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Roman influence on modern western civilization
Roman influence on modern western civilization
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Comparison of Willow Pattern by Judith Johnson and Dust by Sarah Daniels
In this essay I will compare Willow Pattern written by Judith Johnson
and performed in spring 2004, with Dust written by Sarah Daniels and
performed in spring 2003. Willow Pattern was oriental Chinese and had
a very patriotic culture where status and royalty were of great
significance. This was shown throughout the play through dialogue with
the Mandarin or Ta-Jins's mother, in which it was revealed that the
social hierarchy played a major role at the time. Dust was set in
modern times and showed the prevailing culture of the 21st century;
however it also went into ancient roman times and in both time periods
status was also very important. This became apparent through scenes on
the tube as a group of girls ganged up on Flavia and the attitudes of
the audience in the arena.
The main themes running through Willow Pattern were relationships,
true love, power, control and anger. The anger and power were explored
through the character of the Mandarin, the person that everyone but
Knoon-She (his daughter) bowed down to. He constantly and desperately
tried to control his daughter and was livid when she disobeyed him.
The main moral throughout was that true love will conquer all, despite
anyone disapproving or interfering.
A similar theme ran through Dust, although it wasn't true love, a
major theme was the value of true friendship and how this would always
win. This was shown through the true relationship between Flavia and
Achillia, and the false, shallow friendships between Achillia and
Amazon, and Flavia and Chloe. The main over all themes was being true
to yourself and knowing who you are. This was explored by the
protagonist Flavia, who constantly had her personality dictated to her
and was told by Bo and Amazon to be herself despite what others said.
One similarity between the two pieces was the idea of true
relationships, with Flavia and Amazon in Dust, and Knoon-She and Chang
in Willow Pattern. These relationships proved to be the strongest, the
"I don't want loose women in my family," he had cautioned all his daughters. Warnings were delivered communally, for even though there was usually the offending daughter of the moment, every woman's character could use extra scolding” (Alvarez,
Mary Pipher, author of the book Reviving Ophelia, has made many observations concerning young adolescent girls in our society. She wrote this book in 1994, roughly eleven years ago. Although some of her observations made in the past are not still accurate in today’s world, there are many that are still present in 2005. The primary focus of Pipher’s comments is to explain how young girls are no longer being protected within our society.
Power, especially in the hands of females, can be a force for immense societal changes. Director Sciamma plays with the role of power in the lives of the four girls, predominantly in the character of Lady. Lady’s sense of control, stems from winning hand on hand fights, but the opinion of the men around her lays the foundation of this empowerment. The more fights Lady wins, the more the men appear to respect her, yet as feminist Simone de Beauvoir explains “[n]o matter how kindly, how equally men treated me when I tried to participate in politics, when it came right down to it, they had more rights, so they had more power than I did (Simone de Beauvoir - The Second Sex- ix),” the “power” Lady obtained was provisional. Lady’s power was directly tied to the opinion of the men around her, in this scene, a portion of the boys sits on stairs physically higher than Lady, invoking a sense of power hierarchy and control. The boys only valued Lady when she successfully participated in the their world of violence, but this participation came with boundaries as “[w]omen can never become fully socialized into patriarchy- which in turn causes man to fear women and leads then, on the one hand, to establish very strict boundaries between their own sex and the female sex (Feminist theory 142).” The men had never truly incorporated Lady into their group, she had just
In the novel "Out of the Dust" novel by Karen Hesse, Billy Jo uses music as a form of release and escape when life is stressful for her. An evident example is when her parents announced to her that wheat is incapable of being planted during the course of time; she resorted to no other but her beloved piano. It has been shown that the piano symbolized as not only a skill, but also an endowment acquired from her beloved mother. According to her, she believes this talent is for her to continue the legacy of her mother, despite her absence. Throughout the performance done by 2 local bands, the residents of Joyce City displayed joy, enthusiasm and city pride. The citizens, including Billy Jo lived in the moment and cherished it for what it was.
As the world was spiraling into a ball of hate and Hitler’s power grew the world was affected. When her mother would take her in to town to go shopping they would see signs in the windows of shops that said “No Jews”. Shirley explained that sometimes people would see others as “bad” just because they had a different religion or sometimes because they looked different. Her memory of this conversation is so clear becouse she could not rap her head around the idea of prejudiuse. Lillia said “I was so young I just wanted to be friends with everyone” to me it didn't matter
Emily displays female masculine characteristics from an early age but her appearance, attitude and actions are seen as a phase. In the text Halberstam states that “‘Tomboys’ are described as an extended childhood period of female masculinity. If we are to believe general account of childhood behavior, tomboyism is quite common for girls and does not ge...
