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As Manley Pointer slammed the barn door shut behind him, the ladder to the loft collapsed to the floor. Hulga did all she could—scream. Minutes passed. Hours dragged on as Hulga continued crying for help. Deeming her efforts futile, Hulga wept. As the sun set beyond the horizon, Hulga’s eyes dried up. With no glasses and no rays of sun seeping in through the cracks in the roof, Hulga felt around blindly, gathering a small bundle of hay upon which to lay her head. “Mama and Mrs. Freeman will surely notice I’m gone. Well, I bet I’ll be home by lunchtime tomorrow,” she whispered to herself, truly believing the words spilling out of her mouth. Closing her eyes, she tried to drift into sleep, but her doubtful thoughts occupied her attention. “What if they think I ran away? What if …show more content…
they don’t think to look in the barn? What if they think I’m dead? What if I die in here?” As the sun rose at six in the morning, Hulga rubbed the sleep from her eyes, having been able to rest for no more than three hours. A loud grumbling sound interrupted the peaceful chirping of the morning birds. “If I don’t get something to eat soon, I might die,” she muttered, fumbling for something to satisfy her growling stomach. She emitted an excited yelp when her hands grazed over the small wild berries that she remembered consuming as a child. Munching on a handful of assorted berries, Hulga reminisced about her childhood—playing tag and climbing trees and picking wild berries. All that had changed when she was ten. With the loss of her leg, Hulga lost her joy, her sense of adventure, her hope. If she had not lost her leg, she never would have left the faith. After breakfast she continued groping around the loft, taking anything she could use. A hammer, a bucket, some rope, and a small pile of wood comprised her survival supplies. Hearing the pitter-patter of rainfall against the wooden roof, Hulga gripped the lightly rusted hammer and beat against the rotting wood of the roof, making a small hole in the corner. Placing the bucket underneath the hole, Hulga smirked, proud of herself for thinking of a method to obtain drinking water. When the rain stopped half an hour later, Hulga was heartbroken, realizing that she had barely collected half a cup of water. Downing the cool water in two large gulps, Hulga rested next to the bucket, gazing up at the clouds through the small hole in the roof. Again, she was taken back to those few good years of childhood before her life became a catastrophic collaboration of pain, heartbreak, and sadness. “Look, that one looks like a bunny,” a seven-year-old Joy had exclaimed, smiling as she pointed to a picturesque cloud. “And that one looks like a car,” her mother joyfully added, placing a flower crown upon Joy’s beautiful brown hair. “And this one is a princess,” she pointed a finger at Joy, whose dimples quickly appeared as her cheeks glowed bright, as pure and innocent as a blooming rose. Though Hulga would never admit it, that day in the fields with her mother was one of the happiest days of her life. Hours flew by as Hulga reminisced to her young life—the life before these “Hulga” shenanigans overran her personality, the life when the name “Joy” perfectly complimented her persona. In those few moments, Hulga felt something. She hadn’t felt things like this in an awfully long time. Though she never would have guessed that she would feel happy in an abandoned barn of all places, Hulga felt true bliss. The only thing capable of terminating such a wonderful reminiscence was the sound of her rumbling stomach. Looking down at her cheap old wristwatch, which had been a gift from her grandmother, she realized that it was already 3:00 PM, far past her usual lunchtime. Gobbling up the rest of the wild berries, Hulga felt herself becoming restless. Though she never felt the desire to be active, not being able to walk caused her to want nothing more than to run. After her late lunch came to an end, Hulga crawled to the other side of the claustrophobic loft and began tapping rhythmically against the floorboards. Playing the beats to her favorite songs, she began to hum along to the poorly-imitated Joan Weber song that she had heard on the radio just days ago. As the sun set once more, marking twenty-four hours without rescue, Hulga realized that she would never be found. “Mama, I know you can’t hear me. And I know you probably think I ran off with that no-good scumbag of a bastard, Manley Pointer. And maybe you even hate me; heck, I might even hate me. But I want you to know that I love you. And that even when I yelled and fought with you, I always still loved you.” The sun rose the next day, but Hulga felt too weak to even move from her makeshift bed.
