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Functions of stereotypes
Functions of stereotypes
Characters of stereotypes
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Wenona had not hoped in vain, for her lover was with her, and Wanska seemed to be forgotten. The warrior's flute would draw her out from her uncle's lodge while the moon rose o'er the cold waters. Wrapped in her blanket, she would hasten to meet him, and listen to his assurances of affection, wondering the while that she had ever feared he loved another.
She had been some months at the village of Markeda, and she went to meet her lover with a heavy heart. Her mother had noticed that her looks were sad and heavy, and Wenona knew that it would not be long ere she should be a happy wife, or a mark for the bitter scorn of her companions.
The Deer-killer had promised, day after day, that he would make her his wife, but he ever found a ready excuse;
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His quiver was full of arrows, and his leggins were tightly girded upon him.
Wenona's full heart was nigh bursting as she heard that the party were to leave to-morrow. Should he desert her, her parents would kill her for disgracing them; and her rival, Wanska, how would she triumph over her fall?
"You say that you love me," said she to the Deer-killer, "and yet you treat me cruelly. Why should you leave me without saying that I am your wife? Who would watch for your coming as I would? and you will disgrace me when I have loved you so truly. Stay--tell them you have made me your wife, and then will I wait for you at the door of my teepee."
The warrior could not stay from the chase, but he promised her that he would soon return to their village, and then she should be his wife.
Wenona wept when he left her; shadows had fallen upon her heart, and yet she hoped on. Turning her weary steps homeward, she arrived there when the maidens of the village were preparing to celebrate
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Wenona went forward with a beating heart; she was not a wife, and soon must be a mother. Wanska, the Merry Heart, was there, and many others who wondered at the pale looks of Wenona--she who had been on a journey, and who ought to have returned with color bright as the dying sun, whose light illumined earth, sky and water.
As they entered the ring a party of warriors approached the circle.
Wenona does not look towards them, and yet the throbbings of her heart were not to be endured. Her trembling limbs refused to sustain her, as the Deer-killer, stalking towards the ring, calls aloud--"Take her from the sacred feast; should she eat with the maidens?--she, under whose bosom lies a warrior's child? She is unworthy."
And as the unhappy girl, with features of stone and glaring eyes, gazed upon him bewildered, he rudely led her from the ring.
Wenona bowed her head and went--even as night came on when the sun went down. Nor did the heart of the Deer-killer reproach him, for how dare she offend the Great Spirit! Were not the customs of his race holy and sacred?
Little to Wenona were her father's reproaches, or her mother's curse; that she was no more beloved was all she remembered.
Again was the Deer-killer by the side of Wanska, and she paid
“... when he saw her preparing to go away, he seized with an unreasoning dread of being left alone on the farm;
In Francesca Lia Block’s Wolf, displays a young girl struggle to over come and admit to escape her abusive home life. Throughout time women have struggled to escape the gruesome home life that they have to go through. Whether that be from the struggles of rape of men throwing them self on to the women, or from an abusive relationship in that man beating them. Although Block story is about the little girl story of overcoming the abusive relationship the little girl believes in so much more than that. Within the passage in the Wolf where the little girl discusses how she is not a victim by nature which represents block’s fear of women being blamed for being in abusive relationship. Throughout all of the passages she displays this courage to face the man and to protect her mother from every thing that she has to go through.
Through her use of the words “dreamed”, “sweet women”, “blossoms” and the Mythology of “Elysian fields” in lines one through three, she leads the reader to the assumption that this is a calm, graceful poem, perhaps about a dream or love. Within the first quatrain, line four (“I wove a garland for your living head”) serves to emphasise two things: it continues to demonstrate the ethereal diction and carefree tone, but it also leads the reader to the easy assumption that the subject of this poem is the lover of the speaker. Danae is belittled as an object and claimed by Jove, while Jove remains “golden” and godly. In lines seven and eight, “Jove the Bull” “bore away” at “Europa”. “Bore”, meaning to make a hole in something, emphasises the violent sexual imagery perpetrated in this poem.
In the first two lines, an aural image is employed to indicate a never-ending anger in the girl's father. Dawe uses onomatopoeia to create a disturbing and upsetting description of his enraged "buzz-saw whine." An annoying, upsetting sound, it gives the impression of lasting ceaselessly. His anger "rose /murderously in his throat." Because "murderously" begins on a new line, a greater emphasis is placed on it and its evil and destructive connotations. An image of a growling lion stalking its prey is evoked in the reader, as it threateningly snarls from its throat. The girl is terrified as it preys on her persistently "throughout the night." Furthermore, because there is no punctuation, these few lines are without a rest, and when reading out aloud, they cause breathlessness. This suggests that the father's "righteous" fury is ceaseless and suffocating the girl.
