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Bronze age iron age
The influence of ancient Greek culture
Culture influences and ideas
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1. In this week’s comparison, we are analyzing the faces of sculpted heads. The first face is Mask of Agamemnon, which dates to c. 1600 – 1550 BCE. This head is sculpted out of gold and is roughly 12” in height. It is located at the National Archaeological Museum in Athens. The second face sculpture is Hip Pendant, which dates to the Middle Period, c. 1550 CE. It is composed of ivory, iron, and copper and measures at 9 3/8”. It is located at the Metropolitan Museum of Art in New York. 2. Mask of Agamemnon has very simple detailing. It is sculpted as a traditional face structure that is round. This face is male with eyes closed, a closed mouth, and a slender nose. It has a handlebar mustache with a slight goatee and beard. The surface of the …show more content…
The obvious difference in both faces is that Mask of Agamemnon is wider versus the taller face of Hip Pendant, pointing out the ethnic differences. Another difference is the mediums that were used the show in what color the face is. With the mixed elements used to create Hip Pendant, it has a brownish cream hue unlike the solid gold of Mask of Agamemnon. Mask of Agamemnon is also bigger in size considering it was used to cover an actual face of a deceased person. Hip Pendant’s eyes are open, whereas Mask of Agamemnon’s is closed. Hip Pendant also represents a face in 3-D more accurately than Mask of Agamemnon. There is no facial hair on Hip Pendant, making it easier to depict it is a female’s face. Mask of Agamemnon is a male’s face and Hip Pendant is a …show more content…
With Mask of Agamemnon, lines and shapes are used to create the image of a realistic face. There is the round circular shape of the face itself as well as some of the features. Range sequences are used in the nose and mouth to make them more anatomically correct. There is also curvature in the ears and arches of the eyebrows. 6. Hip Pendant uses lines and shapes to allow the structure to not only be 3-D but more lifelike. The most prominent features of his face are the parallel markings on the forehead that emphasize the culture of the era. The form of the headpiece and necklace show how the pieces were not only worn but the way they would fall on the shape of the head. Arches are used in the nose, lips, eyes, and ears. Because of the build, it makes the face more symmetrical. 7. Agamemnon was the king of either Mycenae or of Argos. He led the Greek forces during the Trojan War and was also the son of Atreus and brother of Menelaus. He was significant because he was royalty in Greek mythology. Although he was an enigmatic leader, he also had some home issues. He was the victim of adultery and murdered by his wife’s lover after coming home from war. The sculptured face shows his importance based on the fact that it is composed of gold and that represents wealth and status.
Foyatier succeeded in producing a vivid and convincing figure by using the techniques of shape, texture and details. His techniques suggest and appeal to a sense of intense power and vigor. The brooding stance and overall shape of Spartacus gives the sculpture the appearance of exuding energy; the use of curves and lines gives Spartacus a distinct structure and aids in achieving a greater degree of realism. Curvature in the upper body is represented by the downward sloping arch visible across the shoulders and muscular arms. Another visible curve is the one in the opposite direction dire...
However, on further examination of the statue, certain physical characteristics of a female become apparent. The face is smaller and more feminine than other depictions of male pharaohs. In comparison to statues of male rulers this one is less muscular. Wearing the fake beard can let her people know that she is capable of being a commander as any man. In her kneeling state, her feet curve along side the ground as well as her toes. This is an extra detail given to the statue as Egyptian statues weren’t realistic. Even as a statue the artists make her very big with much bulk
The Guanyin sculpture depicts a male, interpretable by his male chest, seating in a royal-ease pose. He has a crown, which has a person in the meditative position carved on it. That person could be Buddha. Underneath the crown, the hair looks as though it is nicely braided along the edges of the crown. The eyes are partially closed. There are two pieces of objects, perhaps used to depict jewelry, attached to
A key focus of the piece is the jars. Two round jars held in each hand. As well, the ceremonial headdress and beard catch the eye quickly too. If detail was still as pronounced as it was during the peak time period of the statues creation, there would probably be more to the detail on the headdress and face, as well as the skirt. On the side of the headdress, and along the length of the leg are lines traveling the length of the subject. They appear more pronounced on the legs (skirt).
