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Victor Frankenstein as a hero
Mary shelley the gothic novel
Narrative of Victor Frankenstein
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Knowing when to be traditional or act alone is necessary Humanity has given citizens an idea on how everyone should act, and set so much pressure on people to be that specific way. Due to this idea that everyone must act a certain way, many will not act on their own accord. Much of the time people conform to the way society wants them to be. To be an individual is difficult for many. In Mary Shelley's book, Frankenstein there are many times that the characters make the decision on whether to act on their own, or to go with the crowd. Although expressing someone's entity is important, there are times when conforming is a better decision, Frankenstein shows many examples of these verdicts. At the age of 15, Victor Frankenstein, an aspiring …show more content…
scientist, saw lightning strike and from that moment he immediately became infatuated with science. Frankenstein became interested in science and how things worked that he indulged himself in schooling and went above and beyond any expectations. Eventually, he became so fascinated with the way the body works that he started to study how the body decays and how to prevent it. That is when he becomes a unique character and creates a monster using corpses to make a giant monster. "It was on a dreary night of November that I beheld the accomplishment of my toils. With an anxiety that almost amounted to agony, I collected the instruments of life around me, that I might infuse a spark of being into the lifeless thing that lay at my feet" (70). However, to come up with this wild scheme to create a monster conforms to the romantic time period due to the imagination it takes to come up with a plan like that. Frankenstein made the decision to follow civilization around him to make him fit in with the everyday person. However, he became his own human by creating a monster beyond any expectations. Elizabeth was originally born into a poor family.
"Her presence had seemed a blessing to them, but it would be unfair to her to keep her in poverty and want when Providence afforded her such powerful protection. They consulted their village priest, and the inmate of my parents' house - my more than sister- the beautiful and adored companion of all my occupations and my pleasures" (43). However, upon seeing Elizabeth, Frankenstein's mother knew she had to do something to help the poor child, therefore making the decision to adopt her. Having been adopted into a family, Elizabeth had to conform to the lifestyle of her new family. Family is very important to Elizabeth, and she shows this when she stands up for Justine in court when no one else would. Family was her number one thing in that situation, and although their original plans were foiled, Elizabeth knew she had to support her sister. "Several witnesses were called who had known her for many years, and they spoke well of her; but fear and hatred of the crime of which they supposed her guilty rendered them timorous and unwilling to come forward. Elizabeth saw even this last resource her excellent dispositions and irreproachable conduct about to fail the accused, when, although violently agitated, she desired permission to address the court" (102). This quote shows that Elizabeth knew that it was for the best that she took a stand against the court, and although it worked against her, Elizabeth tried to be a good …show more content…
sibling for Justine. After many years of studying and hard work, Frankenstein tries to bring the dead back to life, and succeeds.
The monster that was created was created to be larger than most men. Frankenstein's monster was the only one to look the way he did, and was very unique in that aspect. However with how large and grotesque the monster was, many people were terrified of it. "His limbs were in proportion, and I had selected his features as beautiful. Beautiful! Great God! His yellow skin scarcely covered the work of muscles and arteries beneath; his hair was a lustrous black and flowing; his teeth of a pearly whiteness; but these luxuries only formed a more horrid contrast with his watery eyes, that seemed almost of the same color as the dun white sockets in which they were set, his shriveled complexion and straight black lips" (70). Before the monster realizes how different he is, he makes the decision to try to fit in with humans and learn the English language that way he is able to communicate with humans to try and befriend them . " "I expected this reception," said the demon." All men hate the wretched; how then, must I be hated, who am miserable beyond all living things!" " (121). This was the first thing the monster had ever said to Frankenstein, exhibiting his newfound talent. Without this communication, Frankenstein and the monster never would have had this
conversation. Throughout the book individuality and conformity are shown, and in life there are times that it is appropriate to conform, and there are times it is appropriate to be an individual. Victor, Elizabeth, and the monster all had those moments in which they used their personality and the communities lifestyles in their favor. Without those moments of being their own person and the traditional lifestyle the world would not be able to operate properly. When working in a group, everyone must be able to conform to each person and to the objective for that certain project. When there is a situation and a friend is down, a person should be an individual and stand up for that person even when standing alone. Many people do not believe this topic is important , however it is important to know when to stand alone and when to do what is accepted.
In Mary Shelley’s novel, Frankenstein, values of society are clearly expressed. In this particular society and culture, a great value is placed on ideologies of individuals and their contribution to society. In order to highlight these values, Shelley utilizes the character of Victor Frankenstein. Frankenstein is the main character of the novel, and with his alienation, he plays a significant role that reveals the surrounding society’s assumptions and moral values of individualism and use in society. This is done through Victor’s actions of self-inflicted isolation.
