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Semiotic analysis of an advertisement
Advertising and its impact
Advertising and its impact
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Cover Girl Cosmetics Why Cover Girl is one of the most successful cosmetic organizations since the 1960’s? Cover Girl cosmetics have been the top-seller since 1961 and are still going strong. It is hard, with all the advanced lines of make-up for one product to go as far as Cover girl has, so how does Cover Girl cosmetics do it? A lot of Cover Girl’s strong, on going successes are due to changing the look of the product, exceptional promotions which the public can’t look over, giving a cosmetic appeal to both older and younger aged women and most importantly by using near perfect women and teens to model their products. Although it’s wonderful that Cover Girl has been and still is so successful, it has put a dentation in today’s society in what women’s appearance should and shouldn’t be. Women and young adolescence are confused of what their appearance should be. Cover Girl has many famous models; one inparticular is the famous country singer Faith Hill. Faith is tall, skinny, and flawless. When women see models like her doing the advertising for Cover Girl, they automatically feel that they should look the same. Later in this paper I will go into semiotics which derives from the Greek word semeion meaning sign, it basically describes how people interpret different signs, such as models, and how these signs might effect one’s life and self-esteem. Proctor & Gamble are the owners and starters of Cover Girl cosmetics. To keep up the success of Cover Girl they must keep on top of the advertising game to stay above the competitors. To do this they do many promotions, some include using famous singers, changing displays, giving away samples and one of the most important advertisement of all is the models Cover Girls incorporates in their ads. Cover Girls did one promotion with Target stores to promote their product. They used the famous group 98 Degrees to make a sweepstakes called, “Fall in Love with 98 Degrees Sweepstakes.” The grand prizewinner of this sweepstakes is an appearance in the new 98 Degrees music video. This advertising doesn’t just take place in the Target stores; it also takes place in Teen magazine, stickers on the new 98 Degrees CDs, a national radio campaign, and the national Teen People magazine. Because it’s teens that mainly listen to the music that 98 Degrees produces, it’s the teens that this particular promotion is focused on. I s... ... middle of paper ... ...so very successful because of their unique forms of advertising and promotions. Contacting certain audiences which is their main target during different promotions is a wonderful way to go. Understanding advertising will better help you understand yourself and make you realize whom you really are and whom you will always be no matter how many cosmetics you buy. Works Cited Adweek, L.P. “Cover Girl to sponsor a special June issue of YM on topic relationships.” Mediaweek 26 April 1993 v3 n17 p4 (1) Adweek, L.P. “Cover Girl Sweepstakes Ties to Target Stores.” Brandweek 26 July 1999 v40 i30 p1. Adweek, L.P. “Makeover for Makeup.” Brandweek 6 Sept. 1999 v40 i33 p1. Cosmetics International Cosmetic Products Report, “Cover Girl Bolsters it’s Foundation.” July 1999 v15 i174 p11. http://www.covergirl.com/models/sara/sara1.html, “Sarah Thomas.” http://members.xoom.com/ XMCM/faith/news.htm, “Faith Hill.” http://www.aber.ac.uk/~ednwww/Undgrad/ed30610/nnr501.html “Semiotic Analysis.” Progressive Grocer, “Wicked for Halloween.” Oct. 1999 v78 i10 p122 Sloan, Pat. “Cover Girl Pays Attention to Both Brand and Product.” Advertising Age 3 March 1997. v68 n9 P12 (1).
The transition to modern consumerism involved not just the introduction of responsible product formulation, but fundamental transformations of social behavior. Women were at the heart of this development in the cosmetic industry, and we will consider the contributions of two of them: Annie Turnbo Malone and Madame C. J. Walker. These women and their contemporaries paved the way for Estee Lauder and Mary Kay Ash in our time.
I have examined and analyzed the COVERGIRL™ NatureLuxe advertisement that uses common feminine stereotypes. In this advertisement, COVERGIRL™, which runs in Seventeen magazines, targets women through their choices of colors, fonts, and images used. Certain stereotypes are used; such as, those who are more feminine tend to prefer lighter, happier colors, such as pink. Also, the use of a celebrity, who many young women look to as an icon, assists in the advertisement of the COVERGIRL™ product. COVERGIRL™, more than likely, is able to successfully market their lip-gloss product in the United States by using common gender stereotypes to show femininity and how those, mainly women, should be presented in today’s society.
Stephenson, T., Stover, W. J., & Villamor, M. (1997). Sell Me Some Prestige! The Portrayol of Women in Business-Related Ads. Journal of Popular Culture, 255-271.
