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"Is it really necessary that these are so tight?" Wynonna struggled against the ropes binding her hands over her head. She was hanging, dangling really, by her wrists from a tree, rope burning bloody cuts into her hands as she seethed.
The walk here had been strange; Willa, her sister Willa, pressing a gun to her back and marching her through the woods amidst the howl of wolves and Willa's own taunts. Wynonna's head had spun for awhile- the last time she'd seen Willa, the last time anyone had, Revenants had dragged her off the Homestead, Wynonna shot, screamed, cried out, and tried to help but- when she saw their Daddy go slack, gun in her hand, Wynonna knew she truly was cursed. Beyond the realm of Earp curse, beyond being the
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But Wynonna would've walked another thousand acres if she knew what was waiting for her when they finally stopped. It was like remembering a dream; she knew she'd been here before, as a young child, with her father and Willa- the day their daddy had told them about the Earp curse. Now, a man with a toothy-smile and ringed fingers introduced himself as Bobo del Rey, the resident Big Shit Revenant (as Wynonna was calling him), and she was being tied to a tree just a little ways away from a makeshift …show more content…
We can't have you trying to get away. And you're so much more beautiful when you squirm." Bobo ran his knuckles up against her cheek, having her angling to get away from him. Hoots and snarls from the audience of demons simmered, and Bobo laughed. "Generations of your family, dying at my hands, and now I'll finally be rid of you Earps. Wouldn't your daddy be proud of how his little Wynonna held her own just days as the Heir? I hope the world knows they'll have you to thank for unleashing us, finally, upon the world."
He stepped back from her, smiling at how even yards above the ground, now her feet stilled and she barely twitched a muscle; but her eyes never left his face.
"Remember when you were little, Wynonna? Just a small child, scared of shadow, who didn't think she'd ever matter?" His lips curved into a deeper smile, vexing her even more virulently. "Well, now you can finally have a place in the world. Of course, that place is in ending it; but you matter, don't you? Don't we all?" Shouts surrounded Wynonna from all sides; he was whipping them up. The end of the world was going to start with the end of her, she struggled against the ropes at her wrists again, shoulders and arms aching at the
Jake, Lucy’s neighbor was a well-educated kid. He was 15 years old and lives in an old timber house with his parents. Jake’s father was a farmer and had lived in the area since he was a lad. The area seemed to be haunted since creepy tales about all sorts of beasts was told. People even claimed that they were awakened some nights by a howling. Mostly people believed that it was a feral dog but Jakes father incised that it was a wolf, a ghost wolf. He was sure since he had seen a wolf in the forest when he was in Jake’s age, but none believed him. He kept telling his son about the wolf and Jake wanted to find out the truth. Lucy knew about Jake’s curiosity, at the same time as she decided to escape from her unbearable father. So she lied to get Jake by her side on the endless escape from the futureless community. She said that she knew where the wolf’s lair was. Jake got even more curious and joined her wolf hunting-adventure.
In “The Poisonwood Bible,” Barbara Kingsolver illuminates on how a rift from one’s homeland and family can simultaneously bring agonizing isolation and an eye opening perspective on life through Leah Price’s character development. As a child exiled away to a foreign country, Leah faces the dysfunction and selfishness of her family that not only separates them from the Congolese, but from each other while she also learns to objectify against tyrants and embrace a new culture.
The bitter cold bit against the starved girl’s skeletal body. She was tired. Her parents discussed ways to get to good lands. They told her the only way to have a better life was to sell her into slavery. The girl, only ten years old was silent. She dreamed of fine clothing and good food. The girl went to the House of Hwang. She was too ugly to be in sight; she was kept in the scullery. All dreams of any kind were lashed out of her young mind. Mistreated, beaten, and underestimated, young O-lan learned to work hard and became resigned to her fate. One day, the Old Mistress summoned her and told her that she was to be married to a poor farmer. The other slaves scoffed, but O-lan was grateful for a chance to be free - they married. O-lan vowed to return to the great house one day in fine clothing with a son. Her resolve was strong; no one could say otherwise. Her years of abuse as a slave had made O-lan wise, stoic, and bitter; whether the events of her life strengthened or weakened her is the question.
Throughout literature, there have been many tales told about strong, brave heroes and mighty, wily savages and beasts. However, one story that still speaks to students today is that of a heroine by the name of Hannah Dustan, who killed ten Indians with the assistance of her two fellow captives. Together, they escaped capture, and Hannah Dustan told her tale again and again to individuals she encountered. Because she did not write her story down, others did it for her. In particular, John Greenleaf Whittier and Jonathan Carver both wrote compelling tales of Hannah Dustan’s capture, but it is only by looking at the differences between the essays, the reader gleans a more complete picture of Dustan’s experiences and societal issues that were occurring during the time period. For instance, gender roles, and savagery versus civility, and revenge are three themes running throughout both essays; all of these themes are still echoing throughout society today.