“This is the end,” she stated. She didn’t cry or stutter or tremor or even flinch. She was neither happy nor sad about it. She just accepted it. For years she had thought of her death moment, but as it neared, she realized it would be nowhere near as glorious or as wonderful as she had imagined. Another day passed as the light slowly faded from Hulga’s eyes. Dehydrated, starving, and delirious, Hulga began to see her dead family members approaching her. First, her grandmother’s hand reached out towards her weak body. Then her grandfather waltzed to her side. Even Aunt Betty and Cousin Jax appeared to her. “Come with us, Hulga,” her family proposed warmly. “You can have a brand new leg. Just come with us. You’ll like it here.” “Ain’t no way I’m going to Heaven. Ain’t no way I was good enough for that,” she whispered, gasping for air. “The Lord knows you were dealt a bad hand in life, Hulga. Just come with us, Hulga. Please,” her grandmother’s hand was now only inches from her own. Weakly grabbing the outstretched hand, the girl managed to utter her last words, “Call me
Joy.”
...she has also lost the foundation of her identity, her leg. She is faced with the realization that she has been naïve all along. In her pattern of being quick to make assumptions to build her own self esteem, Joy-Hulga has not used her intelligence in a socially beneficial way.
...y and mind. The name is opposite to her real name Joy, with Catholic features. Hulga is the character who rejects society, Catholic religion and any human contact. But Joy is the personality inside Hulga who wants to mix with people. When she is with Manley in the hayloft and he has her wooden leg, Joy-Hulga dreams about the possibility of staying with him the rest of her life: " "Put it back on," she said. She was thinking that she would run away with him and every night he would take her leg off and every morning put it back on again."
Hulga is a thirty-two year old, and still lives at home with her mother show’s Hulga is not in control of her life. She heavily relies on her mother and uses her disability as a crutch to try to keep control of over her mother, so she thinks. Hulga was born with a weak heart and at the age of ten, she lost her leg in an accident. Hulga was unable to control the accident that caused her to lose her leg only to replace it with an artificial leg. “For Hulga, the artificial leg is in effect the only real part of her, since it is a made thing...
Hulga has been to college for many years, earning a Ph.D. in Philosophy. Coming from such a rural background, she feels that her education raises her status in the intellectual world, and therefore life in general, above anyone not as educated as she is. "You poor baby…it’s just as well you don’t understand"(404). The young woman fails to see that there is much more to life than what you can learn in a book. Due to a heart condition, however, Hulga is forced to remain home on the farm, instead of being in an academic setting where her education would be recognized and encouraged. This attitude that she is above most other people isolates Hulga from everyone around her. Even her mother c...
Nineteen years of my life has passed. By age nineteen, Una Spencer of Ahab's Wife had experienced numerous cycles of contentment and isolation, safety and loss. I cannot pretend to say that I have lived even as marginally an emotionally tumultuous life as Una's, but like most people, I can say something of loss and sacrifice. One of the last things my grandmother said on the hospital bed in which she died was to ask my mother whether I had been accepted to my first-choice college. I was not with my grandmother when she died, but the fact that she had asked about something so inconsequential and irrelevant about my life reveals the way she viewed her own life and death: without idealization, regret, or fear. She instead left my family with a legacy of love, selflessness, and beauty.
Her artificial leg is made from wood, not flesh and bone. Her “superior intelligence” comes from books, not real world experiences. In actuality, Hulga’s artificial leg and “superior intelligence” are completely useless. Hulga’s poor eyesight symbolizes her blindness to reality. Hulga’s poor vision prevents from seeing through Manley’s disguise as a good country boy. Instead of seeing what’s inside of people, Hulga only sees superficial traits. Hulga’s eyeglasses do not help her to see Manley’s wicked intentions. Hulga spends all of her time reading philosophy books to learn about the world, instead of learning about the world through real interaction. Hulga also associates her doctoral degree with her intellectual superiority to “good country people.” Hubbard states that Hulga defines good country people as people who can be easily seduced because of their simplicity and lack of knowledge. It is ironic that a young, simple-minded boy could manipulate an intellectually superior woman. Hulga’s weak heart symbolizes her emotional weakness to seduction and her lack of compassion for others (Oliver). Manley seduces Hulga to the point where she wants to be a part of him. O’Conner states that Hulga allowing Manley to remove her artificial leg “was like surrendering to him completely. It was like losing her own life and finding it again, miraculously, in his.” Because Hulga
O’Conner believed that one must be shocked into salvation to be saved. Thus, Hulga’s trauma is the start of her journey to redemption. Ironically, Manley Pointer was used as an “agent of God” to change Hulga’s life even though he was lying when he said he has devoted himself to Christian service. The moment of truth for Joy occurs when she realizes she has been swindled and Pointer was only after her prosthetic. However, the fleeting feeling of belonging to someone and being completely surrendered has placed a new yearning in her heart. According to O’Conner’s beliefs, the path to salvation is not easy and it is marked by suffering and disaster, but the joy and hope that results is worth any pain along the way. Whether “redemption” is the right word or not, every person will have a moment in their life when they are stripped of control and must rely entirely on a constituent beyond their
...her aunt and uncle were merely using their niece for “advancing their social fortunes” and soon Helga develops “dissatisfaction with her peacock’s life” (Larsen 65). Helga must say good-bye to Copenhagen.
