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Essay on art and creativity
Essay on art and creativity
Positives and negatives of cultural appropriation
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Novelist, Lionel Shriver, in her speech “I hope the concept of cultural appropriation is a passing fad”, examines the relationship between fiction and cultural appropriation. Shriver’s purpose is both to urge fiction writers to employ different perspectives in order to create compelling writing and criticize those who lambast writers on the grounds of cultural appropriation. Shriver does this using a forthright tone with her audience of writers and employs a satiric tone when addressing her naysayers.
Shriver begins by comparing herself as “a renowned iconoclast” to a great white shark (1). This comparison vilifies Shriver. By vilifying herself she has erased the ability of her critics to do so and sets the tone for the remainder of her speech. Shriver continues to address those who feel cultural appropriation in writing: “You’re not supposed to try on other people’s hats. Yet that’s what we’re paid to do”(2). She underscores the contradiction of what fiction writing is and what people who are sensitive to cultural appropriation claim it should be through her use of the phrase: “we’re paid to do”(2). Shriver is paid to write she is an authority on what fiction writing is, because no one understands a profession better than a person in that profession. This phrase also acts to create a sense of community between Shriver and her audience of writers because she implements the word “we’re” this
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Shriver alludes to writers who have committed cultural appropriation in
Some works show their true colors right away. Gene Edward Veith’s book, Reading Between The Lines, addresses philosophical ideas, literary sub genres, and reader criticisms in order to ascertain a Christian’s role in literature. He also goes through various historical periods and examines their more prominent works and schools of thought. While a select few of his conclusions about Christianity in relation to the arts have merit, others contain more damaging implications. Specifically, his statements regarding television represent inaccurate and offensive thinking.
American journalist and politician Claire Boothe Luce, and her speech to the journalist at the Women's National Press Club, criticize the American press for surrendering fulfilling work for cheap dramatize stories. Luce, in her speech, discussed the many problems the journalist face in the writing community. This purpose is to introduce problems in the writing community. She uses happy tone to appeal to her uninterested colleagues, as well as, diction, ethos, pathos, and logos. Claire Luce gives a powerful speech while bringing the American press down.
Secondly, “A Place to Stand On” an essay of assimilation and connection to the past. And finally, “Why I Write” a composition on how writing grows along side the author. Each of these essays relays the proposition of writing being more than an escape, but less than an accustomed piece of work. Barbara Kingsolver, author of “Not So Deadly Sin” allows herself to
Perkins, Geroge, and Barbara Perkins. The American Tradition in Literature. 12th ed. Vol. 2. New York: McGraw Hill, 2009. Print
Studies in American Fiction 17 (1989): 33-50.
As every well-read person knows, the background in which you grow up plays a huge role in how you write and your opinions. Fuller grew up with a very strict education, learning multiple classic languages before she was eight years old. Fern grew up with writers all throughout her family and had a traditional education and saw first hand the iniquities of what hard-working had to contend with. Through close analysis of their work, a reader can quickly find the connections between their tone, style, content, and purpose and their history of their lives and their educational upbringing.
...s educational system on traditionalism that focuses on fluency, appreciation, and comprehension. King states, “no one can be as intellectually slothful as a really smart person” (138). As a whole we are “creatures of habit”, thus resisting changes in the traditional sphere of academics. King uses his spin on popular culture to engage future readers and inspire the next generation of writers. “Some of this book—perhaps too much—has been about how I learned to do it. Much of it has been about how you can do it better. The rest of it—and perhaps the best of it—is a permission slip: you can, you should, and if you're brave enough to start, you will.” (King 269-270). “On Writing” is a poignant, educated, and inspiring book, a book that is sure to help hundreds of struggling writers and will motivate others who may pick up the book not for inspiration, but mere curiosity.
Perkins George, Barbara. The American Tradition in Literature, 12th ed. New York: McGraw Hill, 2009. Print
The point the author, Russell Baker, is making in his essay, “Writing for Myself,” is quite evident. When Mr. Fleagle, Baker’s English teacher, assigned an informal essay to be completed as homework, Baker immediately became baffled by the daunting task. Though reluctant to start, Baker knew that it he had to swallow his animosity toward writing and select a topic to write on.
Percival Everett’s “The Appropriation of Cultures” (2004), demonstrates the power of a symbol and the meanings that it can carry. In the story, Daniel Barkley is a highly accomplished African American man who graduated from Brown and frequently plays guitar near the campus of The University of South Carolina. From the beginning of the story, Barkley exposes a distinct independent personality that isn’t afraid to break stereotypes or labels. The first scene describes an instance in a bar where white fraternity boys were challenging Barkley to play ‘Dixie’ for them. Instead of refusing, like most would have done, he instead begins to play and take ownership of the song. Later in the story, Barkley decides to purchase a truck with a giant confederate flag decal in the back. Despite the strange stares and confusion
In addition, authors frequently lack originality and simply take the reader on all-too-familiar voyages into politics, morals, or religion. Successful writers are those who risk and go on to write about topics that many times others have been less willing to address. The product of these extraordinary efforts is compositions richly enhanced by human feelings and real problems that we encounter and relate to our everyday lives…thought-provoking discussions about religion, philosophy, or politics. These pioneering authors are not afraid to write about evil, the perverse aspects of man, or even sexuality… Their true voices have risen from behind the words taking shape in the minds of the readers. Few have done this, but in the 19th Century two remarkable Americans produced compositions of unequal quality. Their styles and the way they approach the reader are different from t...
Black Fiction: New Studies in the Afro-American Novel since 1945. Ed. A. Robert Lee, a.s.c. London: Vision Press, 1980. 54-73.
“A Tale Intended to be After the Fact…” is how Stephan Crane introduced his harrowing story, “The Open Boat,” but this statement also shows that history influences American Literature. Throughout history, there has been a connection among literary works from different periods. The connection is that History, current events, and social events have influenced American Literature. Authors, their literary works, and the specific writing styles; are affected and influenced by the world around them. Authors have long used experiences they have lived through and/or taken out of history to help shape and express in their works. Writing styles are also affected by the current trends and opinions of the period they represent. By reading American Literature, we have seen the inhumane treatment of slaves, we have seen the destruction caused by wars, and we have seen the devastation of eras such as The Great Depression.
“Let me not to the marriage of true minds.” Making Arguments about Literature: A Compact Guide And Anthology. Ed. John Schilb and John Clifford. Boston: Bedford/St. Martins,.
Many female writers see themselves as advocates for other creative females to help find their voice as a woman. Although this may be true, writer Virginia Woolf made her life mission to help women find their voice as a writer, no gender attached. She believed women had the creativity and power to write, not better than men, but as equals. Yet throughout history, women have been neglected in a sense, and Woolf attempted to find them. In her essay, A Room of One’s Own, she focuses on what is meant by connecting the terms, women and fiction. Woolf divided this thought into three categories: what women are like throughout history, women and the fiction they write, and women and the fiction written about them. When one thinks of women and fiction, what they think of; Woolf tried to answer this question through the discovery of the female within literature in her writing.