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Cinematic techniques example
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Camera angles are used in the film to guide the audience’s focus. Zeffirelli uses limited camera movement, disengaging the audience’s attention, while Luhrmann uses a variety of camera angles to great effect. Close-ups are commonly used throughout the scene to emphasise the character’s emotion. When Romeo attempts to make peace with Tybalt, close up shots are used to emphasise the significance of Romeo’s words. Tybalt rejects his proposal and beats him to the ground. A close up shot is combined with a high angle to further emphasise Romeo’s
The archetypal tragedy of two star-crossed lovers, separated by familial hate, is a recurring theme, which never fails to capture the minds of the audience. It is only at great cost, through the death of the central characters that these feuding families finally find peace. This is an intriguing idea, one antithetical. I have chosen to analyze both Shakespeare 's Romeo and Juliet and Laurent 's West Side Story. The purpose of this essay is showing how the spoken language is utilized in these different plays to meet differing objectives. The chosen scenes to further aid comparison and contrast are the balcony scenes.
What makes scene 4.4 in Romeo and Juliet unique is the way in which the dynamic between the public and the characters is handled. The people in the audience are put in a situation where they know more than the characters on the stage. Apart from the spectators the only other person who knows that Juliet is not actually dead, but just appears to be, is Friar Laurence. Shakespeare is well aware of the possibilities that this situation presents him with and uses them to enhance the scene and give it a second layer of meaning. He contrasts the joy of his characters in the beginning of the scene with their sadness at the end with his use of caesuras and repeated words in different types of situations.
In conclusion, Lurhmann uses a lot of modern filming techniques to make Romeo and Juliet appeal to a contemporary audience. By relating certain aspects to situations in modern society, it makes the audience understand the ideas behind the original play and he simplifies the complicated old English of Shakespeare by adding exciting and dynamic visuals. Lurhmann tried to create a modern version of Romeo and Juliet and he was completely successful in his aims. Lurhmann defied all odds by making his film appeal to a modern audience and not only is this film very clever, it is a must see for any film lovers.
The movie, “Romeo Must Die”, is an action packed drama that adapts William Shakespeare’s “Romeo and Juliet” into a more modern perspective with a twist that deviates from the original plot. Han Sing, played by the actor Jet Li, resembles Romeo, where as Trish O’Day, played by the actress Aaliyah, resembles Juliet. Fate causes them to meet when Trish jumps into the taxi Han hi-jacks. As Han is in search of the person that killed his brother, he learns that Trish may have a connection and begins to pursue her.
her. Romeo is in disguise as he is wearing a mask. The scene gives a
Zeffirelli and Luhbrmann, both had the task of displaying the story of Romeo and Juliet in a cinematic form. Their adaptations of a stage play to a film, allowed them to interpret the story differently. In comparing these films, one must first look at the chorus, (the first character introduced in Shakespeare's Romeo and Juliet.) Zeffirelli use of the chorus, is subtle (when compared to Luhbrmann's chorus), he employs a series of shot of Verona accompanied by a voiceover. Easing the viewer into the story as a spectator and nothing more. The music he chooses is classical, but calm and soothing. While Luhbrmann use of the chorus is an in your face type technique. Luhbrmann's chorus is more complex, he choose two repeat the chorus twice. Once as a news report, framed within a TV, the other is presented as an advertisement that tells the viewer to stay tuned for more. Luhbrmann uses a montage of shots consisting of Verona, scenes coming up in the film and special effects, which places the viewer within the film. Luhbrmann intertwines the montage with a voiceover of the chorus, in addition to the voiceover he place the Chorus's sc...
How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet William Shakespeare’s best loved tragedy, Romeo and Juliet, has been portrayed in theatres and on film in many different ways. But none have been quite like Baz Luhrmann’s imaginative and unconventional adaptation. He has brought aspects of the plays Elizabethan origins and transfused them with a modern day background and created, what can only be described as a masterpiece. I believe that his use of Props, iconography costumes and the settings he has chosen has helped him to make this film such a great success. The settings of each scene have been specifically chosen to create a desired affect.
Moreover, the very different uses of camera angles and lighting in both Zeffirelli and Luhrmann film versions portray Romeo and Juliet in dissimilar ways. In the beginning of the balcony scene Romeo recites that “Juliet is the sun” and she shall “kill the envious moon”(2.2.3-4) which represents his previous love, Rosaline, which conveys more of his love towards her. In Luhrmann’s film version the bottom lighting creates Romeo to be mysterious and secretive in the beginning of the scene. The rear lighting in Zeffirelli’s version was soft and delicate which portrayed Romeo as
Analysis of a Scene from Luhrmann's Production of Romeo and Juliet. It seems interesting at first that Baz Luhrmann should choose to rework Shakespeare's Romeo and Juliet into a modern movie. However, the snares are still a bit snare. when you think about the aims of a modern filmmaker such as wanting to really affect the audience and create a series of moving and powerful images shot through with dialogue, then it is less surprising.
day. But because it is quite quiet when it is being read out it seems
Analysis of Baz Luhrmann's Use of Cinematic Devices in the Opening Scenes of William Shakespeare's Romeo and Juliet
Is love at first sight really true? Have you ever been in a situation in which, you loved someone but their families would never accept you? Well this is the case in Shakespeare’s Romeo and Juliet. In class we were told to analyze Act 1 Scene 5 of three film versions of Romeo and Juliet. Out of all the renditions of Shakespeare’s Romeo and Juliet, the film produced by Franco Zefirelli outlined the first meeting of Romeo and Juliet magnificently from the directors choice of cinematography which introduced Juliet to Romeo beautifully, the costumes which almost looked original and lastly the choice of soundtrack when Romeo saw Juliet for the first time.
The major difference of camera angles is in the significant scene—the balcony scene. In the 1968 version, the director retains the balcony scene in its movie. It uses low angle to show Romeo’s vision, how he looks up to the balcony on the tree. And it uses high angle to show Juliet’s vision, how she looks down to the tree on the balcony. The use of low angle and high angle emphasize the distant between Romeo and Juliet. Besides, it also indirectly shows that Juliet is from a wealthy family and Romeo is socially inferior towards her. However, in the 1996 version, the director replaces the balcony scene with a swimming pool scene. Romeo and Juliet talk to each other in the same level of vision. The use of eye level implies that they are equal in terms of social
In the play Romeo and Juliet, Mercutio’s death functions as a major turning point that establishes the major concerns of tragedy. In this scene, Shakespeare uses techniques to juxtapose the central themes of hatred, violence and love to establish a sense of tragic loss, which also foreshadows the inevitable, devastating finale that is awaiting the two lovers.
omeo and Juliet, the classic play by William Shakespeare, displays two children of opposing households falling in love yet ends with disaster. As one of the most popular plays in history, it has been translated to the movie screen multiple times. One of these movies is directed by Baz Luhrmann where he transformed the play to a modernized standpoint for Romeo and Juliet. In his 1996 production, Luhrmann added his own components of Romeo and Juliet to accentuate the story line. One of his additions is water, which is placed in almost every scene. In the movie, water symbolizes the emotion of the characters through its course. The water embodies the emotions that are not always noticed by one’s eye.