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Frankenstein book vs 1994 movie
Pop culture that was influenced by Frankenstein
Modern day works comparative to the novel Frankenstein
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Comparing the Creation Scene in James Whale's 1931 Frankenstein and Kenneth Brannagh's 1994 Frankenstein
James Whale’s 1931 portrayal of Frankenstein when compared to Kenneth
Brannagh’s alternate account from 1994 reveals some similarities but
also many differences in the way they try to evoke emotions such as
horror, fear and expectation from the audience and keep the plot
moving. To do this, the directors have used a series of techniques,
including: camera shots, use of sound and music, use of lighting and
shadows, and mise-en-scene. Many of the differences and similarities
between the films are due to the type of audience that the directors
were aiming the films at. For example, Whale uses a very traditional
horror opening for his creation scene, while Brannagh uses a more
contemporary opening with light play and symbolism through candles and
shadows. Some of the other main differences between the two styles of
films are how closely the film follows the original book, the style
through which genres such as horror, romance and action are portrayed,
and the strength of the horror and special effects used to keep the
audience in a state of expectancy and tension, but also scared and
unsure of the outcome. James Whale was trying to create a shocking and
contemporary film, which would scare his 1931 audience and be
revolutionary in the techniques he used while still retaining a
traditional gothic horror genre, whereas Kenneth Brannagh was trying
to create an action film, which follows the original book more
closely, and portrays the monster in a way that evokes sympathy for
the monster, rather than hatred and violence towards a predetermine...
... middle of paper ...
... the audience
never really knew how it was going to turn out and what was coming
next. However, social preferences and tolerances have changed
dramatically over time and so that is why I don’t find the 1931
version as effective at portraying the story or creating tension.
Moreover, I find that the 1931 film was certainly more revolutionary
than 1994 and tried to go past original limits in regard to style and
techniques used more effectively and more continuously than the later
film.
Finally, I find that although the 1931 film was more revolutionary and
may have been more effective if compared with audiences from the
respective times, I still prefer the later version it uses more modern
effects and follows the original book more closely which allows people
who have read the book to relate more closely to the film.
After evaluating the 2081 movie, it is apparent the film elements and techniques are important when defining the mood. The four main techniques used throughout the film were lighting, music, sound, and dialogue.
stupid. He was unable to talk or read. The monster would just rome the world
Man has always been driven to create. We constantly shape the world around us by inventing stories of heroes and monsters, by crafting complex but passionate ideals about good and evil. Some relish in the power that this manipulation of reality wields; others are more innocent in that they are simply yielding to a universal longing for something in which to believe.
and the film was made in 1994. It was much more surrealistic because this version of the film was based on a young boy's dream. Setting The biggest difference between the two film is the setting and place.
Although it is the same monster we see in the previous film, more depth is added to the character. The first major breakthrough for the monster was the scene he encounters the blind man. This is the first time we see him be kind. The air between the two is light and friendly, creating hope for the monster. They even solidify themselves as friends, the first big stepping stone to the transformation of the monster we soon will see. Another big plot revolves around the monsters want for someone “like him”. This suggests deep down in that conscious of his, he has realized how different, and unaccepted, he truly is. When he finally gets his wish, he soon realizes it was never meant to be. Another big breakthrough for the development of his conscious. He makes the courageous, even humane, decision to end both of their lives. The monster knows they were never meant to live, because death was always their calling. We even catch a glimpse of a lone tear stream down his cheek because of his valiant
First, to illustrate the events of the story a writer uses particularly well thought out and descriptive vocabulary. This is done to help the reader visualize the image in the author's mind. But in Mary Shelly's, "Frankenstein", she has gone far beyond this, she not only paints a picture in the mind of the reader, but the words written actually place them in a state of mind. A great example of this is when she wrote, "I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive motion agitated its limbs." As a result of passages like this, "Frankenstein" has captivated it's readers for roughly two centuries. In addition it has not only taken hold of the literary minds of the world, the story has also found itself on to the big screen. Mary Shelly's crowning achievement has inspired about fifty movies. Unfortunately, a vast quantity of the motion picture created does not follow the theme of the original story. They branched out from it and portrayed the creation as an inarticulate, rampaging monster when initially he was a confused and vengeful genius. What ever the form "Frankenstein has taken root in our society and its here to stay.
