Cruel Creon In the Greek tragedy Antigone by Sophocles there are a multitude of tragedies that branch from Creon's cruelty. Due to Creon's tyranny, he is stubborn, self-conceited, and refuses to heed the opinions of others. Consequently Creon's actions cause him to lose his wife, Eurydice, and his son, Haemon, which are consequences of his cruelty, but his cruelty also ends Antigone's life. With Creon wanting to “leave [Polynices] unburied, a feast for birds and dogs, an outrage to see” (Sophocles 209-210). It serves as a crucial motivation for Antigone because she is willing to die to bury her brother Polyneices. In accordance with her beliefs, she also wanted Polynice's soul to go to the afterlife. As a tyrant, Creon does not want anyone to “overstep these laws” (Sophocles 458). …show more content…
With his unchanging attitude and refusal to change his ways of thinking, he causes the deaths of multiple people. Nearing the conclusion Creon realizes he was a “rash man. who unwillingly slew [Haemon] and this woman. everything goes cross in my hands'' (Sophocles 1342-1346). Towards the end, he realized his mistake far too late; everyone he loved was dead. Throughout Antigone, Creon only cared for himself, causing him to lose the people he cherished most. Their different ideologies played huge roles; Antigone valued tradition and religion. According to Antigone, since “it wasn’t Zuez who pronounced these things to me, nor did justice, companion of Gods below, establish such laws for humanity” (Sophocles 459-460). Creon and Antigone juxtapose each other with their opposing ideologies. Without their differences, the conflict would not have arisen, causing a domino
Creon believes that his laws are absolute and must be followed above all else, even Divine Law. Therefore when Antigone, in accordance with divine law, goes against Creons edict by burying her brother she is forcefully imprisoned and sentenced to death by Creon. In Creons opening speech he says, “Of course you cannot know a man completely, his character, his principles, sense of judgment … Experience, there’s the test” (Sophocles, p. 67). How Creon handles Antigones unlawful actions serves as his first test as the new king of Thebes and ends up showing the Thebans a glimpse of his true nature, that of a tyrannical ruler. This can be seen again when Haemon comes to Creon with the hope of dissuading him from his current course of action. He does this by trying to make Creon understand that the citizens of Thebes don’t agree with his use of power and planned execution of Antigone. Again Creons authoritarian nature comes to light in his response to Haemon, “And is Thebes about to tell me how to rule… Am I to rule this land for others – or myself?” (Sophocles, p. 97). To which Haemon counters by saying that “its no city at all, owned by one man alone” (Sophocles, p. 97). Creon, being the tyrant he is, fails to heed the wisdom of his sons’ words, which ultimately leads to his downfall. Creon, like Machiavelli, believed that it was
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
To open, the things he said showed how he changed and became the tragic hero of the play. Many of his statements reveal his personality including his admirable parts and his flaws. When Creon says: "I call to God to witness that if I saw my country headed for ruin, I should not be afraid to speak out plainly," (Sophocles, scene 1,24-26), it shows his strong sense of nationalism and leadership which catches up with him in the end. "The inflexible heart breaks first, the toughest iron cracks first, and the wildest horses bend their necks at the pull of the smallest curb" (scene 2,76-79) is what Creon says to Antigone after finding out she is the one who buried Polynieces. He thinks that if Antigone wasn't so headstrong and arrogant then she could have avoided the consequence he was about to give her. I think Creon was being a hypocrite because he is just as stubborn as she is. The reason why Creon and Antigone come in to so much conflict is because their ways of thinking are almost exactly alike. "It is hard to deny the heart! But I will do it: I will not fight with destiny" (scene 5, 100), is a statement that shows Creon detecting his fault and how he needs to correct it. After talking to Teiresias, the blind prophet, he realizes in order for the higher powers to forgive him he needs to release Antigone. "Fate has brought all my pride to a thought of dust" (exodos, 138). Creon recognizes his flaw and its consequences but it is too late because fate has already occurred.
In the play Antigone, created by Sophocles Antigone is a foil to Creon because their personalities contrast. This makes Creon a Tragic Hero because he thinks that he is a god but in reality he is a mortal upsetting the god's and he will eventually meet his demise. At the start of the play the reader is introduced to a character named Creon, who is the king of Thebes, the previous king, Eteocles, was killed by his brother Polyneices. There is a law arranged by Creon, so nobody could bury the body of Polyneices but Antigone, the sister of both Eteocles and Polyneices, wants to bury her brother and is willing to risk her life to bury him. She eventually gets caught and is sentenced to death by Creon.
After being locked up in a dark, damp cave, Antigone was fed up with wallowing in her own pity, and takes her own life by “hang[ing] by the neck in a fine linen noose, strangled in her veils,” (1347–1348). Seeing the graceful young woman embraced in the arms of his own son, Creon immediately swells with anger towards un-masculine Haemon because of his display of love, and the significance of Antigone’s death goes straight over his head. Her strong sense of self – knowing who she is, what she values, and what makes her happy – enables her to make regretless decisions that alter her time to come. One of those decisions instigated Haemon’s fate to be sealed as well, prompting Eurydice, mother of the prince, to join her son in the underworld. Not long after becoming aware of her child’s downfall, Eurydice sacrifices her life at the heart of the palace, and “raised a cry for the noble fate of Megareus, the hero killed in the first assault, then for Haemon, then with her dying breath she called down torments on [Creon’s] head–[Creon] killed her sons,” (1429–1432). Creon’s heart fills with grief, for the fault of these three deaths lies with him, and pathetic self-pities are the only thoughts running through his mind. Despite the three-deceased’s blood lying
In Sophocles’s play, Antigone, Thebes is just starting to settle down after a power struggle between two brothers led to one of them, Polyneices, waging war on the city-state to reclaim power, and eventually the two brothers’ deaths. Because of his act of treason against Thebes, Polyneices is denied rights to a burial, a very important part of Greek religion. His sister Antigone buries him despite the law, and is condemned to death by Creon, the king. Creon strives to bring a peaceful end to chaotic times. Although Creon claims the king must always be obeyed to avoid anarchy and chaos, Sophocles disagrees completely by showing what can happen when the king is wrong.
