Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Case analysis of cultural appropriation
How movies sterortypes ethnic groups
Slumdog millionaire essay on poverty
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Case analysis of cultural appropriation
Cultural Appropriation: Not Applicable to Asia?
Much ink has admittedly been split over the seemingly never-ending series of controversies surrounding the issue of cultural appropriation, yet at risk of appearing completely void of any reticence, I’ll continue to spill yet a little more.
Andray Domise recently wrote one of the more palatable pieces in opposition to cultural appropriation in Macleans. He defined cultural appropriation as "superimposing one's own understanding of another culture over that actual culture, slapping a package on it, modeling it, and often selling it.”
He gives the case of Amanda PL, who he doesn't fail to mention is a white woman, and how her scheduled exhibition at the Visions Gallery in Toronto was canceled
…show more content…
In the words of one of India's preeminent filmmakers, Adoor Gopalakrishnan, the film "underlines and endorses what the west thinks about of us." How exactly did Danny Boyle not superimpose his “own understanding of another culture” and end up selling it?
Perhaps the reaction of Indians to Slumdog Millionaire might best illustrate how people really feel about cultural appropriation. Many elites – filmmakers, academics and even some politicians – made quite a fuss about how the film imposed a western stereotype of India which many argued denigrated its true nature; however, the average Indian was quite happy with the film. It was well received amongst both the domestic Indian audience as well as the Indian diaspora around the world. Indians who were involved in the film, like AR Rahman who wrote the music, were celebrated across the
…show more content…
The video is shot in various locations across India and shows stereotypical scenes of swamis in Varanasi and locals participating in the festival of Holi in Calcutta – in addition to showing Beyoncé dressed in traditional Indian attire.
As @kissmyazka inquired of the world via twitter: “Are we gonna discuss how Beyonce dressing up as an Indian woman for the Coldplay video is cultural appropriation, or no?”
The answer, according to Associate Professor of African Studies at the University of Texas at Austin Omise'eke Natasha Tinsley, is yes we’ll discuss, but no it wasn’t cultural appropriation.
Writing in Time Magazine, she begins by pointing out that Bollywood has had a handful of actresses not native to South Asia. She mentions Katrina Kaif, Sunny Leone, and Amy Jackson. With Katrina Kaif, she at least admits that her father is Indian. With Sunny Leone, she calls her light-skinned and of Canadian heritage, despite both her parents being Indian. With Amy Jackson, who has no connection to India, she may have thought she hit the jackpot, save for the fact that her first role in Indian cinema was to play the daughter of the British
Cultural appropriation, as described in Sabeen Sandhu’s article “Instant Karma: The Commercialization of Asian Indian Culture,” is not new. Rather, it is the latest iteration in a long history of Western imperialism and exploitation of other cultures and societies. Using a primarily a symbolic interactionist lens, in her article Sandhu highlights two fundamental aspects of appropriation that differentiate the phenomenon from appreciation: the focus solely on one facet of a symbol and commercialization.
UK, The Week. “Cultural Appropriation: What Is It and Why Is It Wrong?” The Week UK,
Cultural appropriation is a sociological concept which views the adoption or of elements of one culture by members of a different culture as a largely negative phenomenon. It has a negative connotation because cultural appropriation also refers to a particular power dynamic in which members of a dominant culture take elements from a culture of people who have been systematically oppressed by that dominant group. In Sunita Puri’s article “Cultural Identity vs. Ethnic Fashions”, she divulges in the topic of cultural appropriation, and uses ethnic and pathetic appeals to establish her credibility as an Indian American who can speak on behalf of her people to convince non-Indians to stop using the Bindi as a fashion statement. She brings forth personal experiences and examples from pop-culture and explains why appropriation is offensive.
fragmented by the interruptions of song and dance, lending a sense of unreality. I believe Mira Nair successfully achieved her aim to make a Bollywood film on her own terms. As a director, she effectively combined the techniques of sound, editing, costume, colour and location to produce a fairly unique Bollywood film. Her message of the continuing modernisation of India, and her criticisms of both the societies she illustrates in the film comes across clearly, as do the more controversial points she brings up that Bollywood, as a film industry, does not typically address. Its appeal and effectiveness can be measured by the huge range of global audiences it has attracted, both Western and Eastern, which indicates that she accomplished her goal of making a realistic movie, breaking the traditional Bollywood mould.