Film techniques are used extremely effectively in Strictly Ballroom by the director Baz Luhrman. Costume and makeup, camera angles and lighting and also character behaviours were used to influence the portrayal and development of all of the main characters. Without these film techniques, Strictly Ballroom could not have been made into a film as entertaining as it is and the characters personalities and development would not have been portrayed.
Frankenstein Over Time Mary Shelley’s novel Frankenstein is impressive, entertaining, and fascinating, so it is no surprise there have been so many films and artworks influenced by her novel. Many of which have put their own spin to the horror novel, especially the character of the creature that remains one of the most recognized icons in horror fiction. However, there have been critics who argue modern versions and variations have lost the horror and passion that is an essential to the creature. The start of the Creature is bound to be one book. However, public impression of the Creature has changed severely since the publication of the original novel, leading to diverse styles and plot lines in its diverse film adaptations.
Frankenstein is a fictional story written by Mary Shelly. It was later adapted into a movie version directed by James Whales. There are more differences than similarities between the book and the movie. This is because, the movie is mainly based on the 1920’s play, other than the original Mary Shelly’s book Frankenstein. A text has to be altered in one way or the other while making a movie due to a number of obvious factors. A lot of details from the book were missing in the movie, but the changes made by Whales were effective as they made the movie interesting, and successful.
Most Americans have some idea of who Frankenstein is, as a result of the many Frankenstein movies. Contrary to popular belief Mary Shelley’s Frankenstein is a scientist, not a monster. The "monster" is not the inarticulate, rage-driven criminal depicted in the 1994 film version of the novel. Shelley’s original Frankenstein was misrepresented by this Kenneth branagh film, most likely to send a different message to the movie audience than Shelley’s novel shows to its readers. The conflicting messages of technologies deserve being dependent on its creator (address by Shelley) and poetic justice, or triumph over evil (showed by the movie) is best represented by the scene immediately preceding Frankenstein’s monster’s death.
Mary W. Shelly’s classic book, Frankenstein, was written in the early nineteenth century. The setting that is taken place within the story has multiple locations. Amongst these multiple locations are Switzerland, Geneva, the home of Dr. Frankenstein, unknown villages/cottages, and the North Pole which was the exposition of the story to begin with. The style of the classic, Frankenstein, has a different style of writing due to not being written in the proper chronological nature. When Frankenstein, is adapted to motion picture film, the film focuses on the horror of Frankenstein’s monster, however the book is really about romanticism. Stephen Gould intertwines his opinion on the book Frankenstein. His opinion is
Since the beginning of time man has been infatuated with the idea of pushing the human body to its limits. The Guinness Book of World Records, the Olympics, the Space program, and more are all dedicated to celebrating Humans that push these boundaries. In the age of technology and scientific advancement ideas that once seemed like science fiction are now a reality. In order to push these constraints to human evolution, ethics and morals have been pushed aside. In Mary Shelley’s Frankenstein a scientist, Victor Frankenstein, plays God by bringing his creature to life. When Frankenstein realizes the full extent to what he’s done, he abandons the monster. The monster then seeking revenge, killing all who Victor cares for. In Ishiguro’s Never Let
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
Mary Shelley's Frankenstein and Robert Louis Stevenson's Dr. Jekyll and Mr. Hyde are two horrific tales of science gone terribly wrong. Shelley?s novel eloquently tells the story of a scientist, Victor Frankenstein, who creates a living monster out of decomposed body parts, while Stevenson?s novel describes the account of one, Henry Jekyll, who creates a potion to bring out the pure evil side to himself. Although the two scientists differ in their initial response and action to their creations, there are strong similarities between their raging curiosity to surpass human limitation, as well as their lack of responsibility concerning their actions. These similarities raise an awareness of human limitation in the realm of science: the further the two scientists go in their experiments, the more trouble and pain they cause to themselves and to others.