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Antigone by sophocles setting essay
Character analysis of Creon in King Oedipus
Character analysis of Creon in King Oedipus
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Ignorance and hubris, Creon’s tragic flaws, lead to his calamitous downfall. Due to Creon’s persistent hubris to the gods, he disrespects them on multiple occasions. For example, he does not properly bury Polyneices, which is considered a major offense to the gods. Creon makes it illegal to bury him, and leaves his carcass out in the open to rot and be mauled by wild animals. Also, Creon mockingly buries Antigone alive, forcing her to die without honors and her actions to be forgotten. Both of these situations utterly displease the gods. Furthermore, in scene two, Antigone is accused and found guilty of burying her brother Polyneices. Although she knows there will be a heavy consequence, she does not deny burying Polyneices even as she is being led to her conviction. Antigone explains to Creon that God’s law is higher than any law. He refuses to listen and still punishes Antigone by theoretically burying her alive. Concerning this, disrespecting the gods was dangerous and considered fatal in the time of ancient Greece. Antigone’s character displays the importance to have the gods’ admiration. Creon’s scornful actions towards the gods foreshadowed his negative consequences. Additionally, Creon makes numerous mistakes throughout Antigone. Many people attempt to help Creon recover from his errors, but he refuses to listen. These people include Teiresias, the sentry, Haimon, and choragos. Teiresias, the blind prophet, comes to tell Creon how he is making a mistake and should respect the gods. Instead of listening to the wise man, Creon says:
“It seems that prophets have made me their especial province. / All my life long / I have been a kind of butt for the dull arrows / Of doddering fortunetellers! / No, Teiresias: / If your birds-if...
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...ish / I have killed my own son and wife / I look for comfort; my comfort lies here dead. / Whatever my hands have touched has come to nothing. / Fate has brought all my pride to a thought of dust.” (Exodus. 142-146). Fate takes control and Creon’s family is dead. He grieves and wants to die with his family because he sees no purpose of living. This is when the readers experience a catharsis. Creon’s tragic flaw, ignorance and disrespect, indicates Antigone’s catastrophic outcome.
Creon has attributes such as ignorance, hubris, and self knowledge that distinguish him as being the tragic hero of Antigone. Creon’s presumptuous personality lead to his pitiful downfall. Creon’s qualities such as nobility and self knowledge show the positive aspects of being a tragic hero as well. Using a mix of these characteristics, Creon accurately exhibits the tragic hero of Antigone.
In Sophocles’ play Antigone, Creon’s hamartia determines his downfall. Creon says,” I know it too, and it perplexes me. To yield is grievous, but the obstinate soul that fights with fate is smitten grievously”(Antigone 1095-1099). Creon’s fight with fate was his true enemy, and he realizes this at the end of the play. What makes Creon truly tragic is the fact that he realizes that his foolish actions caused these disastrous consequences and that they could have been prevented. Those who fight with fate are truly smitten, and unfortunately, Creon was one of these tragic
There are certain qualities that a character must posses in order to qualify as a tragic hero. Ideally, the subject is to be a person of high rank, so that they may have much to lose. (Most frequently a monarch is used.) Granted, Antigone is a member of the royal bloodline. But we must not forget that she is the daughter of incest, hardly a glamorous position to start with. In Oedipus Rex, Antigone was indirectly disgraced, while Creon was socially elevated by inheriting kingship from Oedipus. Also, Creon’s being king comparatively trumps Antigone’s lesser status of orphaned princess. While this in itself objectively proves nothing, it does at a minimum make Creon the more likely choice of protagonist.
In Sophocles' Greek tragedy, Antigone, two characters undergo character changes. During the play the audience sees these two characters' attitudes change from close-minded to open-minded. It is their close-minded, stubborn attitudes, which lead to their decline in the play, and ultimately to a series of deaths. In the beginning Antigone is a close minded character who later becomes open minded. After the death of her brothers, Eteocles and Polyneices, Creon becomes the ruler of Thebes. He decides that Eteocles will receive a funeral with military honors because he fought for his country. However, Polyneices, who broke his exile to " spill the blood of his father and sell his own people into slavery", will have no burial. Antigone disagrees with Creon's unjust actions and says, " Creon is not strong enough to stand in my way." She vows to bury her brother so that his soul may gain the peace of the underworld. Antigone is torn between the law placed against burying her brother and her own thoughts of doing what she feels should be done for her family. Her intent is simply to give her brother, Polyneices, a proper burial so that she will follow "the laws of the gods." Antigone knows that she is in danger of being killed for her actions and she says, "I say that this crime is holy: I shall lie down with him in death, and I shall be as dear to him as he to me." Her own laws, or morals, drive her to break Creon's law placed against Polyneices burial. Even after she realizes that she will have to bury Polyneices without the help of her sister, Ismene, she says: Go away, Ismene: I shall be hating you soon, and the dead will too, For your words are hateful. Leave me my foolish plan: I am not afraid of the danger; if it means death, It will not be the worst of deaths-death without honor. Here Ismene is trying to reason with Antigone by saying that she cannot disobey the law because of the consequences. Antigone is close-minded when she immediately tells her to go away and refuses to listen to her. Later in the play, Antigone is sorrowful for her actions and the consequences yet she is not regretful for her crime. She says her crime is just, yet she does regret being forced to commit it.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
" This indicates Creon’s decision to punish Antigone was not taken kindly by the gods, but his ego wouldn't allow him to solve that as shown by Haemon, which, again, contribute to his nemesis. This proves by how Creon’s stubbornness isn't liked by the gods establishing him as a tragic
In Sophocles' Antigone, the question of whom the real tragic hero comes into play. Antigone possesses all the aspects of a tragic hero. Creon possesses many qualities of a tragic hero, but doesn’t totally fit in the role. These traits include: not being overly “wholesome or corrupt”, being persistent in their actions, developing pity in the audience or reader- especially in the beginning of the story, and having a major flaw that is their ultimate downfall. Antigone possesses all of these traits therefore qualifying as the tragic hero.