“Cultural identity is not something that is easy to manipulate by acting on the mass media, nor does it seem to be much influenced by media culture. It survives and flourishes in many a form, and the general expansion of television, music and other media have added some widely (internationally) shared cultural elements without evidently diminishing the uniqueness of cultural experience in different nations, regional and localities of Europe” (McQuail, 2000, p. 237) Cultural imperialism thesis has also lead to many cultural protectionism policies, designed “to defend indigenous cultures against their corruption, pollution or destruction by foreign elements” (Morley,2006, p.36). Problems arise when trying to understand what is meant by foreign (and to who) and also when trying to examine and define the purity, originality and indigenousness of one’s culture that needs to be defended. Cultural imperialism tends to assume that the most countries from the global South had indigenous, pure and authentic cultures before the Western influence came along via transnational corporations. One could argue that this view tends to be a romanticized perspective of the Third World which disregards the complex relations between countries and their former colonial powers while also ignoring the fact that most cultures are hybrids. There is a problem with the inaccurate presumption that the phenomenon of cultural mixing is recent, when actually all cultures have, to certain extent, absorbed elements from another cultures through history. Therefore, the complexity of intercultural flows must be acknowledged, along with the ambivalence of their meaning when being brought into new
...s and colonial rule, UNC’s performance of gamelan does not fall under any speculation of using gamelan purely for aesthetic gain. The performers were not seeking to use gamelan to capitalize off of Javanese culture. This was simply a festival to bring people together through the spirit of music. In a way, the performers say a lot about identity and what it means to identify with a culture outside of your own. Connecting to a culture that’s never been experienced is difficult and shows the dedication of the performers. When music becomes more than producing sounds, it becomes a whole other identity that people can recognize regardless of which part of the world.
Have you ever taken offense when you saw someone dressed in traditional garments from your culture? In America, this happens quite often. Some people may not recognize it and some refuse to acknowledge that it even exists. Cultural appropriation is a situation in which a dominant culture steals aspects of a minority culture’s, such as hair, clothing styles, and music.
Culture Appropriation is the idea of taking one’s culture and adjusting it to another culture, and has brought about many debates for years. One specific ongoing debate is if writers have the right to write about other cultures without being classified as culturally appropriating their culture. Five articles have argued their standpoint and what they believe is the correct way to interpret culture appropriation: “Who Gets to Write What” by Kaitlyn Greenidge, “Dangerous Ideas” by Kenzie Allen, “Commentary: Cultural Appropriation Is, In Fact, Indefensible” by K. Tempest Bradford, “In Defense of Cultural Appropriation” by Kenan Malik, and “You can’t steal a culture: In defense of Culture Appropriation” by John McWhorter. While all the participants
Cultural Appropriation is not only undeniable but also unavoidable in a mixing bowl society. Yet, though one cannot help but be intrigued by other cultures, it is important for one to realize that when one “borrows” cultural aspects without proper representation and/or permission is not a form of appreciation but rather appropriation. For this reason, it is not only suggested but required for people in a salad bowl society to learn the difference between borrowing and taking. Just as you would want your image to be respected and properly acknowledge, one must make it a personal duty, to never for this reason, misrepresent or disregard another’s
Cultural Appropriation and Its Effects On Other Cultures This past Halloween I dressed up as a China Doll; in my black traditional Asian dress, white painted face, rosy pink cheeks, black eyeliner, and my hair held up in a bun with chopsticks. I originally thought that this costume would be rather attractive and fun. However, I began to question myself after a young lady approached me and asked, "Are you suppose to be an Asian person? " I immediately replied, "No, I am a beautiful China Doll".
A great deal of people in America see America as a melting pot, meaning all cultures come in and melt into one culture. Others like me, view America as more of a salad bowl. Cultures come in and mix together, but they do not merge, everyone keeps their own culture. In reality, If we all are living together we are bound to influence each other's way of life. Things like our way of speaking and religious traditions are definitely going to rub off on each other. Although that wouldn't be cultural appropriation cultural appropriation has nothing to do with how familiar you are with another culture. So when does it become cultural appropriation? It becomes cultural appropriation when the culture is exploited for money, fame, praise for creativity, or self-expression. When you take other cultures dances, style of dress, music, way of speaking, food, religious symbols and use it for your personal game that is appropriation. In her article, “To the new culture cops, everything is appropriation” from The Washington Post author Cathy Young talks about the new culture cops and how they're limiting the ways in which people can express themselves artistically. In her world you can
African Americans, Hispanics, and Asians generally tend to surface as the groups targeted for cultural appropriation. There is no fault in familiarizing oneself with various cultures and adopting different aspects as long as it is done with a respectable and perceptive understanding the culture deserves. With that being said, when members of a dominant group assume the traditional apparel of a minority group for a Halloween party, a musical performance, or for the sake of fashion, they now diminish the cultural ties behind the roots of such apparels and the defiance of those who originated the culture face in the Western
Globalization is often misrepresented as the growing influence of the western culture in the world and so we tend to state that Hollywood is influencing Bollywood to a great extent. An argument can be made to justify the validity of that statement. However, this paper aims at presenting the influence of Bollywood on Hollywood in terms of music, dance and visual representation. This paper deals with a specific part of globalization, providing evidence that it is not only related to the spreading influence of the western culture but also of eastern culture. Feature film produced in 2009 Courtesy: UNESCO Indian movies began production in the beginning of the 20th century and were, much like American films, in black and white.
Cultural Appropriation: “Cultural appropriation is the adoption of elements of one culture by members of a different cultural group, especially if the adoption is of an oppressed people's cultural elements by members of the dominant culture” - Eden Caceda[1]
The portrayal of different cultures is a vast spectrum, from cultural appropriation to multiculturalism. Using a culture for profits or misinterpreting a culture without knowing the significance of that culture is an easy way to end up culturally appropriating. This is simply distasteful and abuse of a different culture. We must check ourselves in order to not commit this act and to remain respectful of different cultures. On the other end of the spectrum, multiculturalism is the proper way of bringing cultures together and helps to unify