To conclude, both sculptures do not have much in common, but it is obvious that the artists had knowledge in human anatomy and was able to sculpt them spectacularly. It is also obvious the break from somewhat idealistic to realistic human nature. The change is so drastic that one might not believe that both sculptures come from the same Greece because it is so well-known for its astonishing artworks found in temples, building, etc.
In regards to subject matter, both pieces of sculpture are of leaders, Mycerinus and Kha-merer-nebty II were the pharaoh and queen of Egypt around 2500 BCE., and Caesar Augustus was the Emperor of Rome from September 23, 63 BCE to August 19, 14 CE., shown in this work as a general from Primaport, Italy.
Both pieces to me seem to represent godlike features. For example, in the palette the king is shown as larger than his enemies and in the stele the king is standing over the people and is much higher than them. As rulers, they are both depicted as strong and heroic and as humans, they are depicted as
A piece of art can leave distinct impressions with the viewer. The Assyrian Winged Protective Deity provides a plethora of stimulants for the eye. The relief emulates brute strength and power through the overall stature of the figure. The cuneiform writing above the relief greatly influenced the impression a viewer can receive through its narration about the figure. Other than Gilgamesh and the Assyrian Winged Protective Deity both being from Mesopotamia, they have numerous similarities.
Gudea wears a long garment that does not cover one of his shoulders and contains inscriptions written by Gudea himself. In the inscription he dedicates the statue to Geshtinanna, a goddess who interpreted dreams. Because the garment leaves the shoulder bare, viewers are able to see Gudea’s well-defined muscles. His eyes are wide open, symbolic of intense concentration, and he wears a wide brimmed hat. In the work, Gudea is seen as an amicable, strong, and righteous leader.
Aegean art is very simple and plain but very beautiful. Their sculpture has very little detail carved into the art but that maybe because originally their statue was painted in very bright colors. The female figures are plainer and more compact the arms and legs are folded in there no gap in between their arms and legs. While the male figures like the “male harp player from keros, c. 260—2300 B.C.E., Early Cycladic period, marble, 22.5 cm high”, are more detailed but not by much. They are more rounded they aren’t as straight and stiff looking, like the female sculpture, the male statues head is tilted back like is he is singing along to the music he plays with his harp, the leg and arm are open and apart unlike in the female sculpture who is compacted into a rectangle like shape. But they must have looked much different and more alive when they were painted than they do now. But even without the paint they still look beautiful.
Also, the sculpture named Kroisos (Kouros from Anavysos). ca. 540-525 BCE. Compare with the Kouros, both of them are freestanding, painted sculpture. Kroisos has a greater body than Kouros, and I can image that the flesh, sinew and bones inside the stone. And as for Kroisos’s facial expression is more naturalistic than Kouros. His lips are drawn up that becomes an artificial smile, I mean the archaic smile, but not reflect in his
...with similar characteristics to the bearded man in the other images. This distinct bearding is seen on two sculptures (61, 63) one of which was scaled up to be bigger than real men, this also indicates that the man held some special status, either king or priest.
The heralds mask was a more detailed in the fact that it was also golden. It even was adorned with a golden ivy crown, which has symbolized a ruler or leader. His mask also reflects the look full of hope and shock and awe. Another example of how the use of masks displays power and rank would be that of Agamemnon. Agamemnon’s dramatically peaked helmet that glimmers with every slight movement of
This stone sculpture is a naked human-like figure standing six feet tall. The body is in chiasmos stance with the left leg slightly bent and the left foot slightly behind the right. The head is turned slightly downward and to the right, and its size is approximately 1/6 of the body. The hair is cropped closely to the head with no part. The body has a defined musculature, however the forearms appear to be missing. There is an object behind and to the right of the right leg that is about 2 feet tall and 10 inches wide.
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.