The opening events of the play Antigone, written by Sophocles, quickly establish the central conflict between Antigone and Creon. Creon has decreed that the traitor Polynices, who tried to burn down the temple of gods in Thebes, must not be given proper burial. Antigone is the only one who will speak against this decree and insists on the sacredness of family and a symbolic burial for her brother. Whereas Antigone sees no validity in a law that disregards the duty family members owe one another, Creon's point of view is exactly opposite. He has no use for anyone who places private ties above the common good, as he proclaims firmly to the Chorus and the audience as he revels in his victory over Polynices. He sees Polynices as an enemy to the state because he attacked his brother. Creon's first speech, which is dominated by words such as "authority” and "law”, shows the extent to which Creon fixates on government and law as the supreme authority. Between Antigone and Creon there can be no compromise—they both find absolute validity in the respective loyalties they uphold.
In addition, Creon disregards what had historically been the best counsel for the city, the blind prophet Tiresias. Despite Tiresias’ warnings that his “high resolve that sets this plague on Thebes,” will “strike [him] down with the pains [he] perfected,” Creon’s stubborn commitment to the laws of state turns to be his error. Eventually convinced by Tiresias’ warnings, Creon resolves to release Antigone from her isolated tomb. Regrettably, he’s too late and the consequences of his insolence for the divine laws were far worse than if he had “[L]ay[ed] [my] pride bare to the blows of ruin” (1220). Creon’s undoing can be viewed as an allegory of the calamities that ensue when the laws of man pursue to challenge the ancient laws of gods.
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
A tragic hero has many definitions but Creons characteristics fit each single one. He displayed a fatal flaw that drove him mad near the end but also understood that his predicament was caused by him alone. Antigone cannot be the tragic hero because although she possesses several flaws, she experiences no true illumination. She does not met the required the traits for the tragic hero. Creon wanted to protect the state above personal cost, a task that was achieved in a way. Creon is the tragic hero in Sophocles Antigone because he can’t accept a diminished view of himself; he endures great suffering and is enlightened in the end.
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
In the book Antigone, Creon and Antigone can be considered as the tragic heroes of the play. Antigone is considered the tragic hero because of the characteristics she shows such as her ambition to defeat Creon, Creon shows more of the characteristics clearly. Creon is the king of Thebes. He is also Antigone's uncle. Creon became king after a fight between Eteocles and Polyneices. One may see Creon as a harsh and controlling ruler, but he is not good nor bad because he shows signs of both like when he wanted to give Eteocles a proper burial . Creon is the tragic hero of the Antigone, because of his dominance in society, high rank, tragic flaw; and self-pride.
This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family. Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow. Being titled “Antigone”, does not accurately express the play’s content as Creon’s tragic fate is actually being described and represented.
Aristotle's view on a tragic hero is someone that would have to be held in high standards (royalty) in order to evoke compassion and anxiety in the audience. Creon and Antigone are royalty and share the most important aspect of a tragic hero, each have a tragic flaw. Both of the two characters have an inability to compromise or even reason with. Antigone's tragic flaw was amplified by her loyalty for her brother; she acted irrational, in not taking preparation or thoroughness into consideration when burying her brother. Further more when confronted by Creon, himself she disrespected and basically told him to silence himself because his words were "distasteful" to her. So then sealing her death by becoming an immediate martyr for the wrong cause... anything against Creon's will.
Throughout literary history, tragic heroes have been defined as a great or virtuous character in a dramatic tragedy who is destined for downfall, suffering, or defeat. However, philosophers such as Aristotle tried to find connections between tragic heroes in Greek plays. This in-depth analysis of tragic heroes lead Aristotle to create six criteria for a true tragic hero: He or she has to be a Noble figure of royalty and noble in character, has to be imperfect by design, has a flaw or error that is a choice, is punished excessively for this choice flaw, has to undergo a downfall that leads to a realization, and the story of this tragic hero has to make the audience reach a moment of catharsis or purging of emotions. A prime example of a tragic hero that fits all of these criteria is Creon from the play Antigone, written by Sophocles in 441 BC. The story of Antigone is a tragedy that describes a stubborn and proud king named Creon who refuses to allow a burial for the brother of Antigone. Creon’s excessive pride leads to a series of unfortunate events resulting in the death of Antigone, his son Haemon, and his wife Eurydice. Throughout the course of the play, Creon undergoes each standard that is required by Aristotle’s terms to be a tragic hero.