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Dance as communication
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Our year 11 contemporary dance assessment for semester 1 consisted of dance exercises taught by Rachel. Due to a dance injury I sustained 14 weeks ago I was unable to participate in the assessment but, instead was asked to asses my peers and write corrections and strengths they demonstrated throughout the class.
In this class I really feel, as a group, they lacked an effective dance vocabulary. In answer to the question ‘What do you feel you need to work on in this exercise?’ there was only really the basic terminology used, basic things said that did not show a very thorough grasp on dance language. I feel that the use and understanding of communication in verbal modes was poor and at a low standard. For this age they should be able to effectively converse appropriate dance vocabulary. Although that said, this conclusion is targeted at the group as a whole; there were certain individuals who came up with some valuable answers.
In this task I feel that the demonstration of appropriate dance technique to the contemporary genre was at a satisfactory standard. The correct contemporary technique was evident in a number of students, while others, I feel require more effort. The group, in general lacked physical competencies. Strength and flexibility was not a strong highlight, although they did demonstrate good coordination skills. The drop swings exercise proved to be their strongest asset. The Grande Battement exercise required work, turn out and alignment seemed to be, overall the thing that most people had difficulties in mastering. The identification and application of correct posture and alignment was evident, more often than not throughout the class. In general I feel that my peers have improved over the weeks but still demands a lot more work in order to strengthen their technique.
Presenting dance sequences, I feel was a positive feature in the contemporary assessment to some extent. My fellow peers, generally had a thorough grasp on all exercises demonstrated. They understood and carried out dance combinations with great awareness to what they were doing. This said I feel that although my peers know and can demonstrate the exercises, they have no real approach or presentation to their work. Style has a great impact on dance. The way a dancer approaches an exercise or dance piece can change one’s technique, body stance and physical ability. Julie and Stephanie showed a great display of this in all exercises, but particularly the jump exercise.
...re of different dance cultures within the vocabulary of their scope, then the results would be so astounding as to give that dancer an unspoken quality distinguishing them from among their peers. Movement knowledge is cultural knowledge and remembering that each culture is beautiful and different in its own way can help create a dancer that will resonate with any audience member.
Learning about Dance: Dance as an Art Form and Entertainment provides visions into the many features of dance and inspires scholars to keep an open mind and think critically about the stimulating, bold, ever-changing and active world of dance. Learning about Dance is particularly useful for those who do not have a wide and diverse dance contextual, such as students in a preliminary level or survey dance course. This book consists of twelve chapters. Chapter one dance as an art form focuses on the basic structures of dance. Dance is displayed through the human body, it has the control to communicate and induce reactions. Dance can be found in many different places, it enables the participants and seekers to touch and knowledge the joy of movement. Dance is discovered as being one of the oldest art forms worldwide. Dance existed in early cultures was recognized in a sequence of rock paintings portrayed dance. Since this discovery of rock paintings, several other forms of art have been found that depict dance. People used rituals in order to worship the gods and believed that the rituals held magical and spiritual powers. During the ancient period civilizations sentient decisions began to be made with regard to dance. Other periods that had an impact on dance were the medieval period, the renaissance period, and the contemporary period. Chapter two the choreographer, the choreographer is a person who comes up with the movements created into a dance routine. The choreographer expresses themselves through choreography because this is their way of communicating with the audience. In order to be a choreographer you must have a passion for dance. Each choreographer has their own approaches and ways of making up a routine. Choreographers ...
Looseleaf, V. (2009, May 15). Eleanor Powell | Dance Teacher magazine | Practical. Nurturing. Motivating. The voice of dance educators. Retrieved April 26, 2014, from http://www.dance-teacher.com/2009/05/eleanor-powell/
Over Halloween weekend, Dance TCU in concert, performed at Ed Landreth Hall on the TCU campus, was a mid term showcase performed by the students in the TCU School for Classical and Contemporary Dance. The overall mood was very professional. These college level dancers performed various pieces from Giselle to video edited versions of dance to contemporary dances inspired by swing dancing. Each piece was unique and whether the style was classical or contemporary, the execution was very good. The quality of the performance was spectacular and showed all the work that everyone involved in the production has put out to perfect all the aspects of the show come together. While there were some minor technique errors, the staging, costume design, lighting,
I absolutely loved making a video of my group and me dancing. I thought this choreography project was an ideal group project for our class to take on. Not only did I learn about a couple of things about my classmates, and myself I also learned about dance in general. Below, I am going to talk about what was our inspiration, what I thought was difficult, what I enjoyed about re-making our dance, and the process of making the piece.
Most girls who dance on a high school dance team, either used to, or continue to dance at a dance studio. No, they are not like dance moms. Clearly you dance in both but the style and set up are very different between the two. The basis of each are similar however. While dance studios and dance teams do have some similarities, they are for the most part very different.
