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Gender role in literature
Gender role in literature
Analysis of John Steinbeck
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Elisa Allen, in the short story “The Chrysanthemums” by John Steinbeck, is first introduced as a wife to her husband, working in her garden. However, her role in the work is significant and major. Through descriptive, third person narration it is known that Elisa undergoes change physically, mentally and emotionally in the story, and not only once. She starts with a dull, masculine, unappreciated sense and moves to a feminine, eager, happy, and strong attitude. Although Elisa’s transformation is positive, it is ultimately reversed in the end. Elisa’s shift is inspired from the interactions with and actions of the tinker. The conversion in Elisa is shown clearly and directly through her behavior and her husband, Henry’s dialogue and response. …show more content…
Elisa Allen is shown to be a round, dynamic character through her altered and reversed persona dealing with confidence, power, and womanliness throughout the work. Elisa Allen is a hardworking woman who cares for the house and her garden well.
As the story begins, she sweats over her garden and she is given characterization, “Her figure looked blocked and heavy in her gardening costume covered by a big corduroy apron with four big pockets to hold the snips, the trowel and scratcher, the seeds and the knife she worked with” (321). The way she is portrayed while working develops a masculine sense of her in the mind. Her face is “mature and handsome” and her work is “over-powerful” with the chrysanthemums (321). Elisa’s strong nature is short and only towards the flowers. Her husband, Henry, quickly reminds her that although her gardening is honorable, she cannot participate in anything much larger than just her small flower garden. Unappreciated and of little importance to her businessman of a husband, Elisa longs to be more valuable. Additionally, Elisa is hesitant and dull as Henry says, ‘“There’s fights tonight. How’d you like to go to the fights?”’ and Elisa replies breathlessly, ‘“Oh, no,”’, ‘“No, I wouldn’t like fights”’ (322). Elisa is resistant of doing something slightly dangerous, out of the ordinary, and out of character. The work begins with Elisa inhabiting masculinity, hesitancy, lack of value, and strong nature in her garden, but that soon …show more content…
changes. Elisa grows within herself with the aid of the minor character, the tinker.
At first, Elisa is cordial and shares some dialogue with the man, but shows no interest in what he is trying to sell to her. Then, everything changes when the tinker asks about the chrysanthemums. Proud of her flowers, Elisa’s eyes “grew alert and eager” (324). The man lifts Elisa’s spirits by giving her attention and making her feel purpose for her gardening and her life. Once the tinker leaves, Elisa becomes more feminine as she showers and puts on “her newest underclothing and her nicest stockings and the dress which was the symbol of her prettiness” to get ready for dinner (326-327). She also is more powerful and vibrant. Immediately, Henry notices a change when he sees her and says, “you look different, strong and happy” (327). Elisa, first unsure of what Henry is trying to imply, questions him. But, then she becomes confident and agrees with Henry and exclaims, “I’m strong” (327). However, with such change comes some reversal as Elisa sees her chrysanthemums the tinker must have thrown along the side of the road. Henry says, “Now you’re changed again”, as Elisa’s firm, independent, and positive self grows upset and weak. She once again is useless, but more feminine than ever as she “turned up her coat collar so he couldn’t not see that she was crying weakly – like an old woman” (328). Elisa Allen develops a sense of purpose and power from the tinker’s interest, but his denial makes her more
frustrated and displeased than before. The only quality that stays is her womanliness, because she is fragile and tender. The protagonist, Elisa Allen, is determined through her character’s transformation of her personality and qualities. Full of power and masculinity, Elisa works in her garden in the beginning of the text. However, she is then revealed to be of little importance and reluctant through conversation with her husband, Henry. Soon after, the tinker comes along and advances Elisa’s view of herself through making her believe her purpose and need. Elisa becomes more feminine, strong, and content as an individual from the attention she is given. Despite the new change, another altering event causes for Elisa’s confidence to reverse and lead to weakness. Collectively, Elisa’s character undergoes transitions involving more feminine physique, strong and confident internal sense of self, and emotional upset. Therefore, through established growth and reversal in Elisa, the theme of inequality of gender is ultimately highlighted. Elisa feeling valueless, to confident and strong, and then back to no importance, reveals how she is lesser than her husband and the tinker. Elisa is unappreciated as a woman and even as she desires equivalence in capability, she is unable to do much more than work in her garden.
In this short the Chrysanthemums, written by John stein beck. The author tells a character who is in need of love. Stein back reflects the charazteratiom of Elisa in the story because he shows us how Elisa character changes threw out the story. The traits of Elisa’s show us that Elisa is strong and want affection and resorts to the chrysanthemums as a way to show herself.
The main character in John Steinback’s short story: The Chrysanthemums, is a married woman named Elisa Allen. She is a hardworking diligent young woman. In the opening chapters of The Chrysanthemums, Elisa is seen heartily in a great degree tendering to her gentle flowers. Powerful she is – gentle and conservative with her strength. She knows her weakness. Like the gentle calm flow of water embedding itself into layers of strata – which forms the highest peaks and grandest canyons.