The old world vs the new world in Daughter of the Dust. Sea Island purpose was for the slave owners to isolate the slaves they brought from African before making them slaves in America. Despite the isolation, the Gullahs maintain their customs and rituals from African and adapted them to Sea Island.
The story can be analyzed using feminist criticism perspective. Feminist criticism is “" the ways in which literature (and other cultural productions) reinforce or undermine the economic, political, social, and psychological oppression of women"” (Brizee & Tompkins). When reading a text one can find how women were treated in contemporary times. It can be expressed in many areas listed by Brizee & Tompkins. Moreover, Delahoyde also gave more details on the subject when he said “Feminist criticism concern itself with stereotypical representations of genders. It also may trace the history of relatively unknown or undervalued women writers, potentially earning them their rightful place within the literary canon, and helps create a climate in which women's creativity may be fully realized and appreciate.” Women had been undervalued and taken for granted. Many things they do are not as...
Atwood’s speech “Spotty-handed Villainess” highlights how gender construction is inherently influenced by certain social delimitations which consequently contorts reality as the real nature of woman is overlooked in literature successfully belittling the idea of gender equality. The oxymoronic allusion “Angel/Whore split” in her exordium compels the audience to process the dichotomous image of women portrayed in literature. The inclusion of this academic allusion enlightens the understanding of the audience as explored in Campbell’s: Four Ends of Discourse, as the audience are coerced to question the neat categorisation of women in literature that has lead to “bland” female characters. Atwood furthers the pursuit of gender equality as she appoints
In Steinbeck’s short story The Chrysanthemums Elisa, the main character, undergoes several stages of transformation. She begins the story as, what appears to be, a hard women that has been tempered by her years of work and toil on the ranch that she shares with her husband. Still with all of the outward appearance of strength, Elisa has a softness at her core that is symbolized by her prized chrysanthemums. Each stage of her transformation brings us closer to her true form.
These girls do this to make them feel better about themselves and use this as a form of displacement. They redirect their aggression to powerless objects or in this case pictures of fellow classmates (Stein, 2017). They display narcissism as they crave for admiration of themselves as they think they are better than those in the burn book and as they look at themselves in the mirror when in Regina’s room. But again, at the end of the day this is all due to low-self esteem and done in defense of one’s precious
All parents have a dream for their child to succeed. For many of us growing up, our mothers have been a part of who we are. Our mothers have played valuable roles in making us who a we are and what we have become of ourselves. They have been the shoulder we can lean on when there was no one else to turn to. They have been the ones we can count on when there was no one else. They have been the ones who love of us for who we are and forgive us when no one else would. In Amy Tan’s “Two Kinds,” the character Jing-mei experiences being raised by a mother who has overwhelming expectations for her daughter, which causes Jing-mei to struggle with who she wants to be and adds to the constant fight her and her mom are having. Tan uses emotional and aggressive dialogue to portray realistic events that happen daily with mothers and their children.This journey shows how intricate mother-children relationships are while incorporating the culture shock, tone in voice and generational differences in their everyday lives.
Overall, this film does an excellent job at integrating many components that contributed to the cycle of abuse in laundries. The director demonstrated how the teachings of the church were distorted in a way that controlled Irish society and created deeply intrenched situations of abuse. These views were not only held by society, but many many of the girls themselves who began to view themselves and dishonorable and undeserving. The unrestricted power of the church in the Irish Free State gave church leaders the power to shape societal views, which ultimately led to the desexualization and condemnation of many women.
Madame Bovary is Gustave Flaubert’s first novel and is considered his masterpiece. It has been studied from various angles by the critics. Some study it as a realistic novel of the nineteenth century rooted in its social milieu. There are other critics who have studied it as a satire of romantic sensibility. It is simply assumed that Emma Bovary, the protagonist, embodied naive dreams and empty cliché that author wishes to ridicule, as excesses and mannerisms of romanticism. She is seen as a romantic idealist trapped in a mundane mercantile world. Innumerable theorists have discovered and analysed extensively a variety of questions raised by its style, themes, and aesthetic innovations. In this research paper an attempt has been made to analyse life of Emma Bovary as a paradigm of Lacanian desire.
Madame Bovary is a novel in which the personal, provincial, and emotional landscape of human relationships form a critique of humanity that supersedes individuals with their society as a whole. Though Emma Bovary belongs to a specific moment in time and space the struggles which she faces and overcomes are universal. The actions of Emma Bovary are representative of underrepresented, dissatisfied, and deprived peoples who must find ways to overcome oppressive social conventions and dismantle them in the process. Through the narrative format of Madame Bovary Flaubert explores the complexity of human physical, emotional, and psychological desires and satirizes the inhumanity of modern materialistic cultures.