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Adaptation of subjects from Romeo and Juliet and West Side Story
The adaptation of romeo and juliet and how it works or dont works
Analyzing film techniques
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Luhumann’s adaption of ‘Romeo and Juliet’ used a variety of film techniques in order to bring out the personality of each character in evolved in the fight scene, overall creating a more tragic scene. The use of close up throughout the scene allowed the audience to get a better understanding of the character’s emotions. The use of close up filming became especially important in the showdown between Mercutio and Tybalt this is because the audience was able to feel the anger which Tybalt was experiencing due to the connection which is created. The Zeffirelli version was a slower paced scene which used several long shots. This was not effective at displaying the tragedy during the fight scene, as the use of film techniques did not allow the audience to truly understand the characters. Using in manner to bring out the personality of characters is essential in order for the audience to create a connection, having this emphasise the tragedy in the film, therefore, Luhumann’s adaption of ‘Romeo and Juliet’ was more successful in creating the tragedy.
Plot
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After Tybalt is killed by Romeo, The Capulets are shows being devastated over the sight of Tybalt death. Tragedy of events is amplified when outside people are affected, bringing in Tybalt’s parents created a greater sense of tragedy during this scene. Zeffirelli version lacked this sense of tragedy as the effect of Tybalt’s deaths was not shown to the full extent. The tragedy of the fight is heightened by the interaction and role which the Capulet family play, this addition to plot made the Luhumann version of ‘Romeo and Juliet’ more
Camera angles are used in the film to guide the audience’s focus. Zeffirelli uses limited camera movement, disengaging the audience’s attention, while Luhrmann uses a variety of camera angles to great effect. Close-ups are commonly used throughout the scene to emphasise the character’s emotion. When Romeo attempts to make peace with Tybalt, close up shots are used to emphasise the significance of Romeo’s words. Tybalt rejects his proposal and beats him to the ground. A close up shot is combined with a high angle to further emphasise Romeo’s
Comparing Zefferelli's production of Romeo and Juliet with Luhrman Production. In this essay I am going to write about the production of Romeo. In Franco Zeffirelli's production of Romeo and Juliet, the setting and language are of a traditional, realistic nature. This is complete.
Romeo and Juliet is a play about two lovers who have to risk their lives in order to demonstrate their love and will to stay together, regardless the feud between their families. By the end, the death of Romeo and Juliet finally bring the reconciliation to these two families. It is fate that the two most shall-not meet people fall in love and it love that eventually won against hatred. Since then, there have been many different versions of Romeo and Juliet, whether it was for film, stage, musicals. These different recontextualised adaptions change the original play by many ways, some modernise the language, environment, props as well as changing the original characteristics of some characters. Out of all the different adaptions of Romeo and Juliet, two stood out the most. One was the Romeo and Juliet (1996) and directed by Baz Luhrmann and the other one was Romeo and Juliet Broadway (2013) play version,
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
Juliet’ due to the fact that his film work was about youth and how its
Chloe Fleming investigates Baz Luhrmann’s capability in embodying Shakespeare’s Romeo and Juliet in his own modern film adaptation and praises the hell out of it.
In conclusion, Lurhmann uses a lot of modern filming techniques to make Romeo and Juliet appeal to a contemporary audience. By relating certain aspects to situations in modern society, it makes the audience understand the ideas behind the original play and he simplifies the complicated old English of Shakespeare by adding exciting and dynamic visuals. Lurhmann tried to create a modern version of Romeo and Juliet and he was completely successful in his aims. Lurhmann defied all odds by making his film appeal to a modern audience and not only is this film very clever, it is a must see for any film lovers.
“The most filmed of all plays, ‘Romeo and Juliet’, with its universal themes… remains uniquely adaptable for any time period,” (Botnick, 2002). Directors Franco Zeffirelli (1968) and Baz Luhrman (1996) provide examples of the plays adaption to suit the teenage generation of their time. Identifying the key elements of each version: the directors intentions, time/place, pace, symbols, language and human context is one way to clearly show how each director clearly reaches their target audience. Overall however Luhrman’s adaptation would be more effective for capturing the teenage audience.