Choreographers define dance as “telling a story without speaking”, “the language of the body”, “explaining your heart through movement”, and “is a unique passion that ca be fulfilling to its choreographers, dancers, and audience” (Senior Mastery Choreography Survey). The responses to the Senior Mastery Choreographer Survey proves that the stimulating and creating process of the choreography in the brain is the difficult aspect of this job, but when the visions are transferred to the dancers the results can be tremendous and sometimes breathtaking. The choreography can be created by the use of shapes, kinesthetic and scenic spacing, timing, and different tactics to leave a meaning to the audience. Choreography and dance have been a part of the arts for a myriad of years and will be for numerous more. It is an emotional entertainment that leaves the audience with a message and feelings towards a
There are many different careers in dance such as: • Musical theatre • Dance teacher • Choreologist • Dance reviewer • Dance researcher • Costume designer • Dancer (performer in a company) • Choreographer • Marketer for a dance company • Dance company director • Biokineticist • Physiotherapist • Hair and makeup artist • Shoe and foot specialist • Trainer or body conditioning instructor • Pianist/ musician • Set designer • Lighting designer • Dance photographer or videographer • Stage manager Running a dance company The first thing one has to do when running a dance company, is start it. Before starting any company, one should have a business plan in which the aim, finances and goals of your company are decided. After adequate facilities
Author Jack Anderson, declares in his book, Ballet and Modern Dance: A Concise History that “as long as men and woman have lived upon this earth, they have danced.” Anderson explains further that “moving through a world that is itself in motion, people have always danced out their feelings about that world.” The most influential of ancient Western civilizations was that of Greece. Believing that art dance was divinely dispersed, the Greeks allowed the art to play an important part in religion, education and theatre. Susan Au expresses in her book, Ballet and Modern Dance, that “the dancers in the earliest ballets were not the highly skilled professionals of today.
I needed to find a source that provided me with evidence of multiple dance teachers’ methods in order to show that they were not using math, indicating that there are other ways of teaching dance that are even more useful than integrating mathematical concepts. I found a source in Library West that supplied this support in the book Talent Abounds: Profiles of Master Teachers and Peak Performers. The chapter entitled “Modern Dance Masters” provided me with the information I needed. The author, Robert F. Arnove, talked with five different dancers, all prominent in the field of modern dance. He discusses the dancers’ ideal techniques/qualities of teaching and learning in a dance setting, all of which he gained through his conversations with them. All of the dancers predominantly discussed the personality of the teachers and students, their creativity and imagination, and their enthusiasm, indicating that they do not perceive a use in involving mathematics within the process of dance education. These dancers were all prominent in the field of modern dance, starting out as thriving performers and turning into prosperous teachers with various student successes of their own. This ensures that their teaching styles were and still will be
Contemporary dance first originated from ballet, however, changed when Isadora Duncan decided that she didn’t want to dance ballet. She disregarded the refined technical Classical ballet and thus the concept of Contemporary dance was born. This style incorporates movements where the body moves freely and doesn’t have restrictions, embodying raw human emotion. Pioneers of contemporary dance comprise the internationally known Isadora Duncan, Martha Graham and Merce Cunningham (The Conversation, 2014, online) + (Bibliography, 2012, online).
Have you ever thought about the history of dance, or how long human life has known it? Dance has been here longer than we actually think. We can take dance back all the way to 600 BC to Now. Dance has made very big changes overtime. It went from doing it in honor for only the dead or religious situations to now just doing it for fun. The way or different moves have also changed over this big course in time. It ways and moves have changed, and the outfits used to perform these different types of dances. There has been clean and dirty dancing all along, some of things in those dances have stayed, others haven’t. Dance has been a very great thing and will stay being a great thing during human life because it expresses a lot. It expresses itself, and a person can express their feelings, in the different kind of moves. It does take time to get to know the moves but you can get through.
On the night of the DancePlus performance, I saw numerous little performances. There were six of them in total and the one I had most reactions and favors to is the last one of the first half, which is called Swampin. It was choreographed by John Evans with additional material by Oluwadamilare Ayoride, Jennifer Payan and surprisingly, the dancers. Usually what I would expect from a piece of dance performance is choreographers dominating the process of being creative on the grounds o f coming up dance moves. However, this time, it is nice to see how the dancer actually participating first hand in the creating process of the whole performance which would definitely benefit the quality of the dance, since the dancers would their own choreography
Tracks ensures that the dancers involved are from a range of different cultural circumstances, this allows more diverse choreography, performances and audiences. McMicken describes the diverse environment, “If you just had one plant growing everywhere, its bland and not interesting, and not healthy… I often use [the] image that a healthy environment has maximum diversity in it”. This concept is parallel when regarding the education of cultural dance in schools, “maximum diversity builds respect and understanding” of traditions and beliefs.
“Dance, the art of precise, expressive, and graceful human movement, traditionally, but not necessarily, performed in accord with musical accompaniment. Dancing developed as a natural expression of united feeling and action.”