Within Steinbeck's story, "Chrysanthemums," the main character, Elisa Allen, is confronted with many instances of conflict. Steinbeck uses chrysanthemums to symbolize this conflict and Elisa's self-worth. By examining these points of conflict and the symbolism presented by the chrysanthemums, the meaning of the story can be better determined.
Elisa's unhappiness in her role as the wife of a cattle farmer is clear in her gardening. Through the authors detailed diction it is clear that gardening is her way of freeing herself from her suffocating environment. “The chrysanthemum stems seemed too small and easy for her energy” which is “over-eager” and “over-powerful” (Steinbeck 460). The intensity with which she gardens, “terrier fingers destroy[ing] such pests before they could get started” suggests more than simply a deep interest, but a form of escape completely submerging her self into the task (Steinbeck 460). It is possible that some...
Initially, John Steinbeck’s short story, “The Chrysanthemums” illustrates the internal conflict a sorrowful housewife faces. The day-to-day life of character, Elisa, seems like a boring one and Steinbeck attempts to remind the reader to not give into temptation and cherish loved ones. During the dialogue, Elisa’s husband, Henry, offers an idea to go out to dinner and the less than enthusiastic response of, “I’ll have plenty of time to transplant some of these sets” (Steinbeck 435) proves that Elisa cares more about her garden than spending time with her husband. Rather than make an effort to bond with her spouse, she appears to be reluctant when asked to go out and enjoy a simple night on the town. Additionally, the failure of a connection between the couple gives the Tinker an opening to make an impact on Elisa’s mental state. Once the Tinker gives her the least bit of attention, Elisa’s entire demeanor starts to change. When Elisa is first described to us, she is unwomanly: “her figure looked blocked and heavy, and she wore a “man’s black hat pulled low down over her eyes” (Steinbeck 438). Although, she is not portrayed as a strong symbol of femininity, the Tinker has spiked an interest in her taboo ways. In the web article “Symbolism in ‘The Chrysanthemums’,” Elizabeth Kassim classifies the tinker as the “catalyst in Elisa’s life”(http://www.lonestar.edu). The admiration of the flowers leads the tinker to admire Elisa. Her sexuality is defined by the chrysanthemums and she “tears off the battered hat and shakes out her dark pretty hair” (Steinbeck 441). With a few kind and well-placed remarks by the Tinker, Elisa thinks there could be a new beginning all aspects of her life. Elisa’s marriage and the way she feels about herself ...
Elisa’s inner feelings are most apparent with the portrayal of her working in the garden, the conversation she has with the “Fixer-Guy”, and finally, when she and her husband are going out to dinner. Steinbeck offers an array of different details concerning the character of Elisa Allen. The main detail being that she is a strong woman on the inside although she seems to struggle in showing it throughout the story. Because of the "Pot Fixer," she is able to act, although for a short time, like that strong woman. Steinbeck unfortunately brings Elisa full-circle, back to where she started. She notices on the way to dinner her chrysanthemum sprouts at the roadside. This, along with her husband’s hesitation to allow her curiosity, puts her back where she started, canceling her emergence. One must ask after reading this short story if Elisa will continue this discontented lifestyle. Or will she be able to blossom beautifully for good, as do her chrysanthemums?
One day, when her husband Henry goes to work a traveling salesman stops by the house looking for some new work. There is a sense of slight flirtation at first, but that's just because Elisa is so excited to have conversation with someone else other than her husband. However, once he tries to reveal his sales pitch Elisa becomes irritated and short with the man. It wasn't until the salesman made mention of her chrysanthemum's that, " the irritation and resistance melted from Elisa...
"The Chrysanthemums" is a good depiction of most marriages in the early 1900's, the husband is the chief breadwinner and the wife is considered nothing more than a housewife. "The simple story outlines are enriched by irony and imagery which contrast the rich land and the sterile marriage, the fertile plants and Elisa's inner emptiness" (McCarthy 26). The story begins by introducing the setting: "The high grey-flannel fog of winter closed off the Salinas Valley from the sky and the rest of the world" (Steinbeck 115). This vivid illustration unconsciously gives the reader a look into the dominating theme. However, it is not until the climax of the story that the reader begins to notice Elisa's true pain and need for her own self-identity. The main protagonist i...
The setting of the story is unique because it has a direct connection with the author; Salinas California is Steinbeck’s birthplace (Millichap, Joseph R). Herein lays the stories first embodiment of dramatic tone as well as the description of the characters; which sets the stage for symbolism, personification, and dramatic tone for the rest of the story. The description of the setting is unique and important because of its symbolic representations of the conflict between the characters and also the interpersonal conflict of Elisa. The story opens with a panoramic view of the Salinas Valley, in winter, shrouded in fog. The Valley which is being, “closed off” from the rest of the world, is a symbolic representation for the way Elisa feels about her life. However, the weather in the valley is awaiting change...