Luhrmann modernised Romeo and Juliet through regular amendments of the props and costumes. In updating these aspects of the film, Luhrmann makes the play more relevant to our everyday modern environment. The actors in Luhrmann’s version carry guns instead of swords. Luhrmann, in an act of ingenious brand the guns with titles such as “Sword,” thus, enabling the original Shakespearean language to be preserved. Costumes differ dramatically between both versions of the film. In Luhrmann’s depiction of the motion picture, the Montagues have buzz cuts and pink hair whereas, the Capulets’ dress in vests and mainly dark clothes. All of these adjustments to the original play contribute to the popularity of the fil...
How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet William Shakespeare’s best loved tragedy, Romeo and Juliet, has been portrayed in theatres and on film in many different ways. But none have been quite like Baz Luhrmann’s imaginative and unconventional adaptation. He has brought aspects of the plays Elizabethan origins and transfused them with a modern day background and created, what can only be described as a masterpiece. I believe that his use of Props, iconography costumes and the settings he has chosen has helped him to make this film such a great success. The settings of each scene have been specifically chosen to create a desired affect.
Luhrmann’s 1996 Romeo and Juliet is compelling when communicating the main ideas of the play by providing the audience with a modern translation of the play using the motifs in the film which correlate to the play.
The environment surrounding the star-crossed lovers in the tragedy of Romeo and Juliet can influence audiences who may interpret the scenes in different ways. The audience can be greatly affected in their interpretation of the story by the mise-en-scene, costuming, and the hidden symbolic meaning. This great piece of literature was edited in two unique and intriguing forms, one Zeferelli directed which was filmed in 1968, and the modern version produced in 1996. The different scenes throughout the length of the party were the most influential to me in that I saw how different these movies were directed, and the different meaning I experienced from watching these movies. Focusing on the environment of the scenes and the costuming helped me in my interpretation, because I found hidden symbolism in these two qualities.
In Shakespeare’s Tragedy of Romeo and Juliet, the lovers meet their doom, in scene iii of Act V. With their fatal flaw of impulsivity, Romeo and Juliet are ultimately to blame for their death. Contrarily, if it was not for the unintentional influence of the pugnacious Tybalt, the star-crossed lovers may have remained together, perpetually. To the audience, the deaths of Romeo and Juliet are already understood, for it is a Shakespearean tragedy. However, the causes, predominantly Romeo’s and Juliet’s fatal flaws of impulsivity and rashness, are as simple as Shakespearean writing. Though Romeo and Juliet are wholly to blame for their tragic suicides, in Act V scene iii, Tybalt is, in turn, responsible, as his combative spirit forced Romeo to murder him and Juliet to marry Paris.
Countless people all around the world are familiar with the idea of the famously tragic tale of two star-crossed lovers in William Shakespeare’s play, Romeo and Juliet. Their heart wrenching love story has been an inspiration for many literature pieces throughout various genres and later cinematic works of art. The young couple was not only memorable for their passionate, devoted love, but also the tragic events that ultimately lead to their death. One aspect of the play that has a strong impact on the audience is Shakespeare’s use of charismatic and compelling language seen throughout the play. The unique personality traits used to describe Romeo and Juliet allows many to relate to the young lovers. Shakespeare’s use of descriptive language, allows the audience to understand the societal expectations, beliefs, and values set out for the men and women of Verona, Italy. Romeo’s character, however, can be been seen defying these expectations and also
Translated across many forms of media, William Shakespeare’s Romeo and Juliet has long gripped the hearts of audiences around the world. Its many adaptations have made it readily available in a range of forms. Baz Lurhmann’s William Shakespeare’s Romeo + Juliet is one example of film bringing the story of Romeo and Juliet to a new generation. Originally met with hesitation, Lurhmann’s film was deemed a pop culture remake of the classic story. The trailer released for the film followed suit, flashing images of violence, guns, and heart-throb Leonardo DeCaprio, in order to grab the attention of the audience. In most cases, people do not realize that behind these scenes lies subliminally transmitted emotion. Through the instrumentation