She lost everything in her life that she genuinely cared for, causing her to be angry, hurt, and even depressed. In the end she states, "When everybody is sleeping, my eyes are weeping.” Her capability to repress these emotions, are visible when she says she can’t even sleep because of all she had suffered. She uses metaphors to say that she was honestly not truly happy. This is an important part in the story, showing that her feelings of anger, depression, and hurt had been held in and caused a break down. Rowlandson continuously uses metaphoric ideas about food subsided her feelings of anger and depression. However, the most important part is the end, in which her ideas and identity have been compromised from before the
Whisty and Whit are brother and sister living in a dictatorship-like society called the New Order (N.O.). In the N.O. any disobedience or ideas of magic will be punished. Also, anyone under the age of eighteen will be evaluated and corrected if they do not comply with the N.O.'s ideas. The dictator of this new society is referred to as The One Who Is The One. The One is supposed to be an all powerful leader, who has powers far greater than Whit and Whisty. The story begins when Whisty and her family are being captured by the N.O.'s Special Forces. This book is a great recommendation to those who like Gothic literature and dark depressing events that turn out happier.
With the final lines give us a better understanding of her situation, where her life has been devoured by the children. As she is nursing the youngest child, that sits staring at her feet, she murmurs into the wind the words “They have eaten me alive.” A hyperbolic statement symbolizing the entrapment she is experiencing in the depressing world of motherhood.
The void in his hopeless eyes was immediately filled with anger. "I didn't kill anyone!" he yelled and tried to lunge at him but the boy was held back by the chains, "I tried to save them but I was too weak to do it on my own! You all left my friends to die..." he lowered his head as tears welled up in his eyes and flowed down his cheeks. "I begged and begged," his voice
SparkNotes Editors. “SparkNote on Diary of a Young Girl.” SparkNotes.com. SparkNotes LLC. 2003. Web. 9 Apr. 2014.
...d and selflessly relinquishes her mother to death. She comes to realize the cycles involved in life and enters a new relationship with her mother and the Great Basin. Her mother although she’s dead is always with her and the Great Basin has now become her home. In an act of civil disobedience Williams goes to protest at a testing site armed with her pen and paper. Wlliams shows her understanding of the natural cycle of death by leaving an injured bird she could have saved to be with her dying mother.
Mary Rowlandson’s story came from the journaling of her brutal 11 weeks in captivity filled with sad and unfortunate events. She was taken captive by a group of Indians after they surrounded her house and devastated her town. Watching her family be slain in front of her, she herself was shot. Her daughter, which was a little over six years old, was shot in the stomach while Mary held her but still grasped onto life for a few more days (Lincoln, 258). Mary Rowlandson and her child were taken hostage and made to w...
...n seems to be the only thing that kept her together, and once is breaks, she does too. The end of the poem results in a finale of her knowledge, “And Finished knowing – then-“. At the end of both writings, the narrators’ self-awareness and realization explained their final actions.
When the Free tribe would go asleep at night the Wild tribe would sneak past the watchers and steal the supplies. Each morning Honovi and her tribe woke up with less and less supplies. Chief Black Bear went over to address the Wild tribe and they declared war. Starting trouble with another tribe was very unusual but other tribes insisted on not working together. One day, Honovi had to go and look for berries while her mother stayed and wove baskets for members of the tribe. As Honovi was leaving her father stopped her and said “Don’t get caught in the storm.” Honovi looked up at the sky and there wasn’t cloud in sight so she could only imagine her father was talking about the Wild tribe. She nodded her head and left. Honovi thought to herself that being the Chief’s daughter was like being under constant guard watch all the time but she couldn’t complain. She got to the berry bushes and all she felt was someone taking her arms and pulling her away from the berry
Ovid. “Lycaon’s Punishment.” Adapted by Charlotte Otten. The Literary Werewolf an Anthology. Ed. Charlotte Otten. 1st ed. Syracuse: Syracuse University Press, 2002. 221-223.
Whether it be the lynching of Paul A in Sweet Home or the murder of Beloved in 124, both homes constitute very unpleasant histories. The inevitable haunting of slavery plagues the slaves from Sweet Home even after their departure. Slavery and its history will never die, and the characters in this novel confirm this through their constant battles with their past. Seeking refuge at 124, Sethe was met by a shunning and unsupportive community. However, the community comes around in the end and, similar to the situation in Sweet Home, Sethe finds herself surrounded by a group of supportive, helpful, and friendly individuals who all care for one another’s