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices.
Ignorance and hubris, Creon’s tragic flaws, lead to his calamitous downfall. Due to Creon’s persistent hubris to the gods, he disrespects them on multiple occasions. For example, he does not properly bury Polyneices, which is considered a major offense to the gods. Creon makes it illegal to bury him, and leaves his carcass out in the open to rot and be mauled by wild animals. Also, Creon mockingly buries Antigone alive, forcing her to die without honors and her actions to be forgotten. Both of these situations utterly displease the gods. Furthermore, in scene two, Antigone is accused and found guilty of burying her brother Polyneices. Although she knows there will be a heavy consequence, she does not deny burying Polyneices even as she is being led to her conviction. Antigone explains to Creon that God’s law is higher than any law. He refuses to listen and still punishes Antigone by theoretically burying her alive. Concerning this, disrespecting the gods was dangerous and considered fatal in the time of ancient Greece. Antigone’s character displays the importance to have the gods’ admiration. Creon’s scornful actions towards the gods foreshadowed his negative consequences. Additionally, Creon makes numerous mistakes throughout Antigone. Many people attempt to help Creon recover from his errors, but he refuses to listen. These people include Teiresias, the sentry, Haimon, and choragos. Teiresias, the blind prophet, comes to tell Creon how he is making a mistake and should respect the gods. Instead of listening to the wise man, Creon says:
Antigone a play in Sophocles deal with Antigone who defies Creon’s decree given that; Polynices, Antigone’s brother should not be buried but left to rot in the sun and eaten by scavengers. Creon describes Polynices as a traitor and enemy to Thebes unlike Antigone’s other brother Eteocles, a patriot who dies fighting for Thebes. Antigone pursues her belief of divine law: that the dead should have a dignifying burial, therefore buries Polynices with the honor that he deserves. As soon as Creon discovers that Antigone withstood his decree, he appears to be filled with anger and frustration, particularly because Antigone took pride in what she has done, and to make matters worst; she is a woman. Creon demands Antigone’s arrest and execution and
Of the tragic figures in Antigone, Creon is the most obviously evil because his motives are self-serving and his fate the worst. As the play begins, we learn that Antigone has defied Creon's royal decree by performing sacred burial rites for her exiled brother, Polyneices. Polyneices has been declared an enemy of the state by Creon. The sentence for anyone attempting to bury him is death by stoning.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
Creon a new king of Thebes, demanded that Antigone shall not bury her brother Polyneices and yet she buried him anyway. Creon thinks that Polyneices is a betrayer and he did not deserve to be buried and should be fed to the animals. Antigone follows orders from the gods, but she does not seem to listen to Creon's laws. This causes Antigone to hang herself and her husband after that, hangs himself too. The only one left of her family is her sister who escapes the curse, but she has to deal with the suffering of her family. After hearing about her son’s death, Eurydice(Creon’s wife) kills herself too. In the end the chorus learned that Creon made a mistake not letting Antigone bury her brother. On page 55 it says, “Future is in greater hands.” This is saying your fate can not be changed and your fate is chosen before you are even
Antigone holds her love of family, and respect to the dead, elevated beyond the laws of Creon, whom she believes, has no righteous justification to close his eyes to the honor of the deceased. In her determination to fulfill Polynices' rights, she runs directly into Creon's attempts to re-establish order. This leads to encounters of severe conflict between the dissimilarities of the two, creating a situation whereby both Creon and Antigone expose their stubbornness and self will.
In conclusion, the gods and the love of her family rule Antigone’s life. Creon’s life is ruled by what he thinks is good for his country and pride. Creon did not change his mind to free Antigone until a prophet told him he would suffer horribly for his actions. However, because Creon was so stubborn for so long and did not take heed to anyone’s advice sooner, he ultimately suffers in the end, as does everyone else in the play. This was all due to a man’s lack of good judgment, his selfish pride and his stubbornness.
Creon highlighted as the tragic figure, initially created decisions he thought was for the welfare and well-being of Thebes; however, Antigone, who rebelled against Creon’s decisions, caused Creon’s rage to cloud his rational way of thinking. When Creon decided to forbid the burial of Polynices, as he believed Polynices was a traitor to Thebes, Antigone was outraged. This decision, viewed through the eyes of Creon, was just and fair; on the other hand, Antigone viewed his decision as cruel and selfish, which resulted into a major conflict between these two characters. When Antigone disobeyed his proclamation, Creon became infuriated towards this rebellious act. Those small events within the play expressed Creon as a ruler doing what he believes is right; on the other hand, Antigone’s rebellion expressed otherwise. Antigone was soon shown to cause an evil spark within Creon. This “spark” caused Creon to intensify his punishments towards Antigone, which in turn caused a chain reaction of events and eventually led to his tragic decline. Being portrayed as a menacing villain throughout the play, Creon began as an honorable man; however, overwhelming events and confrontations caused Creon to evolve in to this monstrous figure.