Comparison Of Abduction Of The Sabine Women

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There are two artworks that I would like to compare and contrast in this research paper. The first artwork is “Abduction of the Sabine Women,” by Giovanni da Bologna, better known as Giambologna, in the Mannerism period. The second artwork is “Apollo and Daphne,” by Gian Lorenzo Bernini, and, this artwork was created in the Baroque period. The key connection that puts these two artworks side-by-side for me to compare and contrast is the idea of inviting viewer, not only as an audience, but, also, as a part of the artworks’ itself. “Abduction of the Sabine Women” and “Apollo and Daphne” are two sculptures that share the same vision of connecting art and its viewer based on how they are presented.
In terms of stylistic aspect, the two artworks share several similarities that are then accompanied by their own differences as well. The “Abduction of the Sabine Women” took 5 years of production, which was between 1579 and 1583. The 16½-inch sculpture was created during an art period called Mannerism. According to an article, in the Encyclopedia Britannica website, with the title, “Mannerism,” in the portrayal of the human nude, the standards of formal complexity had been set by Michelangelo, and the norm of idealized beauty by Raphael. In “Mannerism: Bronzino (1503-1572) and his Contemporaries,” an article from the Heilbrunn Timeline of Art History website, one of the common characteristics to many Mannerist works was a visual of distorted human figure. Giambologna was one those artists that had the intention to created an art piece that portrayed an elaborate composition with the company of exaggerated human forms, particularly in the “Abduction of the Sabine Women.” The sculpture consists of three figures: a young woman on the ver...

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...d reasoning with the tradition putting art in a specific form of title, while Bernini must put his “Apollo and Daphne” under the vision and guidance of Cardinal Scipione Borghese.
To conclude, there are three significant key connections that placed “Abduction of the Sabine Women” by Giambologna to be compared and contrasted with “Apollo and Daphne” by Bernini. First, the idea of putting artwork in a multiple-perspectives composition that lets viewer to move around not only as an audience, but, also, as a part of the motion itself. Secondly, these two sculptors put the involvement of dramatic concept into the actions of the figures in both artworks in order to intrigue tension and interest in the viewer’s mind. Lastly, the third key is the way art connects with influential personages that play a part as determinant on how the two artworks presented to the viewers.

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