Critic Northrop Frye says, “Tragic heroes tower as the highest points in their human landscape that they seem the inevitable conductors of the power about them, the great trees more likely to be struck by lightning than a clump of grass. Conductors may of course be instruments as well as victims of the divine lightning”. Mary Shelley’s Frankenstein greatly exhibits the theme of the consequence of knowledge and irresponsibility among others through its tragic hero, Victor Frankenstein. Northrop Frye’s quote is certainly true when looking at Frankenstein’s situation. Victor is a victim of his divine lightning, and ultimately causes much trouble for himself; however, Victor also serves as the tragic hero in the lives of the monster, his family, and his friends.
“Conformity is the jailer of freedom and the enemy of growth.” These are the words of, once president of the United States, John Francis Kennedy. He relays a message of strength and a lecture on what it means to perform one’s duty as a member of a modern, accepting society. Likewise, Mary Shelley's Frankenstein exploits one of mankind's most persistent and destructive flaws that has never died down over the thousands of years of our existence, prejudice. From his very beginning, the creature was abandoned and left to question his very existence. Nearly every character in the novel assumes that the monster must be dangerous based on its outward appearance, when in truth the monster is essentially warm and open-hearted. Continuously the monster
People’s impression of the Creature has become so twisted and turned by time and decades of false film posters and article titles that most use the name “Frankenstein” to refer to the Creature itself, rather than the scientist who created him! It’s a shame, he said! An understanding of literary history is a necessity to comprehend the truth of the Creature’s tragic history and how decades of film adaptations changed him into the hulking beast most people know him as today. Illustration from the frontispiece of the 1831 edition of Shelley’s Frankenstein novel by Theodor von Holst. First of all, Mary Shelley describes the Creature as "yellow skin scarcely covering the work of muscles and arteries beneath; his hair was luxurious black, and flowing; his teeth of pearly whiteness; but these luxuriances only formed a more horrid contrast with his watery eyes, that seemed almost of the same colour as the dun-white sockets in which they were set, his shrivelled complexion and straight Despite his appearance of a "monster" the original Creature portrayal is that of a sensitive, intelligent being rather than a nonspeaking idiot and killing machine.
Isolation is one of the major motifs that resonates throughout Frankenstein. Tying into the romantic style of the novel, Shelley uses this element all the way through the work to show a repetition of isolation, an aspect that is present in almost every character in the novel and expressed primarily in Victor and the monster. But even some other minor characters such as Justine, Caroline, and Walton deal with isolation in one way or another.
“Frankenstein” by Mary Shelly explores the concept of the body, life, ‘the self’ and most of importantly humanity, which is repeatedly questioned throughout the novel. The definition of humanity is the quality of being humane or in other words someone that can feel or possess compassion. Despite all the facts against the “monster” in “Frankenstein” he is indeed what one would consider being human. Humanity isn’t just about ones physical appearance but also includes intellect and emotion. Some people argue that the “monster” is not a human for he was not a creature that was born from “God” or from a human body. That being said, the “monster” is not only able to speak different languages, he can also show empathy - one of many distinct traits that set humans apart from the animals. Both the “monster” and his creator, Victor, hold anger and feel a sense of suffering throughout the novel. Victor is a good person with good intentions just like most individuals, but makes the mistake of getting swept up into his passion of science and without thinking of the consequences he creates a “monster”. After completing his science project, he attempts to move forward with his life, however his past – i.e., the “monster” continues to follow and someone haunt him. While one shouldn’t fault or place blame on Frankenstein for his mistakes, you also can’t help but feel somewhat sympathetic for the creature. Frankenstein just wants to feel accepted and loved, he can’t help the way he treats people for he’s only mimicking how people have treated him, which in most cases solely based on his appearance. Unlike most of the monsters we are exposed to in films past and present, the character of the “monster” ...
In the novel Frankenstein, by Mary Shelley, the main theme revolves around the internal and external consequences of being isolated from others. Being isolated from the world could result in a character losing his/her mental state and eventually causing harm to themselves or others. Because both Victor Frankenstein and the creature are isolated from family and society, they experienced depression, prejudice, and revenge.
In the novel, Frankenstein, a doctor named Victor Frankenstein created a monster. Victor’s monster was created using old human parts, chemicals, and a “spark.” Victor wanted to create this monster in order to benefit mankind, and for the purpose of playing God. Victor thought his creation would turn out great, but in all actuality, his monster ended up terribly wrong (Shelley, 145). The monster was a deformed man, standing eight feet tall, with yellow eyes, black hair, black lips, and skin that did not conceal his internal features (Shelley, 144-145). Even though the monster was very grown, he had the mind of a newborn child, and he was very kind and gentle (Shelley, 327). The monster’s appearance terrified Victor, and he immediately abandoned it. Dr. Victor Frankenstein also never named his creation because he disliked it that much. The monster was longing for love, and since no one loved him, he became very violent. He ended up killing Victor’s brother and best friend out of pure revenge (Shelley, 193). Anytime the monster tried to help people, he was bea...
