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Romeo and juliet analysis tragedy
Romeo and juliet analysis tragedy
Romeo and juliet analysis tragedy
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Analysis of a Scene from Luhrmann's Production of Romeo and Juliet
It seems interesting at first that Baz Luhrmann should choose to
rework Shakespeare's Romeo and Juliet into a modern movie. However,
when you think about the aims of a modern film-maker such as wanting
to really affect the audience and create a series of moving and
powerful images shot through with dialogue, then it is less surprising
that Romeo and Juliet was Luhrmann's choice. Shakespeare's play is
filled with emotion and suspense, so had limitless potential to be
made into a great movie. Luhrmann adapted the play for the big screen
very effectively, managing to portray the emotion of the film using
visual storytelling techniques that had not been available to
Shakespeare at the time he wrote and staged it, for example elaborate
sets. One of the scenes where Luhrmann portrays the emotion and drama
of the story superbly is Act 3, Scene 1. It is possible to consider
how effectively Luhrmann adapted this scene by studying the different
techniques he employed in reworking it from the play into part of a
movie adaptation of Romeo and Juliet.
The soundtrack complements the movie, and was used in this particular
scene to help set the mood. Music in the movie is used to build
tension, convey emotions and create links between other scenes in the
movie. For example, whenever the viewer sees Tybalt and the Capulet
boys together, wild western music can be distinctly heard. Be it at
the petrol station in the opening of the movie or on Verona beach, the
wild western music is consistently associated with them. When they
walk onto the beach out of their car, the way they swagger ...
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...ecide what to include and how to shoot the scene to convey the
emotion that fuels it, indeed one of Luhrmann's main concerns when
shooting this movie was staying true to Shakespeare's original play.
Luhrmann had an advantage over Shakespeare in that he could visually
show a lot of the emotion and feeling that Shakespeare had to have his
characters explain when he staged it. Where Luhrmann has omitted text
from the original play, he has shown the emotion that was expressed in
the text through the actions of characters and, among other factors,
sets, lighting and music. So while Shakespeare supplied the wonderful
story behind Luhrmann's adaptation of Romeo and Juliet, it is Luhrmann
who successfully turned the play into a modern day movie that stayed
true to Shakespeare's play while being suited to a modern day
audience.
Baz Luhrmann's Production of William Shakespeare's "Romeo and Julie in Baz Luhrmann's production of William Shakespeare's "Romeo and Juliet", our expectations are swept aside and a modern film appears. When I sit down to watch one of Shakespeare's plays, I expect to see medieval clothes in a rural setting with plenty of poor people. I also expect the words and acting to blend together harmoniously. Instead Baz Luhrmann chose to set the opening scene at a beachside, gas. station.
out of the movie. He did this to shorten the movie and also to make it
of tune”, is a lark, not a nightingale and thus it are dawn and Romeo
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
In conclusion, Lurhmann uses a lot of modern filming techniques to make Romeo and Juliet appeal to a contemporary audience. By relating certain aspects to situations in modern society, it makes the audience understand the ideas behind the original play and he simplifies the complicated old English of Shakespeare by adding exciting and dynamic visuals. Lurhmann tried to create a modern version of Romeo and Juliet and he was completely successful in his aims. Lurhmann defied all odds by making his film appeal to a modern audience and not only is this film very clever, it is a must see for any film lovers.
The movie, “Romeo Must Die”, is an action packed drama that adapts William Shakespeare’s “Romeo and Juliet” into a more modern perspective with a twist that deviates from the original plot. Han Sing, played by the actor Jet Li, resembles Romeo, where as Trish O’Day, played by the actress Aaliyah, resembles Juliet. Fate causes them to meet when Trish jumps into the taxi Han hi-jacks. As Han is in search of the person that killed his brother, he learns that Trish may have a connection and begins to pursue her.
that we get to the see the huge gap in the relationship of Juliet and
Zeffirelli’s ultimate goal for his version of Romeo and Juliet was to capture Shakespeare’s original intentions for the play while targeting the teenage audience of his generation. Luhrmann’s intentions were different however; he changed the way an audience looks at Shakespeare’s masterpiece by modernising the props, costumes, and sets. Obviously, to match film time quotas Zefirelli and Luhrmann has both cut many lines out of the play.
Baz Luhrmann's Success of Making Romeo & Juliet Accessible to a Modern Audience. In this essay I am going to write about how successfully Baz Luhrmann made his film Romeo and Juliet accessible to a modern audience. Baz Luhrmann uses Shakespeare's authentic text, combining it with a modern setting. This combination attracts the off spring of the modern.
Luhrmann modernised Romeo and Juliet through regular amendments of the props and costumes. In updating these aspects of the film, Luhrmann makes the play more relevant to our everyday modern environment. The actors in Luhrmann’s version carry guns instead of swords. Luhrmann, in an act of ingenious brand the guns with titles such as “Sword,” thus, enabling the original Shakespearean language to be preserved. Costumes differ dramatically between both versions of the film. In Luhrmann’s depiction of the motion picture, the Montagues have buzz cuts and pink hair whereas, the Capulets’ dress in vests and mainly dark clothes. All of these adjustments to the original play contribute to the popularity of the fil...
How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet William Shakespeare’s best loved tragedy, Romeo and Juliet, has been portrayed in theatres and on film in many different ways. But none have been quite like Baz Luhrmann’s imaginative and unconventional adaptation. He has brought aspects of the plays Elizabethan origins and transfused them with a modern day background and created, what can only be described as a masterpiece. I believe that his use of Props, iconography costumes and the settings he has chosen has helped him to make this film such a great success. The settings of each scene have been specifically chosen to create a desired affect.
Interpretation of the Balcony Scene by Baz Luhrmann and Franco Zeffirelli of William Shakespeare's Romeo and Juliet. “Romeo and Juliet” is a famous love story written by William Shakespeare. The. Two interpretations were made of this text into a film by the two directors, Baz Luhrmann (1996) and Franco Zeffirelli (1968). The films use different types of media to portray the characters and the overall context of Shakespeare’s play.
Luhrmann’s 1996 Romeo and Juliet is compelling when communicating the main ideas of the play by providing the audience with a modern translation of the play using the motifs in the film which correlate to the play.
Good morning/afternoon Ms Pritchard and 10B English, today I will be exploring two of the same scenes from different film versions of Romeo and Juliet. Each film was directed by different but equally professional directors to allow the audience to understand the tragedy of Romeo and Juliet. The scene I am going to analyse is the party scene when Romeo and Juliet meet for the first time. The first film being discussed was directed by Baz Luhrman in 1996; an Australian director who loves to spice up his films to keep the audience on their feet. The second film was directed by Carlo Carlei in 2013; an Italian master mind of directing who prefers to stay true to his films and become one with the audience and the story being told. Both directors
Updated to modern Verona Beach (rather than Verona, Italy), this film has all the pop and zip one would expect from a tale of family feud, star-crossed lovers and bloodthirsty vengeance. It includes a mix of classical and religious imagery....