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Essays on symbolism in literature
Symbolism in the literary criticism
Importance of symbolism in literature
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I thoroughly enjoyed reading David Berman’s poem “Self-Portrait at 28”. Reading this poem made me feel sad, pensive and nostalgic for the events in my life that I miss. I’m not twenty eight, but I feel like the events that the persona talked about in this poem were very universal. I also sympathize with the persona’s depression and feeling with loneliness. I can relate to feel like I am bothering someone while I am talking to them. I often get scared reaching out to people because I am always afraid I am bothering them. The voice is this poem were very strong. The uses of imagery, tone and symbolism help make this poem strong.
A self portrait is normally a painting of the painter itself. The painting is a tangible piece of art because it is
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One of the most repeated symbols in this poem is the image of the hill. It is repeated in four stanzas. In the first stanza of the poem, the hill is mentioned as “the ideal of Virginia brochured with goldenrod and loblolly” (2-3). This hill is specifically in Virginia and is the image looks like something that is on a brochure with beautiful nature. The hill is mentioned again in the second stanza: “It is a certain hill the one I imagine when I hear the word “hill”...and this hill would be still beautiful” (1-2, 5-7). There is an obvious image of a hill that the persona is depicting. Hills in general have a top and a bottom. I believe that the hill in this poem represents the ups and downs of the persona’s life and how the persona depicts the hill as beautiful lends to him being optimistic about life. Berman writes about the hill again in the fifth part of the poem: “The hill out my window is still looking beautiful suffused in a kind of gold national park light” (300-301). The last mention of the hill is in the twenty third stanza the first two lines read: “I walked out of the hill behind our house which looks positively Alaskan today”. The hill is now mostly covered with snow due to the Alaskan mention. You cannot tell what the hill looks like with the snow covering it, which represents how the persona feels about his life. Another symbol is the persona’s dogs. Dogs are normally symbolized as being kind and loving animals, a man’s best friend. The second stanza of part five is: “I’m watching my dog have nightmares, twitching and whining on the office floor and I try to imagine what beast has cornered him in the meadow where his dreams are set”. This stanza represents that the persona as a young person. The persona feels that he has not lived out his dreams yet, but he cannot achieve them because he is not happy. The dog is again mentioned: “but I was with our young dog and he was running through the tall grass like running
The initial two lines of this poem present the recollections that the primary individual storyteller will be transferring. The speaker, when she ponders the importance of her life, "… what I'm like, underneath (1)" she considers her initial two
There are multiple examples of visual imagery in this poem. An example of a simile is “curled like a possum within the hollow trunk”. The effect this has is the way it creates an image for the reader to see how the man is sleeping. An example of personification is, “yet both belonged to the bush, and now are one”. The result this has is how it creates an emotion for the reader to feel
In her poem entitled “The Poet with His Face in His Hands,” Mary Oliver utilizes the voice of her work’s speaker to dismiss and belittle those poets who focus on their own misery in their writings. Although the poem models itself a scolding, Oliver wrote the work as a poem with the purpose of delivering an argument against the usage of depressing, personal subject matters for poetry. Oliver’s intention is to dissuade her fellow poets from promoting misery and personal mistakes in their works, and she accomplishes this task through her speaker’s diction and tone, the imagery, setting, and mood created within the content of the poem itself, and the incorporation of such persuasive structures as enjambment and juxtaposition to bolster the poem’s
As he slouches in bed, a description of the bare trees and an old woman gathering coal are given to convey to the reader an idea of the times and the author's situation. "All groves are bare," and "unmarried women (are) sorting slate from arthracite." This image operates to tell the reader that it is a time of poverty, or a "yellow-bearded winter of depression." No one in the town has much to live for during this time. "Cold trees" along with deadness, through the image of "graves," help illustrate the author's impression of winter. Wright seems to be hibernating from this hard time of winter, "dreaming of green butterflies searching for diamonds in coal seams." This conveys a more colorful and happy image showing what he wishes was happening; however he knows that diamonds are not in coal seams and is brought back to the reality of winter. He talks of "hills of fresh graves" while dreaming, relating back to the reality of what is "beyond the streaked trees of (his) window," a dreary, povern-strucken, and cold winter.
As one of America’s leading contemporary poet’s, Sharon Olds is known for the intense personal and emotional poetry that she writes. Her ability to intimately and graphically divulge details of her personal life allows readers to delve into the deepest parts of not only her mind, but of their own as well. Sharon Olds uses her writing to allow readers to experience the good and bad of life through her eyes, yet allows readers the interpretive freedom to define her works as they fit into their own lives. Olds’ ability to depict both wonderful and tragic events in stories such as “First Thanksgiving” and “Still Life in Landscape”with beautifully gruesome clarity allow readers a gritty real-life experience unlike any other.
