular in Baltimore sporting houses and saloons due to its syncopated rhythms (Kantor, 86). Without the knowledge of his parents, Blake worked in Aggie Shelton's bordello at age fifteen, entertaining customers with classics and popular rags such as Michigan Frog’s “Hello, Ma Ragtime Gal” and Charles Harris “After the Ball.” With little interest in school, Blake decided to become a full time musician, and at age sixteen performed professionally in a Baltimore nightclub. In 1899 he composed his first piano rag later titled the “Charleston Rag” (Gale). The piano roll of "Charleston Rag", observed Mark Tucker in “Ellington the Early Years”, “features a walking bass in broken octaves, flashy appreciated breaks, chromatic seventh chords, and certain rhythmic tricks.” In
The music he produced had a lot of control with a lot of flair. He liked improvisation, but did not leave that up to the performer. Instead, he wrote very virtuosic passages for his pieces, with which the performer did not have much room for imaginative playing. Then there is his knowledge on how to writ...
As a child Dylan was comfortable being the center of attention, often writing creative poetry for his mother and on occasion singing. Dylan had no formal music lessons, but none the less he began to compose. Later at age 14, he took up the guitar and shortly after formed a band, one of many he played the guitar in. Always plunging ahead, performing to his up most potentional, Dylan absorbed his surroundings as a source of inspiration. Even during his early efforts Dylan responded very positivly to mainstream musicians, such as country star Hank Williams. Yet, he responded especially well to early rock stars such as Little Richard, Elvis Presley and Jerry Lee Lewis. In the summer of 1959, after graduation Dylan began to work at a cafe, where he began to pay increasing attention to folksingers such as Judy Collins and Jesse Fuller. Finding an instant connection with their songs, songs relevant to social issues. Dylan was drawn into both the musical style and the social message of these indivisuals.
Now that I have explained a little background on Joplin’s career as a singer, which I think is very important to understand who she is, I will continue to explain why she was so influential to her
the immortal fame of Handel and Bach, of Hayden and Mozart. He was an artist,