Have you ever wondered where the saying, ‘a picture says a thousand words’, come from? Well, I do not know who came up with this fantastic phrase, but nonetheless, I will be describing and analyzing two different magazine advertisements, trying to put in words what I think the advertisers wanted consumers to receive when those potential buyers viewed their ads. The two advertisements that I chose, Caress and Secret, try to encourage female consumers of all ages to purchase their hygiene products. Although both ads, Caress and Secret, appeal to the same gender with hygiene goods, they differ in design, text, and message. They attempt to please the female buyer with color, texture, and sexuality. This makes it prevalent, that the agents must grab the attention of possible buyers in order to sell their product. The advertisers must choose a variety of marketing strategies to the reach their targeted consumers.
The above advertisement for Olay Total Effects Pore Minimizing CC cream demonstrates modern day fixation on celebrity culture and photographic subterfuge to avoid truth. The model represented is a conventionally attractive woman whom, because of how healthy she appears, looks prosperous. The quote beside her “I’m not an airbrushed kinda girl, I just want to look it” conflicts with her appearance. From this we learn that she is an average woman infatuated so much with the celebrity look that she too wants to display herself as one. “air brushed kinda girl” implies that those who constantly look airbrushed (celebrities) possess negative personality traits ergo, one would not like to act like them. The assumption that celebrities are
Katharina Linder. 2004. “Images of Women in General Interest and Fashion Magazine Advertisements from 1955 to 2002.” Sex Roles 51:409-421.
Lipstick was one of the few cosmetics that avoided the “rationing” during the war and was considered a necessity to “maintain national morale”. This gave rise to the so called “lipstick theory” that when the sale of other products and services reduces during a recession the demand for beauty products increases. By the 1950’s over 90% of women used lipstick and rouge which reflected the expansion of the middle class. During 1960’s-70’s feminism took hold in the Western World and women began to go natural without makeup. The feminists believed that make-up made women sex objects rather than
Wagner L., Banos J.B. (1973), "A Woman's Place: Follow-up Analysis of the Roles Portrayed by Women in Magazine Advertisements," Journal of Marketing Research, Vol 10, May, 213-214.
“Women in advertisements are getting younger, thinner, and more racially diverse.” Marketing to Women. June 2002. EMP Communications, 2002
In order to make us want to purchase, buy, own, acquire something, advertisers rely on the fact that we aspire to be like that which it is we seek to purchase. Or like others, the product says, who use it. In the case of magazines a persons magazine rack reflects their aspirations, not necessarily actual lifestyle. The magazine cover's job is twofold, one, to arouse interest in a casual viewe...
Falcione, Olivia and Laura Henderson. “The Dove Campaign for Real Beauty: Case Study” 3/5/2007. Accessed 29/4/2014. http://psucomm473.blogspot.com/2007/03/dove-campaign-for-real-beauty-case.html
While turning the pages of the January 2010 Seventeen magazine, suddenly a lustrous, dripping image catches one’s eye. Looking closer at the image, the person’s curiosity races and wonders: What is that? Glossy swirls and fruit-like colors begin to put the images into perspective. It is the new SHINEsensational lip gloss by Maybelline. Placing the lip gloss in Seventeen magazine promotes that it is affordable and unique, two product characteristics that Seventeen magazine is known for. Typically Seventeen magazine reaches towards teen females who are interested in beauty and relationships. To fulfill this criteria, “how-to” tutorials teach girls how to alter their image along with promoting the products that are used. Keeping the content interesting, relationship advice is shares love and trauma stories. Accommodating both categories, the lip gloss allows self confidence to grow and relationships may spark from that. Knowing this, the ad effectively persuades teenage girls by the style of the magazine, images of fruit, the flawless appearance of the advertisement, and the typography that subconsciously enter their minds.
Anderson, Susan. Wallace, Amy. "Glamour Girls." Los Angeles Magazine 54.10 (2009): 148. MasterFILE Complete. Web. 26. Feb. 2014.
For Maybelline’s price they offer low competitive While stating in text the lipstick is truer and crisper from their rich pigments and creamier and more sumptuous feel from their nourishing honey nectar. The consumer can actually read those objectives off the advertisement. For a visual aspect you can physically see a flower dripping nectar onto the lipstick, as the lipstick glistens. In addition, the consumer can also see a beautiful model wearing one of the shades of pink to see how rich the lipstick really is. CoverGirl uses both verbal and visual messaging to accomplish the advertiser’s marketing objectives.
4) Kilbourne, Jean. Killing Us Softly 3: Advertising’s Image of Women. Dir. Sut Jhally. DVD. Media Education Foundation, 2000.