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Analysis the yellow wallpaper
Analysis the yellow wallpaper
Analysis the yellow wallpaper
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Connie is a carefree, fifteen-year-old girl who is obsessed with her looks. While she is a free spirit and often daydreams, she is also very naïve. Connie is described to be a beautiful young girl with equally beautiful dark blonde hair. She could not help but at every chance to admire herself. She was pretty and she knew it, owned it in fact. This infuriated her mother, who was once pretty as well. Her mother often reprimanded her about being obsessed with herself. Her mother’s rants made Connie angry to the point that she actually wished both she and her mother were dead. Her mother would repeatedly complain to her sisters about Connie but would always compliment Connie’s sister June. Unlike their mother, their father worked most of the time …show more content…
It was odd that being young teenage girls they were never questioned about what they did while they were out. This fact made it easy for Connie to sneak off with a boy Eddie she met at a restaurant one night. She let her friend know she was leaving with Eddie but she’d meet up with her later that night. Connie felt bad and said “I just hate to leave her like that” but Eddie assured her that they would not be gone for long (Oates 590). Connie was happy to be with him. While they were leaving, Connie noticed a boy leaning against a gold convertible staring at her with a big smile on his face. Connie quickly turns away but while Eddie is clueless to what is taking place, she cannot help but turn back. The boy is still looking at her and informs her of his intentions by saying “Gonna get you, baby” (Oates 591). This does not phase her. Connie ends up spending a total of three hours with Eddie. Their activities included eating at another restaurant then finishing up the night in an alley. It is not clear what took place in the alley but Joyce Carol Oates wrote, she was “sleepy and pleased” in the car ride home so it definitely leaves a lot to the imagination …show more content…
She insisted she had other things to do but he was not buying it. He then said “Connie you ain’t telling the truth. This is your day set aside for a ride with me and you know it” (Oates 594). Connie taken aback and instantly wants to know how he knows her name and demands he tells her. He ends up running down everything such as, how he found out her name, that her family was at a barbecue and how long they’d be gone, who she was with the prior night, and who her best friend was. Suddenly realizing some things about Arnold, she asks his age. He lied telling her he was a little older than her but she was far from believing him. Noticing her disbelief, he got the attention of his friend Ellie and that’s when Connie realized he was also a grown man so she suggested that they leave. Arnold starts to grow angry and starts threatening Connie saying he will hurt her family if she does not come with him. She tries to counter saying her father might catch him but he returns with “He ain’t coming. He’s at the barbecue” (Oates 596). She was feeling faint as he described the whole scene at the barbecue. Arnold begins to describe the things he would do to Connie from how he would hold her to how he would come inside her. Connie had enough and told him “People don’t talk like that, you’re crazy” (Oates 597). She threatens to call the police but he says if she lifts the phone up he’s coming in. She tries locking the door
In short, while Connie is going through a teenage phase of exploring sexuality, he comes to Connie’s house to
First of all, Connie was not happy at home. The story says that her father "was away at work most of the time," and "didn't bother talking much to them," so Connie didn't have love from him and had to find male attention somewhere else. Connie found her happiness in escaping with her friend to the drive-in restaurant and daydreaming about boys. But the happiness she found in both of these things had nothing to do with actual events; it is based on a fantasy. When she was out at the drive-in with a boy, her face gleamed "with the joy that had nothing to do with Eddie or even this place; it might have been the music." When she daydreamed about boys, they all "fell back and dissolved into a single face that was not even a face, but an idea, a feeling mixed up with the urgent pounding of the music..."
Arnold Friend takes advantage of Connie’s teenage innocence for something of a much more sinister purpose. Connie thought she had it all figured out until Arnold Friend came into her life and up her driveway on one summer, Sunday afternoon and made her realize how big and scary the world can be. Arnold embodies everything that Connie has dreamed about in a boy, but is in the most malevolent form of Connie’s dream boy. She always wanted to get away from her family because she has always felt as if she didn’t belong and Arnold can make this possible just in the most predatory way. She always thought sex would be sweet (and consensual) and that she would be in charge of how it progressed, Arnold strips her of the authority she’s held in any other encounter with a boy. The moral of the story is always be careful what you wish
Connie is only concerned about her physical appearance. She can be described as being narcissistic because "she had a quick, nervous giggling habit of craning her neck to glance into mirror or checking other people's faces to make sure her own was all right" (Oates 148). Connie wants her life to be different from everyone else's in her family. She thinks because she is prettier, she is entitled to much more. She wants to live the "perfect life" in which she finds the right boy, marries him, and lives happily ever after. This expectation is nothing less than impossible because she has not experienced love or anything like it. She has only been subjected to a fantasy world where everything is seemingly perfect. This is illustrated in the story when Connie is thinking about her previous encounters with boys: "Connie sat with her eyes closed in the sun, dreaming and dazed with the warmth about her as if this were a kind of love, the caresses of love, and her mind slipped over onto thoughts of the boy she had been with the night before and how nice he had been, how gentle, the way it was in movies and promised in songs" (151).
