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History of music in african
History of music in african
History of music in african
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University of Oklahoma
The Influence of European Colonialism in African Music
By Eugenia Galan
MUNM 3113
Dr. David Howard
January 9th, 2017
"Music is a vital aspect of the daily lives of people throughout sub-Saharan Africa." In their book, "World Music: A Global Journey", Miller and Andrew recognized that music is the epitome of Africa as it represents a great sense of culture and identity. Therefore, the act of altering, or influencing the music of Africa can be likened to the obliteration of African culture and identity. Solomon O. Ikibe, a professor at the University of Ilorin, Nigeria published many books and publications in the performing arts of African music. In his book, 'The Impacts of Slavery and Colonialism on African Traditional Music and Dance Performance', Ikibe
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From the official language being a European language in countries like Angola and Zimbabwe, to the evolvement of new, western-influenced music in South Africa, Colonialism has left an imperative mark on the countries of Africa. Evidently, the people of Africa are made up with the great influence of the Colonial times and most of their music known today has been birthed or influenced by the settlers. There are many layers that the Europeans have embedded their beliefs on the people. It cannot be denied that music is a subtle tool of the European colonists to integrate their beliefs into the African people. Chikowero said that the colonists used music "as a weapon to undermine African sovereignty and, on the other, how Africans similarly deployed their musical cultures to tell their own stories, reclaim their freedom, and reconstitute their being” (Chikowero 2, 65). While the debates ensue of the tainting of traditional African music, it cannot be denied that the Era of Colonialism has imprinted deeply in the music of the
Some scholars theorize that the Middle Passage to the Americas was so traumatic that most African influence was eradicated, and that few traces of Africa exist in African-American music. This “cultural tabulala [sic] rasa” theory is rightfully rejected by many scholars (Wilson 3). The inflow of African people to the New World was brought on by the existence of slavery, and resulted in the creation of a sort of extension of the African continent in a different hemisphere. In his article “The Significance of the Relationship Between [sic] Afro-American Music and West African Music,” music scholar Olly Wilson refutes the tabula rasa theory, and provides extensive examples of the ties that continue to exist between the two distant geographical regions. Another prominent scholar who recognizes the integration of African elements in American musics is Henry Louis Gates, Jr. Though his much deeper and more analytical approach to African musics is divergent from Wilson’s, both scholars acknowledge African diaspora musics and examine them in different ways based on different criteria.
“Together the matrices of race and music occupied similar position and shared the same spaces in the works of some of the most lasting texts of Enlightenment thought..., by the end of the eighteenth century, music could embody differences and exhibit race…. Just as nature gave birth and form to race, so music exhibited remarkable affinities to nature” (Radano and Bohlman 2000: 14). Radano and Bohlman pointed out that nature is a source of differences that give rise to the different racial identities. As music embodies the physical differences of human, racial differences are not only confined to the differences in physical appearances, but also the differences in many musical features, including language, tonality and vocal expression. Nonetheless, music is the common ground of different racial identities. “In the racial imagination, music also occupies a position that bridges or overlaps with racial differences. Music fills in the spaces between racial distinctiveness….” (Radano and Bohlman 2000:8) Even though music serves as a medium through which different racial identities are voiced and celebrated individually, it establishes the common ground and glues the differences
Throughout the semester, various styles of music and the aspects of culture associated with these styles have been analyzed. Musical elements such as dynamics, texture, form, timbre, melody, instruments, etc., have been used to thoroughly explore each kind of music from different areas of the world, with an emphasis in music from Africa, India and Indonesia. These aspects of music go far beyond just music itself. Culture also plays a huge role in music and the accompanying musical elements. Each country and culture has a different style and distinctiveness that add to what makes the music of that certain culture unique. Music in Africa may differ dramatically from music in Indonesia or India not only due to those certain elements but also due to how it is interpreted by people and what it represents for those people. In addition to this, what one may consider music in one culture may not be music to another. These differences have been made apparent in the several demonstrations that we have been exposed to in class.
Angeles, Los. (2009). African arts. Volume 28. Published by African Studies Center, University of California.