The word ash is repeated multiple times and represents feelings such as depression and death. The valley is becoming more and more of a waste land, the ash is taking over the farms and land which expresses that life in the valley can only be dull. There is nothing that isn’t covered by ash.
The essay How You See Yourself by Nicholas Mirzoeff discusses the evolution of art. The author discusses the use of art to represent changing identities over the years including cultural practices and societal expectations. The selfie, according to Nicholas Mirzoeff’s essay, is the equivalent of a self-portrait in the previous centuries preceding the technological development required for the present day selfie. The essay explores the different periods and the significance of art, particularly self-portraits, the selfies of the time, and their development over time. The author focuses on different themes including heroism, gender definition, and the focus of an image. Mirzoeff effectively provides examples illustrating and reinforcing the themes he highlights in his essay.
The valley is described as a “desolate” place where “ashes grow like wheat into ridges and hills into grotesque gardens”. (21) Ashes that dominate the area take the shape of natural greenery. The term “grotesque gardens” uses alliteration, with juxtaposition; to highlight the odd pairing of ashes and greenery. Ashes are associated with death while ridges and “gardens” represent the potential to flourish and grow in the promise and ideal of equality as in “the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams.” (143) The trees that once stood here were able to speak to man’s dreams, which allude to America, the land able to speak to man’s dreams and capacity for wonder. All this is replaced by grey ash that suffocates the inhabitants, restricting them to their social class. This presents a bleak image of hopelessness that surrounds the valley.
Loss and isolation are easy, yet difficult to write about. They are easy because every human being can empathize with loneliness. If someone denies this, they are lying because loneliness is a common feeling, anyone can relate. It’s hard because we don’t discuss loneliness or loss publicly very often, and when we do, we forget about it quickly. These poems contrast each other by speaking of the different types of loneliness and isolation, distinguishing between the ones of loss, and isolation in a positive perspective.
During the process of growing up, we are taught to believe that life is relatively colorful and rich; however, if this view is right, how can we explain why literature illustrates the negative and painful feeling of life? Thus, sorrow is inescapable; as it increase one cannot hide it. From the moment we are born into the world, people suffer from different kinds of sorrow. Even though we believe there are so many happy things around us, these things are heartbreaking. The poems “Tips from My Father” by Carol Ann Davis, “Not Waving but Drowning” by Stevie Smith, and “The Fish” by Elizabeth Bishop convey the sorrow about growing up, about sorrowful pretending, and even about life itself.
Along with the imagery we get from the title, there is a lot of imagery within this poem. Let us start with the first three lines:
Downhill often has connotations of degradation and immorality but this omen is ignored as it is rendered immaterial by the easy decent offered by the downhill path. The poem continues in its promisingly upbeat tone into the second stanza as it appears that the promise of the downhill path has come into fruition. ‘The two ease together in glowing august weather’ both the words ‘glowing’ and ‘together’ have exceptionally positive connotations. The air has a distinct sweetness as even the natural world seems to lead the couple down the road with ‘the honey breathing heather’ that lay to their left and right make it appear as though the air is thick with sweetness. While the repetition of the ‘h’ sound gives the poem an airy quality and reminds the reader of the alliteration of ‘west wind’ again drawing attention to the way the natural world appears to be encouraging the couple. ‘Her swift feet seem to float’, the soft alliteration of the ‘f ‘adds to the feeling of ease and floating while the repetition of the ‘t ‘sound at the end of each word adds to the quickness of the decent as the words are
There are many examples of figurative language associated with this poem, metaphors being one of them. For, example Hughes says "life is a barren field frozen with snow tone (Hughes 7).” In this stanza the speaker is comparing life itself to a frozen barren field. Another element of this poem is the theme. This poem teaches us we should hold onto our dreams forever.
... Therefore, instead of losing mental stability because of old memories, one should try to embrace sanity and perpetuate it in life. Moreover, the poem emulates society because people fantasize about looking a certain way and feeling a certain way; however, they are meddling with their natural beauty and sometimes end up looking worse than before. For instance, old men and women inject their faces to resemble those in their youth, but they worsen their mental and physical state by executing such actions. To conclude, one should embrace her appearance because aging is inevitable.
The theme is portrayed through very unique imagery with the extremely exhilarating word choice this poet carefully chose to make this whole poem flow like a brook in mid-summer with an unbelievable number of trout in the glistening blue water. When he introduces us to this Clod of Clay that is living a horrible, but in it all he finds a silver lining through it all. This little Clod of Clay lives under cattle’s feet and gets stomped on all the time and although he is getting trampled on ninety percent of his life he finds what the silver lining through it all is. He says, “