Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Depiction of women in american literature
Portrayal of women in literature
How are women portrayed through literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Depiction of women in american literature
In Steinbeck’s short story The Chrysanthemums Elisa, the main character, undergoes several stages of transformation. She begins the story as, what appears to be, a hard women that has been tempered by her years of work and toil on the ranch that she shares with her husband. Still with all of the outward appearance of strength, Elisa has a softness at her core that is symbolized by her prized chrysanthemums. Each stage of her transformation brings us closer to her true form. In the beginning paragraphs Elisa is described by Steinbach as having a face that is lean and strong, with eyes clear as water. In addition to the strong face she displays a blocked and heavy figure, wearing a man’s hat and a heavy corduroy apron that covers her dress almost …show more content…
At first Elisa maintains her concealment of being hard, but the hawker persists until he is able to find the way to soften her demeanor. He begins to comment on her chrysanthemums. This is the next major phase of Elisa’s transformation. She becomes excited at the fact of someone taking interest in her flowers. It is clearly evident that Elisa relates a portion of her own self-worth to these flowers that she works so hard to perfect, and she is very proud of them. It is during this conversation that she tears the old man’s hat off of her head and shakes out her long hair adding the physical transformation of …show more content…
She turns her head as they pass in an attempt to avoid seeing them directly. Elisa is obviously disturbed by the wonton discard of her prize possessions, which she has worked so hard to cultivate. Shortly after she spots the repairman’s wagon ahead of them on the road. This time she looks away ensuring that she does not make visual contact with the wagons occupant. Now Elisa is becoming distraught and her mood changes. Henry notices the change, but he is unaware of the earlier interactions of his wife and the tinker. Elisa asks if they can have wine with dinner in an attempt to make herself feel better. Elisa asks her husband about the fights that he had made mention of in the beginning of the story. She does this in the attempt to regain her smokescreen of being strong and hard. Henry answers her questions and tells her that he will take her if she really wants to go. She declines by telling him the wine will be enough as she begins to cry, due to the perceived slight at the hands of the repairman, with her head turned away so that Henry cannot witness her
The main character in John Steinback’s short story: The Chrysanthemums, is a married woman named Elisa Allen. She is a hardworking diligent young woman. In the opening chapters of The Chrysanthemums, Elisa is seen heartily in a great degree tendering to her gentle flowers. Powerful she is – gentle and conservative with her strength. She knows her weakness. Like the gentle calm flow of water embedding itself into layers of strata – which forms the highest peaks and grandest canyons.
Elisa Allen and her repressed sexuality are introduced to the readers through a manly appearance with a small clue of a womanly figure making an effort to peer through. This suppressed sexuality will eventually symbolically emerge. Elisa's symbolic clothing shows her concealed passions. "Her figure looked blocked and heavy in her gardening costume (Steinbeck 1463)." Elisa tries to subdue her sexual desires by hiding beneath manly clothing, tools, and even her home (Duncun 1). "She wore a man's black hat, clod-hopper shoes…[and] heavy leather gloves (Steinbeck 1463)." She carried " short and powerful scissors (Steinbeck 1463)" and her house was "hard-swept and hard-polished (Steinbeck 1463)." Although she had a manly appearance she was still doing t...
Elisa struggles to find satisfaction in her womanhood and a desire to escape from her isolated world. “She was thirty-five years old. Her face was eager and mature and handsome.her figure looked blocked and heavy.” Elisa seems to be very masculine in appearance, and envious of the male authority. She has a very strong character and wishes to be independent and free herself.
This frustration is evident when Elisa is first introduced. Her figure is described as "blocked and heavy" because she is wearing heavy gloves, heavy shoes, a "man's black hat," and a big apron that hides her printed dress (Steinbeck 330). Her home has the masculine qualities of being "hard-swept" and hard-polished" (Steinbeck 330). Elisa is bored with her husband and with her life (McMahan 455). Obviously, Elisa is unhappy with the traditional female role and is attempti...