...cares for her and thus encourages her into letting down her guard and trusting him. This becomes Hulga?s downfall and the most important theme of O?Connor?s story: people aren?t always what they appear or ?you can?t judge a book by its cover.? Her narcissism allows Manley to talk her into removing her leg. He grabs it and runs off with it, but not before letting her know that he has played her for the fool. O?Connor?s comprehensive character development leads her readers into complacently judging Hulga as superior to the other characters in her story. She takes this a step further in her development of Manley Pointer as an innocent. Through this development, O?Connor lulls her readers into stereotyping the characters into the personas she wants them to see. Hulga?s epiphany is thematic. The ultimate irony is that not only is Hulga duped by Manley, her readers are too.
I peeled open my eyes, feeling the cloth beneath me. It feels like night now but I can see the light shine through the logs on my roof. I pushed myself from my unsteady bed and walked downstairs. My brother, Devrik, greeted me with a good-bye as he walked out the door to work with our father in the fields. Today was my day to milk the cow. I walked over to my chest in the corner of the room. 'Lillian Cartwright' was engraved into the chest. I shuffled my hands through the chest looking for my Bible. I soon picked up the leather wrapped book and placed it on the table side next to the chest. I went back to the chest and picked up my skirt my aunt had just made for me and started to wash it. I then went outside to lay it on the string outside to dry.
Perhaps, though, O’Connor used Hulga’s feeble attempts at nihilism to contrast sharply with Manley’s outright evilness. Recalling a phrase from Brideshead Revisited, it seems as though God pulled Hulga toward grace with a mere “twitch of the thread.” Her belief in nothingness complicated the matter, thus God needed to shock her into ...
I cannot confidently say I am in the same place as her son, who truly experienced Pamuk’s definition of “hüzün”. To my understanding of what she may have been like in the past, he is suffering a great loss. However, I can see how he genuinely enjoys her company, whether it be remiscing through old travels or something as simple as reading the morning paper. I am certain he must be sad, but he holds a much deeper admiration for her that I have not yet
Everything that she had worked so hard for had lead up to that moment. She didn’t quite know how to convey the emotions that were dancing around in her conscious being at that exact point in time. Perhaps the same feeling that an Olympic runner would have right before the gun fired to signify the start of the most important 50 meter dash in their life. Well, no matter how hard she tried, there wasn’t a specific situation that could accurately mirror what she was feeling. This was now, and this was her. This was the final performance, and the final chance.
When death has once entered into a house, it almost invariably returns immediately, as if it knew the way, and the young woman, overwhelmed with grief, took to her bed and was delirious for six weeks. Then a species of calm lassitude succeeded that violent crisis, and she remained motionless, eating next to nothing, and only moving her eyes. Every time they tried to make her get up, she screamed as if they were about to kill her, and so they ended by leaving her continually in bed, and only taking her out to wash her, to change her linen, and to turn her mattress.
Under a moonlit midnight at Arlington, the lovers made plans for a rendezvous. After making sure no one followed her, Isolde climbed over a wooden fence. Her infiltration of Harold’s home went unnoticed by everyone, including Tanja. She stood at the middle of the backyard and reached into her jacket. With a two-way radio on hand, she contacted Walther, her eyes focused at a second-floor window. “In position,” she informed him, “You can come down now.”