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Zeffirelli and Luhrmann's version of Romeo and Juliet
A comparison of two film versions treatment of shakespeare s romeo and juliet by zeffirelli and luhrmann
Romeo and juliet zeffirelli and luhrmann comparison weebly
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Because of the difference in film techniques such as music, camera angles, and lighting Baz Luhrmann’s film version of Shakespeare's Romeo and Juliet captures the overall romantic tone of the balcony scene less than Franco Zeffirelli’s version. Luhrmann’s use of music sets a less romantic tone in the balcony scene than Franco Zeffirelli's film version. Juliet demands Romeo to “swear not by the inconstant moon” (2.2.114), but to swear by himself that their love is real. The dramatic parts of the scene have music in both film versions, however in Zeffirelli’s film version the decrescendo and crescendo allow both Romeo and Juliet to have a more intimate connection. The intimate scenes in both film versions contain soft, mellow music depending on
When Romeo and juliet embrace during the scene Zeffirelli’s music choice allowed the romantic tone be more evident. Romeo and Juliet’s “too rash, too unadvised, too sudden” (2.2.125) love makes their meeting very secretive and childlike. Throughout the scene the music choices caused the important quotes to be dramatic and rushed, but Zeffirelli better makes a use of this film feature to enhance the romance. Luhrmann and Zeffirelli's film versions both have music that are similar, but contrast due to when and how it is used, making Zeffirelli’s version better in conveying a romantic tone.
Moreover, the very different uses of camera angles and lighting in both Zeffirelli and Luhrmann film versions portray Romeo and Juliet in dissimilar ways. In the beginning of the balcony scene Romeo recites that “Juliet is the sun” and she shall “kill the envious moon”(2.2.3-4) which represents his previous love, Rosaline, which conveys more of his love towards her. In Luhrmann’s film version the bottom lighting creates Romeo to be mysterious and secretive in the beginning of the scene. The rear lighting in Zeffirelli’s version was soft and delicate which portrayed Romeo as
Comparison Between Act 3 Scene 1 in Franco Zeferelli's Romeo and Juliet and in Baz Luhrman's Romeo and Juliet
Comparing Zefferelli's production of Romeo and Juliet with Luhrman Production. In this essay I am going to write about the production of Romeo. In Franco Zeffirelli's production of Romeo and Juliet, the setting and language are of a traditional, realistic nature. This is complete.
However, the largest thing changed was the fate. In the end, when Romeo was about to die, Juliet wakes up but doesn’t have time to stop Romeo from taking the poison; whereas the King production, Romeo dies before Juliet wakes up. The purpose of Juliet to wake up before Romeo dies is to engage the audience and leave the audience with a sense of pity for the two lovers. In this scene, Romeo, crying, says “The doors of breath, seal with a righteous kiss…” From the quote, fate was highlighted due to the reason that Romeo says that he will seal the doors of breath, meaning that he will kill himself; yet, after he has said this, Juliet’s hand moves, but Romeo did not see. What engages the audience more is the dramatic irony, when the audience knows that Juliet is alive but Romeo doesn’t. This is the major method that the Luhrmann production recontextualises the
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
Zeffirelli’s ultimate goal for his version of Romeo and Juliet was to capture Shakespeare’s original intentions for the play while targeting the teenage audience of his generation. Luhrmann’s intentions were different however; he changed the way an audience looks at Shakespeare’s masterpiece by modernising the props, costumes, and sets. Obviously, to match film time quotas Zefirelli and Luhrmann has both cut many lines out of the play.
In the 1968 version of the film, the music in the background was rather casual, and the only sound that was somewhat suspenseful was the church bells ringing in the background. On the other hand, the music in the 2013 version was adding even more suspense to the already suspenseful mood of the scene. However, the 1968 film had a rather tropical background soundtrack with birds chirping and a stream in the background. The 2013 adaptation only had the music and the sound effects as Romeo climbed up to the balcony and hauled himself over the railing.