Frankenstein constructed his creature in a nonconventional way, using parts "from nonhuman animal remains from a slaughterhouse" (Petsche 1). The fact that he was constructed from nonhuman parts shows that he does not look like a normal human being. As soon as Frankenstein sees his creation, he rushes out of his laboratory because he was repulsed by the monster's dull yellow eyes and yellow skin (Shelley 85). Frankenstein then leaves his creation simply because of physical judgements (a4 1). Frankenstein spends two years building this creation to leave it because it is looks horrid. The creature's first interaction with a human was that of rejection. The creature also faces rejection because of his looks when he approaches William. When William sees the creature, he cries out "monster! Ugly wretch! You wish to eat me, and tear me to pieces" (Petsche 1). Because of this rejection, the creature strangles and kills William. In addition, the creature is rejected by the family that he was secretly caring for. In conclusion, the creature is deprived of a normal relationship because of his
Even as language plays a huge part in the definition of human, as taken from the OED, the narration, and thus language, in Frankenstein also helps to define the terms ‘monstrous’ and ‘human’. As the monster discovered, language is intertwined with culture (Brooks 594). He is on the side of nature, a deformed creature of appearance, and upon catching sight of his reflection understands not to show himself to the cottagers, of whom he yearns to win the love of, for fear of them fleeing (595). He is ‘excluded but learning the means, by which to be included’ (595) with language. It is the novels stark definition of monstrosity through physical appearance not through acquisition of language that starts the catalyst for corruption of the Monster spiritually and mentally.
As a response to the Enlightenment movement in 18th century Europe, Romanticism gradually began to undermine the way people thought about human consciousness and nature itself. Appreciation of the natural beauty of the world and pure, human emotion bloomed in Europe as Romanticism’s influence grew ("Topic Page: Romanticism”). Romantics valued Individualism and thought that being close to nature would make them closer to God (Morner and Rausch). People also searched for solace in nature to overcome the adversities and cynicisms that followed the French Revolution ("French Revolution."). Romanticism and Romantic ideals influenced Mary Shelley, and that influence can be seen throughout her novel Frankenstein. The two main characters, Victor Frankenstein
Many people know that Mary Shelley, the author of Frankenstein, was part of a family of famed Romantic era writers. Her mother, Mary Wollstonecraft, was one of the first leaders of the feminist movement, her father, William Godwin, was a famous social philosopher, and her husband, Percy Shelley, was one of the leading Romantic poets of the time ("Frankenstein: Mary Shelley Biography."). What most people do not know, however, is that Mary Shelley dealt with issues of abandonment her whole life and fear of giving birth (Duncan, Greg. "Frankenstein: The Historical Context."). When she wrote Frankenstein, she revealed her hidden fears and desires through the story of Victor Frankenstein’s creation, putting him symbolically in her place (Murfin, Ross. "Psychoanalytic Criticism and Frankenstein.”). Her purpose, though possibly unconsciously, in writing the novel was to resolve both her feelings of abandonment by her parents, and fears of her own childbirth.
Society is a concept found in all aspects of life; it is a slant which is impossible to avoid. For instance; sadly in life society labels things or people as good or bad, poor or rich, ugly or pretty. The literary piece of the novel Frankenstein by Mary Shelley clearly reflects this act of society in which they classify all things. The novel reflects how society labels everything; by being judgmental from the way the family is seen, how people view Frankenstein as a monster, and how the monster is affected, his conduct gets altered by all of society judgmental actions.
Frankenstein shows that what looks like a monster in appearance my not be and what looks normal on appearance may be a monster. While a scary ugly creature may look like a monster a true monster is formed from within and is scene through actions. Along with this knowledge is power and power has the ability to make monsters. The pursuit to know more is a never ending road that leads to lies, secretes, and monstrosity. “How much happier that man is who believes his native town to be the world, than he who aspires to become greater than his nature will allow,” while knowledge is boundless and beautiful an excess of anything can create a monster.
Mary Shelley in her book Frankenstein addresses numerous themes relevant to the current trends in society during that period. However, the novel has received criticism from numerous authors. This paper discusses Walter Scott’s critical analysis of Mary Shelley’s Frankenstein in his Blackwood's Edinburgh Magazine Review of Frankenstein (1818).