I wot not whither,[1] proud of the prey, her path she took, fain of her fill. The feud she avenged that yesternight, unyieldingly, Grendel in grimmest grasp thou killedst, -- seeing how long these liegemen mine he ruined and ravaged. Reft of life, in arms he fell. Now another comes, keen and cruel, her kin to avenge, faring far in feud of blood: so that many a thane shall think, who e'er sorrows in soul for that sharer of rings, this is hardest of heart-bales. The hand lies low that once was willing each wish to please.
“her head cutting a V through the water and her anxious eyes upon the departing family she considered as her own” (23).
Penelope, a loyal, faithful and patient wife is faced with suitors pressuring her daily to remarry. She uses her wit and cleverness to hold them off. She assures the suitors that she will remarry as soon as she finishes the burial shroud for her husband, which she has no intention of finishing until her husband returns. Upon realizing that her husband had returned she makes an announcement to marry the winner of the archery contest.
He helped him to translate the words of the Northmen and also helped Ibn-Fadlan become accustomed to their way of life and how to act around the Northmen. “The Wendols” are characters in the story who, as told by Ibn-Fadlan, do not seem fully human. They ride on the back of a black horse and have the head of a bear. They are extremely fierce warriors and are quite vindictive. They give off a stench so strong it hurts to breathe because they consume human flesh and it is always on their breath. They come with the mist, a dark fog that encircles the land when the Wendols come.
The walk here had been strange; Willa, her sister Willa, pressing a gun to her back and marching her through the woods amidst the howl of wolves and Willa's own taunts. Wynonna's head had spun for awhile- the last time she'd seen Willa, the last time anyone had, Revenants had dragged her off the Homestead, Wynonna shot, screamed, cried out, and tried to help but- when she saw their Daddy go slack, gun in her hand, Wynonna knew she truly was cursed. Beyond the realm of Earp curse, beyond being the
But back from him, as in anger, she plucked her rosy wrist. Yet well divined Leander her heart could now resist No more- he grasped undaunted her bright-embroidered dress And drew her onward with him to that rich shrine’s recess; Then, with steps that faltered, after him Hero came,
The portrayal of this destruction in order to achieve silence implies the overcoming of voices, resulting in the ability to express oneself. This level of destruction and violence is also visible in ‘Little Red Cap’, especially in the line ‘I took an axe to the wolf as he slept, one chop, scrotum to his throat’. Moreover, the word ‘mute’ depicts how Mrs Quasimodo is silencing the voices of her husband’s mistresses and also of those individuals who branded her ‘the village runt’. The poem depicts a clear progression towards fulfilment and self-discovery away from an initial sense of loss and detachment due to the fulfilment of the heroine’s maternal instinct.
She never cried, instead she smiled and laughed while sitting by her mother’s bed. Her father himself feared her because he thought that she was possessed by the devil. Every time she went to do her laundry by the river, she was always bullied by other girls. However instead of fighting back, she would smile back at them and continue doing her laundry. Her smile made every villager that she encountered more scared of her.
He was petrified, his eyes were stricken with terror. The quick flash of a sharp silver blade approaching his jugular was the final image that he witnessed before his demise. The girl watched as the light went out in his eyes. She saw his face as he writhed in pain before the life finally trickled out of him, sending him in to an eternal slumber. This man would never see his wife and children ever again. His wife will stay up late at night crying while holding a picture of the man who she fell in love with. She will pretend to be strong in front of her child, but it will never bring her husband back. Now they are nothing but a broken family, and it's her fault. She slaughtered an innocent man, and she loved every single second of it.
“The Wanderer” and “The Wife´s Lament” are two pieces of Anglo-Saxon poetry that demonstrate the magnificence of Old English literature. These elegiac poems depict a profound reflection about death or loss. "The Wife's Lament" is notable as a very emotional poem and full of sorrow. “The Wanderer” shows the hardships that the narrator went through an all he suffered. Therefore, the tone and subject matter of “The Wanderer” and “The Wife´s Lament” are very similar.
Her pride and strength causes her to do what she needs to do, but also she is blinded like the stone angel because she is unable to do what others need from her.