Music is an art and a wonderful gift to human race. It soothes, stimulates and makes us feel happy. It affects our moods in many different ways from lullaby to war cry for changes in the society. Music is actually distinct to different people. Above all, it has a transformational importance that is captured in its art and nature. Music draws our emotions and it has an impact of bridging different cultures across the continents. Slave songs were very vital channels through which all kind of information was conveyed both positive and negative.
African-American music is a vibrant art form that describes the difficult lives of African American people. This can be proven by examining slave music, which shows its listeners how the slaves felt when they were working, and gives us insight into the problems of slavery; the blues, which expresses the significant connection with American history, discusses what the American spirit looks like and teaches a great deal from the stories it tells; and hip-hop, which started on the streets and includes topics such as misogyny, sex, and black-on-black violence to reveal the reactions to the circumstances faced by modern African Americans. First is about the effect of slave music on American history and African American music. The slave music’s
“How Musical is Man?” was published in 1974. This book was written by John Blacking, a musician turned social anthropologist. His goal in writing this ethnography, and several other papers during this same time period, was to compare the experience of music-making that takes place within different cultures and societies throughout the world. In this book, he discusses and describes the musicology of the Venda people in South Africa. Though he does go to Africa to research and learn about the Venda people and their music, he specifically states that his book is “not a scholarly study of human musicality” (ix), but rather it is a summary (written from his point of view), which is both expressive and entertaining, of several different issues and ideas that he has seemingly been contemplating for some time.
Colonialism has plagued indigenous people worldwide and has spelled disaster for countless cultures, languages, and traditions. Over the past 500 years there have been different phases of colonization in Africa as well as other various parts of earth. There were many reasons behind exploration and colonization including economic and tactical reasons, religion, and prestige. Colonialism has shaped the contemporary understanding of individuals from Niger as well as other parts of Africa and other places too, like the Chambri and Tlingit people; mainly in economics. Because of the colonial past of so many cultures, numerous indigenous people today face many issues. Today colonialism is still active, known as Neocolonialism, which has devastating effects on global cultural groups.
Monson, I. (2010).Freedom sounds : civil rights call out to jazz and Africa. New York Oxford: Oxford University Press.
Music evolves through time due to different cultural influences. Since their unfortunate immigration through the trans-Atlantic slave trade into America, Africans brought their musical backgrounds with them to separate the western musical identity compared to European music. Once freed from oppression, African American culture and music diversified the sound of the Christian church. As the acceptance of African Americans increased, their music also was also accepted into white society and directed where music evolved. Without the influence of black culture, the progression and sounds of western music would have never been possible.
Music played a very important role in the lives of people is diaspora communities. It served as a reminder for the immigrants of their homeland, which allowed them to proudly express their national and cultural identities. Diaspora refers to an international network of communities linked together by the identification of a common ancestral homeland and culture. People in these communities are no longer living in their homelands, with no guarantee of a return either. (Bakan, 19). Music played a large role in African diaspora communities. This was first started by the slave trades many years ago when slave traders traveled to the coast of West Africa to capture Africans and brought them back to the United States to be slaves on plantations. Slaves were more prone to loose a sense of their own culture because every new aspect of their lives was forced upon them, therefore they were undoubtedly forced to abandon their n...
Music before the 20th century was very different when compared to the music of the 21st Century. There were distinctive occasions for each type of African music. West African music, the African Diaspora, and the music of the Colonies each had different musical instruments.
Throughout history, imperialism has led countries to extend their rule over weaker countries and then colonized those countries to expand their own power. Imperialism allows the ruling countries to use the weaker countries for their resources. Colonizing other countries would then lead to growth and a better reputation for the dominating country. There are many examples of imperialism throughout European history. When many European countries “scrambled” for Africa, it seemed as though Africa had no say in anything. During the 19th century, Europe found a way to use Africa for their own growth and power. Using Africa for their resources, the Europeans colonized Africa without a second thought. European imperialism in Africa had a negative impact because of social disarray, cultural loss, and death it caused.
An overwhelming majority of African nations has reclaimed their independence from their European mother countries. This did not stop the Europeans from leaving a permanent mark on the continent however. European colonialism has shaped modern-day Africa, a considerable amount for the worse, but also some for the better. Including these positive and negative effects, colonialism has also touched much of Africa’s history and culture especially in recent years.
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.