...and ready to be rediscovered again. Early in the story Henry offers Elisa to a dinner in town and half heartedly suggests going to a local fight. Elisa not keen of fights refuses. In retrospect to her inner ambitions Steinbeck tactfully portrays the message that the only way to follow “the bright direction” Elisa strongly wants is to be willing to fight for it. Nonetheless, don’t be fooled to believe any such inspirations to be acquired will come to you. But Elisa verily on the edge at the end of the story asks Henry about the fights and he suggests if she wants to go. She refuses, Steinbeck again symbolically suggesting she is unwilling to fight for what she wants. So her chrysanthemums will remain out of reach until she decides to do so.
Elisa Allen embodies the image of a simple woman eager to escape the confines of a gender defined role in society. Readers are introduced to Elisa as a 35 year old, strong woman living with her husband, Henry, on a ranch in Salinas Valley (Steinbeck 460). Elisa’s masculinity is highlighted from the attire she is wearing to the strength in her hands. Henry affirms that Elisa is capable in her endeavors when he states, “you’ve got a gift with things,” in regards to her garden (Steinbeck 460). Even though Elisa is delighted at Henry’s suggestion that she work in the orchard, the idea does not seem to get a second thought (Steinbeck 460). The idea of a woman working in the orchard is dismissed on the premise that the orchard is not a woman’s place. In Elisa’s account with the man in the wagon, her sexuality exudes in her graphic explanation of picking off the flower buds and being under the stars, to the point that she almost physically touches the man (Steinbeck 463). Her desire would go unsatisfied, as it would not be appropriate for her to act on her impulse. Elisa is searching for fulfillment in life but finds her role to be trivial. Intrigued by the idea of traveling, as the gentleman in the wagon does, she states, “It must be very nice. I wish women could do such things.” She is shot down as the man replies, “It ain’t the right kind of a life for a woman” (Steinbeck 464). This conversation clearly depicts the prevalent inequality of the sexes. Furthermore, once the man leaves in the caravan Elisa cements her urge for something more, looking out at the horizon whispering, “That’s a bright direction. There’s a glowing there” (Steinbeck 464-465).
This frustration is evident when Elisa is first introduced. Her figure is described as "blocked and heavy" because she is wearing heavy gloves, heavy shoes, a "man's black hat," and a big apron that hides her printed dress (Steinbeck 330). Her home has the masculine qualities of being "hard-swept" and hard-polished" (Steinbeck 330). Elisa is bored with her husband and with her life (McMahan 455). Obviously, Elisa is unhappy with the traditional female role and is attempti...
In the opening of the story Elisa is emasculated by the description of her clothing. She wears "a man’s black hat pulled low down over her eyes, clodhopper shoes, a figured print dress almost completely covered by a big corduroy apron…" (paragraph 5). When Elisa’s husband Henry comes over and compliments her garden and ability to grow things Elisa is smug with him and very proud of her skill with the flowers. Her "green thumb" makes her an equal in her own eyes. When Elisa’s husband asks her if she would like to go to dinner her feminine side comes out. She is excited to go eat at a restaurant and states that she would much rather go to the movies than go see the fights, she "wouldn’t like the fight’s" at all (paragraph 21). Elisa is taken aback with her own submissiveness and quickly becomes preoccupied with her flowers as soon as her husband leaves. When the drifter comes and asks Elisa for work to do she is stern with him and refuses him a job. She acts as a man would to another strange man and becomes irritated. When he persists in asking her she reply’s "I tell you I have nothing like that for you to do" (paragraph 46). The drifter mentions Elisa’s chrysanthemums and she immediately loosens up as "the irritation and resistance melt(ed) from her face" (paragraph 51). The drifter feigns great interest in Elisa’s chrysanthemums and asks her many questions about them. He tells her he knows a lady who said to him "if you ever come across some nice chrysanthemums I wish you’d try to get me a few seeds" (paragraph 56). Elisa is overjoyed by any interest in her flowers and gives the man chrysanthemum sprouts to take to his friend.
... real love, she may be able to find fulfillment in her flowers more than she ever has. They can be released into the male world and survive, beautiful and strong, though fragile, just as she has. The chrysanthemums are not Elisa's frustration, they are her hope in a world she sees without hope. Therefore, when the tinker simply drops the flowers on the side of the road, the symbolic weight of the chrysanthemums must be considered. Higdon states that "the crucial question remains whether or not Elisa has been destroyed" (Higdon, 668). The reader can see how the flowers represent mostly a positive symbol of growth and life. Elisa may not have anywhere to turn for real understanding, since men are not able to explore her inner-qualities, but it is better that she grows flowers than shutting off her own emotions and feelings and using others like the men around her.
A more clear example of how Elisa feels can be better explained by Steinbeck's description of the where Elisa and Henry live. "The high gray-flannel fog of winter closed off the Salinas Valley from the sky and from all the rest of the world. On e...