Connie has the need to be viewed as older and as more mature than she really is, all the while still displaying childlike behavior. She shows this childlike behavior by “craning her neck to glance in mirrors [and] checking other people’s faces to make sure her own was all right” (Oates 323). This shows that Connie is very insecure and needs other people’s approval. Although on one side she is very childish, on the other side she has a strong desire to be treated like an adult. This longing for adulthood is part of her coming of age, and is demonstrated by her going out to “bright-lit, fly-infested restaurant[s]” and meeting boys, staying out with those boys for three hours at a time, and lying to her parents about where she has been and who she has been with (Oates 325, 326). “Everything about her ha[s] two sides to it, one for home and one for anywhere that was not home” (Oates 324). Even her physical movements represent her two-sided nature: “her walk that could be childlike and bobbing, or languid enough to make anyone think she was hearin...
However, as I continued to read the story I began to wonder if maybe Connie’s life was not in any way parallel to my own. I have a younger sister where she has an older sister, but that is where the similarities end. Her mother is always telling her that she should be more like June, her older sister. It seemed to me that June living with her parents at her age was unusual, but the fact that she seemed to enjoy this and was always doing things to h...
To begin, the author uses the experiences of Connie to portray to the readers that this could, in fact, be a trashy daydream. This is shown through the quote “But all the boys fell back and dissolved into a single face that was not even a face, but an idea, a feeling, mixed up with the urgent, insistent pounding of the music and the humid night air of July” (Oates
In the story, Oates presents the main character, Connie, as a somewhat bratty teenager that does not have a close relationship with her mother or sister. Her mother shows envy towards her daughter making comments to her such as, “ Stop gawking at
In the short story, Connie is a young, naïve, sassy, little girl who hates her mom and sister. According to Oates, “Connie wished her mother was dead” (324). Connie enjoys going out with her friends and going to a drive-in restaurant where the older kids hang out. Connie is innocent, but thinks about love and sex. She is desperate to appeal to boys and succeeds at it when a boy with shaggy black hair says to her, “Gonna get you, baby” (325). Her encounter with this boy will change her life forever, because he is the antagonist that influences Connie’s loss of innocence. On a Sunday afternoon, the boy, Arnold Friend, visits Connie and asks her to come for a ride, which she declines. But, Arnold Friend won’t take “no” for an answer and threatens to go in the house. For example when Connie says she will call the cops, Arnold says “Soon as you touch the phone I don’t need to keep my promise and come inside”
Being sexualized by the boys around her, Connie is self-conscious and finds her worth in beauty. The story even states, “She knew she was pretty and that was everything” (Oates 422). She is concerned about her appearance and what others think of her because she has been taught that she lacks any value outside of physical beauty norms. Arnold Friend, even tells Connie, “...be sweet like you can because what else is there for a girl like you but to be sweet and pretty and give in?” (Oates 432). Between this coaxing and the consistent message about the importance of beauty, Connie is nearly forced to conform to this mentality, which displays the lack of respect for young females as human beings. This in turn leads women to self-degradation as they are consistently viewed as sexual
When approached by Arnold Friend at first, she was skeptical but was still charmed by him. As she began to feel uneasy, Connie could have used her intuition to realize that he was trouble. Once she had been engaged by Arnold, her life was over. The influences on Connie and her lack of instilled reasoning led to her down fall. Her family’s fragmented nature was echoed in her actions; consequently, she was unable to communicate with her parents, and she was never was able to learn anything of significance. She felt abandoned and rejected, because no one took the initiative to teach her how to make good decisions. Connie was unable to mature until she was faced with death and self sacrifice. In the end, her situation made it difficult for her to think and reason beyond the position she was in. By not being able apply insight, she fell into Arnold Friends lure. Misguidance by the parents strongly contributed to Connie’s
Connie’s clothes and infatuation with her own beauty symbolize her lack of maturity or knowing her true self, which in the end enables her to be manipulated by Arnold Friend. Connie was enamored with her own beauty; in the beginning of the story Oates states that Connie “knew
The short story “I Stand Here Ironing” (1961) by Tillie Olsen is a touching narration of a mother trying to understand and at the same time justifying her daughter’s conduct. Frye interprets the story as a “meditation of a mother reconstructing her daughter’s past in an attempt to express present behavior” (Frye 287). An unnamed person has brought attention and concern to her mother expressing, “‘She’s a youngster who needs help and whom I’m deeply interested in helping’” (Olsen 290). Emily is a nineteen-year-old complex girl who is atypical, both physically and in personality.
Oates drew the character of Connie very well - she possesses many of the qualities that teenaged children share. According to developmental psychologists, adolescents become highly critical of siblings, and peer relationships take precedence over familial ties during these years (Feldman, 455). These traits are apparent in Connie’s unflattering description of her older sister June, “…she was so plain and chunky…” (209) and the fact that Connie spends many nights out with friends, but refuses to attend an afternoon picnic with her family (211).
Mary Lambert had happy family. She wasn’t always the crazy person who kills her husband just because he decided to leave her for other women. She was normal and innocent but it all changed one night. Mary was only five years old and her sister was only Nine. She had bright, beautiful , blonde curls that fell on the back like curly fry and gorgeous blue eyes that looked like they were sculpted from sapphire. Mary’s sister was also extremely beautiful with her long straight brown hair and her dark almond eyes. But Mary’s mother was not so pretty. She didn’t even looked like her daughters. How could such pretty children come from an unattractive mother? Well, obviously the girls got their beauty from their father. He was quite handsome with his