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The character of hedda gabler
Essay on a dolls house and hedda gabler
Essay on a dolls house and hedda gabler
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Truth Exposed in A Doll's House and Hedda Gabler
"No other dramatist had ever meant so much to the women of the stage," claimed Elizabeth Robins, the actress who performed the title role in the English-language premier of Hedda Gabler in London in 1891 (Farfan 60). Henrik Ibsen was a Norwegian dramatist and poet whose works are notorious for their unveiling of the truths that society preferred to keep hidden. Ibsen was sensitive to women's issues and through his works, he advocated for women's rights, a controversial issue for a male writer in the 19th century. Although Ibsen has alluded to the fact that he was not a part of the women's movement, his brave portrayal of women in their socially confined positions can earn him the title of 'feminist writer.'
In two of Ibsen's most famous works, A Doll's House and Hedda Gabler, the main characters are females who strive to be self-motivated beings. Because of the male-oriented society that dominates their lives, which resembles the world women had to deal with at the time when Ibsen created his works, the confined characters demonstrate their socially imposed roles. "Ibsen's Nora is not just a woman arguing for female liberation; she is much more. She embodies the comedy as well as the tragedy of modern life," insisted Einar Haugen, a doyen of American Scandinavian studies, over twenty years later, after feminism has resurfaced as an international movement (Templeton 111). Many people admire Ibsen for portraying Hedda and Nora as women who are able to take action and escape the conventional roles expected of them.
Ibsen uses the role of motherhood to display battles women must fight involving their desires to be independent individuals and the directio...
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Hemmer, Bjorn. "The dramatist Henrik Ibsen." http://odin.dep.no/ud/nornytt/ibsen.html
Ibsen, Henrik. Hedda Gabler. Four Major Plays. Trans. James Arup. Ed. James McFarlane. Oxford: Oxford UP, 1998.
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Tammany, Jane Ellert. Henrik Ibsen's Theatre Aesthetic and Dramatic Art. New York: Philosophical Library, 1980. Published in Theatre Journal (December 1982),
Templeton, Joan. Ibsen's Women. Cambridge: Cambridge UP, 1997.
Meyer, Michael. "Ibsen: A Biographical Approach." Ibsen and the Theatre: The Dramatist in Production. Ed. Errol Durbach. New York: New York UP, 1980. 14-26. Print.
Johnston, B. "The Plays And The Cycle." Ibsen: 4 Major Plays. Trans. Rick Davis and Brian Johnston. NH: Smith and Kraus, 1995. xi-xv.
The feminist Lois Wyse once stated, “Men are taught to apologize for their weaknesses, women for their strengths.” Women should express remorse for their strengths, when men should feel guilt when exposing their weaknesses. Wyse believed that women should have been able to show their strengths in their oppressive societies instead of covering them up. The 19th century setting in the two plays, A Doll House and Hedda Gabler by Henrik Ibsen, caused much grief in both Nora and Hedda. They both lived in Europe during the 1800’s where males dominated the way society ran. Ibsen created an environment for women to question the society they lived in. Nora and Hedda, two feminists living in a masculine household bereft of happiness, desired to evade their unhappy life at home under the guidance of a man. Eventually, both women escaped from their husband’s grasps, but Hedda resorted to suicide in order to leave. Nora agreed with Lois Wyse by showing her strengths with pride to everybody, while Hedda hid her strengths like a coward by killing herself. Ibsen used numerous literary elements and techniques to enhance his writing and to help characterize the two protagonists. Nora, characterized as a benevolent and strong person, left her husband to explore the beliefs in society and to interpret ideas herself. Unlike Nora, the belligerent, selfish Hedda destroyed the lives of people around her just to take her own life in the end. Even though it appeared that Nora abandoned all responsibility for her children and hid an insidious secret from her husband, Nora showed greater fortitude than Hedda in the way she faced the obstacles of her life.
7. Rekdal, Anne Marie. " The female Jouissance An Analysis of Ibsen's Et dukkehjem. Expanded Academic ASAP. Methodist College , Fayetteville , NC . 30 Octuber 2005
In the plays Ghosts, An Enemy of the People, and Wild ducks by Henrik Ibsen there are many similar themes, which become evident to the reader. A theme, which is consistant though out these plays, is the opposing values of the Ideal and the Real. The views of the idealist versus the realists make for many duels between the two personalities.
Ibsen's Hedda Gabler." Modern Drama 51.1 (2008): 73-83. MLA International Bibliography. Web. 25 Nov. 2013.
Evolution or Revolution? Recurring themes, ideas and conventions in the dramas of Ibsen, O'Neill and Shepard.
Simonds, W. E. "Henrik Ibsen." Dial 10.119 (Mar. 1890): 301-303. Rpt. in Literature Resource Center. Detroit: Gale, 2011. Literature Resource Center. Web. 25 Mar. 2011.
villain of the play. Shylock can be seen as both the villain of the play
In this passage, Ibsen illustrates Hedda’s transformation from an apparently dominant character to a vulnerable character bound by societal conventions. Hedda highly values individual freedom, yet Ibsen reinforces in this passage that she is ultimately controlled by her role as a wife in her marriage and her role as a woman in her relationship with Judge Brack. Ibsen’s portrayal of the desperation of Hedda’s situation foreshadows her suicide, an action that is forced upon her yet paradoxically is her only means of freedom from a repressive society.
Shylock in William Shakespeare's The Merchant of Venice "Shylock is a two dimensional villain who does not deserve our
2. Setterquist, Jan. Ibsen and the Beginnings of Anglo-Irish Drama. New York: Gordian Press, 1974. 46 - 49, 58 - 59, 82 - 93, 154 - 166.
Northam, John. 1965. "Ibsen's Search for the Hero." Ibsen. A Collection of Critical Essays. Englewood Cliffs, N.J.: Prentice-Hall.
Northam, J. Ibsen's Dramatic Method: A Study of the Prose Dramas. London: Faber and Faber Limited, 1953.
Work Cited Ibsen, Henrik. A. Hedda Gabler. The Norton Introduction to Literature. Trans. Michael Meyer.