In the opening of the story Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron…" (paragraph 5). When Elisa’s husband Henry comes over and compliments her garden and ability to grow things Elisa is smug with him and very proud of her skill with the flowers. Her "green thumb" makes her an equal in her own eyes. When Elisa’s husband asks her if she would like to go to dinner her feminine side comes out. She is excited to go eat at a restaurant and states that she would much rather go to the movies than go see the fights, she "wouldn’t like the fight’s" at all (paragraph 21). Elisa is taken aback with her own submissiveness and quickly becomes preoccupied with her flowers as soon as her husband leaves. When the drifter comes and asks Elisa for work to do she is stern with him and refuses him a job. She acts as a man would to another strange man and becomes irritated. When he persists in asking her she reply’s "I tell you I have nothing like that for you to do" (paragraph 46). The drifter mentions Elisa’s chrysanthemums and she immediately loosens up as "the irritation and resistance melt(ed) from her face" (paragraph 51). The drifter feigns great interest in Elisa’s chrysanthemums and asks her many questions about them. He tells her he knows a lady who said to him "if you ever come across some nice chrysanthemums I wish you’d try to get me a few seeds" (paragraph 56). Elisa is overjoyed by any interest in her flowers and gives the man chrysanthemum sprouts to take to his friend.
Analysis of the Short Story "The Chrysanthemum" by John Steinbeck. In John Steinbeck’s “The Chrysanthemums,” he introduces symbolism and uses it to imitate the characteristics of the protagonist, Elisa Allen. Elisa is a married woman who is restricted from uncovering her true identity. Her life revolves around the notion of being a doting housewife and the only support she receives exists in her Chrysanthemum garden.
To go back to what was first stated, Elisa feels trapped. Why? Well we can only predict that is has to do with sexuality. Elisa feels like she should have more freedom but can’t necessarily have it because she's a woman. As the setting shifts, Steinbeck begins to reveal more about the main character Elisa. In the nest setting, the author describes it through Elia's point of view, where she states “I've never lived as you do, but I know what you mean. When the night is dark — why, the stars are sharp-pointed, and there's quiet. Why, you rise up and up! Every pointed star gets driven into your body. It's like that. Hot and sharp and — lovely." Elisa, here is describing what it would seem like if she lived on the wagon, traveling through the
Elisa's efforts to dress up and make herself attractive are misplaced on him, as are her determinations to get him to value the astonishing exquisiteness of her cherished chrysanthemums, the demonstration of her appealing sense. Elisa's passion to share this vital portion of her temperament is such that, when the tinker seems to recognize her enthusiasm for her flowers, she responds with an exhilaration that approaches the magnificent. Miserably, when she learns that he has tossed out the chrysanthemum she handed him casually on the road, she grasps that his concern was false, and is left more solitary and discouraged than before. The stranger gives Elisa a uplift of assurance that was not in her before. She took off the clothes that made her manly; she washes and wears “her newest underclothing and her nicest stockings and the dress which was the symbol of her prettiness. She worked carefully on her hair, penciled her eyebrows and rouged her lips. (Steinbeck 1145). She obviously wishes to awaken the male scrutiny in her husband but he neglects to see her for her
As the story begins, she sweats over her garden and she is given characterization, “Her figure looked blocked and heavy in her gardening costume covered by a big corduroy apron with four big pockets to hold the snips, the trowel and scratcher, the seeds and the knife she worked with” (321). The way she is portrayed while working develops a masculine sense of her in the mind. Her face is “mature and handsome” and her work is “over-powerful” with the chrysanthemums (321). Elisa’s strong nature is short and only towards the flowers. Her husband, Henry, quickly reminds her that although her gardening is honorable, she cannot participate in anything much larger than just her small flower garden. Unappreciated and of little importance to her businessman of a husband, Elisa longs to be more valuable. Additionally, Elisa is hesitant and dull as Henry says, ‘“There’s fights tonight. How’d you like to go to the fights?”’ and Elisa replies breathlessly, ‘“Oh, no,”’, ‘“No, I wouldn’t like fights”’ (322). Elisa is resistant of doing something slightly dangerous, out of the ordinary, and out of character. The work begins with Elisa inhabiting masculinity, hesitancy, lack of value, and strong nature in her garden, but that soon