Romeo and Juliet's kissing scenes in the elevator, the alterations of the famous balcony scene in ACT II, scene ii, and Juliet pointing her gun at Friar Lawrence after threatening to commit suicide if she does not get what she wants are minor discrepancies that occur in Baz Luhrmann's production which are not as serious inconsistencies. The discrepancies that take place in Luhrmann's portrayal of the Shakespearean classic are quite different to the play format, primarily because of the modern influence, but all of these discrepancies build up to what is the now the famous "The Tragedy of Romeo and Juliet."
Luhrmann modernised Romeo and Juliet through regular amendments of the props and costumes. In updating these aspects of the film, Luhrmann makes the play more relevant to our everyday modern environment. The actors in Luhrmann’s version carry guns instead of swords. Luhrmann, in an act of ingenious brand the guns with titles such as “Sword,” thus, enabling the original Shakespearean language to be preserved. Costumes differ dramatically between both versions of the film. In Luhrmann’s depiction of the motion picture, the Montagues have buzz cuts and pink hair whereas, the Capulets’ dress in vests and mainly dark clothes. All of these adjustments to the original play contribute to the popularity of the fil...
How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet William Shakespeare’s best loved tragedy, Romeo and Juliet, has been portrayed in theatres and on film in many different ways. But none have been quite like Baz Luhrmann’s imaginative and unconventional adaptation. He has brought aspects of the plays Elizabethan origins and transfused them with a modern day background and created, what can only be described as a masterpiece. I believe that his use of Props, iconography costumes and the settings he has chosen has helped him to make this film such a great success. The settings of each scene have been specifically chosen to create a desired affect.
middle of paper ... ...peaceful; the only light we can see is coming from the pool and the fairy lights which are near the balcony, this sets a very romantic mood for Romeo and Juliet. The lighting in Franco Zeffirelli’s film is very subtle; the only source of light that has been used is coming from inside the Capulet. residents from other rooms. Again the lighting is very important and it is dim and you cannot see a lot, which makes it more interesting. and romantic for Romeo and Juliet.
However, in act two, scene two, the mood is altogether more optimistic and Shakespeare uses a lot of light imagery particularly when Romeo is describing Juliet. When he first sees her on the balcony, he compares her to the sun. This clearly conveys Romeo's passion for Juliet as the sun is a giver of life, a brilliant source of light and has connotations of happiness and cheer, which contrasts greatly with Romeo's previous melancholy. Furthermore, Romeo exclaims that Juliet's eyes and cheeks are 'bright and later call her a 'bright angel' which suggests the strength of his admiration for her - to him, she is more of a divine, or spiritual light; a beacon of hope.
The environment surrounding the star-crossed lovers in the tragedy of Romeo and Juliet can influence audiences who may interpret the scenes in different ways. The audience can be greatly affected in their interpretation of the story by the mise-en-scene, costuming, and the hidden symbolic meaning. This great piece of literature was edited in two unique and intriguing forms, one Zeferelli directed which was filmed in 1968, and the modern version produced in 1996. The different scenes throughout the length of the party were the most influential to me in that I saw how different these movies were directed, and the different meaning I experienced from watching these movies. Focusing on the environment of the scenes and the costuming helped me in my interpretation, because I found hidden symbolism from these two qualities.
One of the most celebrated plays in history, “Romeo and Juliet”, was written by William Shakespeare in the late 16th century. It is a story about two lovers that have to meet in secret because of an ongoing family feud. Tragically, because of their forbidden love Romeo and Juliet take their lives so they can be together. In 1997, a movie was adapted from the play “Romeo and Juliet”, directed by Baz Lurhmann. However, as alike as the movie and the play are, they are also relatively different.
The major difference of camera angles is in the significant scene—the balcony scene. In the 1968 version, the director retains the balcony scene in its movie. It uses low angle to show Romeo’s vision, how he looks up to the balcony on the tree. And it uses high angle to show Juliet’s vision, how she looks down to the tree on the balcony. The use of low angle and high angle emphasize the distant between Romeo and Juliet. Besides, it also indirectly shows that Juliet is from a wealthy family and Romeo is socially inferior towards her. However, in the 1996 version, the director replaces the balcony scene with a swimming pool scene. Romeo and Juliet talk to each other in the same level of vision. The use of eye level implies that they are equal in terms of social