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An essay about creativity
An essay about creativity
An essay about creativity
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AMELIA Boredom is a powerful motivator, apparently. It was boredom that drove me into the far from ordinary house of Izabella Andrews. Boredom and a welcoming stained glass door. ‘Welcoming’ is not a word most would use to describe glass, especially of the stained variety. Glass is cold, separate, and fragile. Stained glass makes you feel like what is behind those panes is divine, and not to be touched by human hands or minds. So, perhaps it was what I saw through the glass was what drew me into knocking on her door one random Sunday while my family was at church. I was not supposed to be anywhere near Izzy’s house. I was supposed to be sitting next to my mother as the preacher talked on and on about the same thing week after week. Maybe …show more content…
If I thought I was going to be killed because of my dress being destroyed, then I don’t know what my mother would have done to Gwenna. I was unable to distinguish the original color from the splashes of what looked like paint, and the dirt all over her skin, and in her hair. Her glasses dulled the brightness of her eyes, though not the happiness in them. She was slightly intoxicating to look at. “Gwenna. Yeah, I think I can manage that,” I said with a smile and a self-conscience hand running through my, comparatively, bland hair. “Good. Now, what are you doing here?” For some reason, I wasn’t expecting the question, though even if I had, I still wouldn’t have had an answer for her. So, I simply shrugged. Her response to that was also not something that I was expecting. She laughed. “What? Why are you laughing?” I had to ask; instinct wouldn’t let me get away without being at least somewhat imposing and awkward. “Of course I’m laughing. You show up at my doorstep, don’t know who I am, and then don’t have a reason to be here. It’s hilarious.” I wasn’t sure about that, but I let it be and just laughed with her. It seemed…easier. “I was running from yet another boring service.” I said, offering an explanation as to my random appearance, as I gestured to the dress. Her eyes scanned over me, and I could see thoughts forming in her
Laura is the owner and caretaker of the glass menagerie. In her own little fantasy world, playing with the glass animals is how she escapes from the real world in order to get away from the realities and hardships she endures. Though she is crippled only to a very slight degree physically, her mind is very disabled on an emotional level. Over time, she has become very fragile, much like the glass, which shatters easily, as one of the animals lost its horn; she can lose control of herself. Laura is very weak and open to attack, unable to defend herself from the truths of life. The glass menagerie is an unmistakable metaphor in representing Laura’s physical and mental states.
One specific characteristic of the house that symbolizes not only her potential but also her trapped feeling is the window. Traditionally this symbol represents a view of possibilities, but now it also becomes a view to what she does not want to see. Through it she sees all that she could be and everything that she could have. But she says near the end, "I don't like to look out of the windows even - there are so many of those creeping women, and they creep so fast." She knows that she has to hide and lie low; she has to creep in order to be a part of society and she does not want to see all the other women who have to do the same because she knows they are a reflection of herself.
“Why are you here?” Violet asks. Then I see her eyes land on my outfit. Her amber eyes widened. “Oh. That makes sense. Did you really get confused for me?”
One rather beautiful day I head down to the building fields of Uruk with my only son Urnabe. He is 14 and he is turning out to be a skilled mason or at least better than his old man. When we get there I see that Binfem was already waiting for me.
Thinking about my childhood, I remember many things that influenced me as a person and changed or evolved my perspective of the world, its peoples and its things. One of my most vivid memories that this essay is about, changed the way I represented myself to the world and the way I felt being exposed to it. -- Being lost or forgotten at a young age is a bone-chilling experience that all of us have to go through, at one point or another. So, here I was, at the age of three, left all alone at a carnival in Muscat, Oman.
“What are you doing?” She screamed at the top of her lungs. Acknowledging her comment, I look her directly in the
she always used to wish for a way to escape her life. She saw memories
"Finally here..." I sighed when I saw the cafe shop in the distance. I tucked my phone back into my jacket pocket and sped up a bit towards it. School had ended just a few minutes ago. After saying goodbye to Lina and Jason, I made my way to the cafe as usual. When I got there, I held the door and waited a few seconds for an old lady to walk in before stepping inside. The heat from the store made me shiver. "Thank you.” the old lady said. I smiled and pulled my hood down. After about 10 minutes of getting raspberry iced tea and conversing with a couple classmates that were there as well, I walked up the stairs to the 2nd floor. I looked around before my eyes landed on an empty seat at a table where a boy sat. Hello again… Taking in a breath, I made my way to that table and the empty seat diagonally across from him.
This reference is used as a symbol representing the parallels between the glass facet of the ornaments and the delicate condition of Laura. As a result of her unvarying solace while embracing her collection of glass ornaments, Laura develops a dependence upon the delicate glass menagerie. Laura's collection of glass represents her own private world. Set apart from reality, a place where she can hide and be safe. The events that happen to Laura's glass affect Laura's emotional state greatly.
"Hello, Heather," I began, trying oh-so-hard to be polite, even after what she had done to me. "What brings you here?"
Habits of the Creative Minds is a simple textbook with a particular twist. I began reading the book thinking it was going to be a basic textbook, but the author,Richard E. Miller and Ann Jurecic, changed the tone of the book and put it into a metaphor. This metaphor was about the reader in your writing, or for anyone reading should feel like Alice in Alice’s Adventures in Wonderland. The reader should be reading, and figuratively fall into the reading, by this the authors means the reader should not want to put that book down. They should be engulfed in the book and read from cover to cover. The attention must be maintained and the best way to do this is by making the writing unique. The authors of this book puts
I trotted down the stairs when she called me for dinner, hat still on, mind you. She gave me a confused look but brushed it off. I was an odd child, after all, so it didn’t bother her much when I did strange stuff, such as this. Everyone just looked at me with an awkward glance as we sat at the table, but still didn’t care to
At first Laura is apprehensive of the encounter as she has never spoken to Jim face to face; however, in the midst of their conversation Laura opens up to him, and shares her collection of glass figurines. Laura explains to Jim how “most of [the ornaments] are little animals made out of glass… [her mother calling] them glass menageries” (Williams 82). Williams placement of this object in the story has a bigger impact to the message he is transmitting. The glass ornaments, like Laura, are fragile and need care; however, they are beautiful and a treasure to be had. Williams’s use of symbolism helps tie to his theme, of handicap and disability.