Steinbeck conveys the feeling of isolation that the main character, Elisa Allen, struggles with while describing the setting. This is shown when the narrator stated, “The high grey-flannel fog of winter closed off the Salinas Valley from the sky and from all the rest of the world” (Steinbeck 846) and continued by stating the, “valley (was) a closed pot” (Steinbeck 846). Just as Elisa is depicted as living in an isolated area she also feels a separation from others. This was supported in the text when she was, “working in her flower garden, looked down across the yard and saw Henry, her husband, talking to two men in business suits” (Steinbeck 846). Her husband
The character Elisa in John Steinbeck’s short story “The Chrysanthemums” is a woman who is unsatisfied with her life as a farmer’s wife. She feels that she is capable of doing more with her life than planting flowers and being a typical housewife. When talking to the man in the wagon Elisa states, “It must be nice, she said. It must be very nice. I wish women could do such things” (586). The idea of being able to live on the road and travel wherever she wants causes her to ache for another life. Since she is a woman it is not socially acceptable for her to live life that way, in which she is saddened that men are given more possibilities. Before the man in the wagon leaves, Elisa says, “You might be surprised to have a rival some time. I can
By admiring the chrysanthemums, she perceives that in a way he admires her. She "tears off the battered hat and shakes out her dark pretty hair"(379). With a couple of well said words from the old man, her masculine image has been transformed into a feminine one. The old man serves as a sort of spark in Elisa's life. When she gave the old man the flower pot with the chrysanthemums in them, in a way she was giving him a symbol of her inner-self. She begins to feel hope for herself and her marriage once the old man loads up his wagon and leaves. She sees a "bright direction" in her marriage, as if it’s new start. The encounter with the tinker gives Elisa hope for her to prepare for a more fulfilling life.
The flowers are beautiful, strong, and healthy just like Elisa, but they are also restricted in how they live their life because they are plants. Elisa finds herself almost identifying with the flowers, even saying she becomes one with the plants while tending to them. The tinker, who makes notice of the chrysanthemums, causes Elisa to lighten her irritated mood, and believe that he was noticing her instead. As a woman in society, Elisa is rejected by her husband, the tinker, and the world, and you see this when the Tinker throws her chrysanthemums into the road. His rejection of the flowers mimics the rejection of women in society, isolating them from their superiors, which are men. Just like Elisa the flowers are seen as unimportant, they are there for decoration purposes
Steinbeck demonstrates the conflict in their relationship by stating “a time of quiet and waiting” this conflict shows Elisa waiting for a positive change in how her husband treats her. The imagery in the story goes as far as Hence, fog, and rain which are compared to Elisa and Henry relationship. Elisa continues to hide her emotions husband she will not be able to change her position in her life or relationship, but will continue to be locked in with a man who does not show interest in her. She feels she cannot communicate with her husband or even herself. On observing her flowers Henry gives a horrible response by saying “I wish you’d work out in the orchard and raise some apples that big”. Henry does not understand his wife Elisa which leads her to encounter with the tinker. After meeting with the tinker he gives her a red flower pot which symbolizes her inner self and starts to give her hope about herself. Towards the end of the story Elisa now has hope for her marriage and starts to prepare for a more fulfilling life.
The role of women in this society was always undefined in the past. The continuous efforts by governments and other bodies are played a vital role that there is gender equality among people at the workplace and the society. John Steinbeck, the author of “The Chrysanthemums” uses Elisa as the main character to show how women were limited into doing different activities in the society. The role of housewife was the only significant job for them. The story highlights how Elisa always wanted more from her life then living I her husband’s shadow.