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Women's roles now and then
Gender roles of women
Roles of women and Roles of men
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The Odyssey and Gilgamesh share a number of interesting pieces to their epics such as heroism, tragedy, and battles. The Odyssey and Gilgamesh fit well into the idea of epics. In both epics, there are numerous battles won that show the true heroism of the protagonists. Unfortunately, in Gilgamesh, we see the suffering and death of one main protagonist showing us tragedy. One similarity they share that is out of the ordinary is the women in these tales. There are numerous women in both of these epics and there is one thing they all have in common which is the power they have over men. Many of the women in these epics either use their bodies to deceive and distract men or they use mind games. When these men fall for the women, their mind plays tricks on them because they are so caught up in what they are seeing and hearing that they do not realize that their decisions may be swayed. The epics portray women as objects that use their sexuality, charm, and wisdom to pursue the men to make a decision with an outcome favorable to them. …show more content…
Enkidu lived his life in harmony with all the animals and beasts inhabiting the wilderness.
He was content and never found himself longing for additional meaning or purpose until Gilgamesh sent the harlot as a lure to bring Enkidu into the city. The trapper told the harlot, "When he comes near uncover yourself and lie with him; teach him, the savage man, your woman's art, for when he murmurs love to you the wild beasts that shared his life in the hills will reject him." The harlot immediately did as she was told because a woman should not disobey a command from a man. Gilgamesh uses this woman in the same way that we use a worm to catch a fish. Enkidu immediately falls for the harlot because he has never been with a woman in a sexual manner and when he does he is completely awestruck by her beauty and seduction. Although Enkidu has no idea what going to the city will entail, he is determined to be with the
harlot. After Odysseus returns to Ithaca he wanted to prove to the suitors, he is still the strongest and is still in charge. When Odysseus sees all the suitors in his quarters, an all-out battle breaks out. Athena comes to Odysseus disguised as a mentor and encourages him to fight by testing him, "Where's it gone, Odysseus - your power, your fighting heart? The great soldier who fought for famous white-armed Helen, battling Trojans nine long years- nonstop, no mercy, mowing their armies down in grueling battle." Athena knows Odysseus well enough to understand that belittling him as a fighter is a simple way to draw an immense rage out of him. Odysseus immediately made the decision to fight harder and kill more suitors because Athena was able to drive him into a deeper rage. Both men are prime examples of how women can be viewed and portrayed in epics. Enkidu is so mesmerized by the harlot that he completely leaves his life behind and goes to the city in hopes of being with this woman. Odysseus returned to Ithaca and was very angry with the suitors, but his rage was not maximized until the god Athena got inside his head causing him to go on a complete killing massacre. These are only two examples of the numerous women portrayed in The Odyssey and Gilgamesh where countless women have used their knowledge and sexuality to overpower some of the greatest and most authoritative heroes of their time.
The Odyssey: Portrayal of Women How does Homer portray women in the epic, The Odyssey? In order to answer this question you must look at woman and goddesses as two separate groups of people who are "people". This is because they are portrayed in two separate ways. You see, a regular woman like Penelope is looked at as beautiful but has.
First in Gilgamesh women are really only talked about when Gilgamesh or Enkidu are using them for sexual interactions. In the beginning Gilgamesh would go around and just do whatever he wanted to the women in his city. He was disrespecting them and not caring about them in anyway what so ever. Another thing that added to the disrespect of women was when Enkidu was introduced to Shamhat (12). In the story she was
Both genders in The Odyssey and The Epic of Gilgamesh have a specific role to play. Women support and guide the men in the epic poems which also portrays them as wise beings. However, men are seen as superior to women and must show their strength and authority over others, even using women to accomplish their
The young trapper became displeased with the actions of Enkidu. The trapper journeys to Uruk to seek advice from Gilgamesh. Gilgamesh advises the trapper to "go back, take with you a child of pleasure. At the drinking-hole she will strip, and when he sees her beckoning he will embrace her and the game of the wilderness will surely reject him" (64). This passage demonstrates the known consequences of violating a loyalty. Gilgamesh knows that Enkidu will not be able to resist the temptation of a woman. The animals of the hills distrust humans and by being with a woman Enkidu will violate the trust of the animals. The trapper takes a harlot and returns the fields. Gilgamesh's plan works well:
The women in The Odyssey are a fair representation of women in ancient Greek culture. In his work, Homer brings forth women of different prestige. First there are the goddesses, then Penelope, and lastly the servant girls. Each of the three factions forms an important part of The Odyssey and helps us look into what women were like in ancient Greece.
In the Epic of Gilgamesh, gender plays a very significant role. While women were not the most powerful gods nor the strongest or wisest of humans, they still had tremendous influence. Though the main characters of the story, Gilgamesh and Enkidu, are male, women did not play a necessarily minor role. With all the women that play a role in the Epic of Gilgamesh, gender is a topic worthy of discussion.
Women play an influential role in The Odyssey. Women appear throughout the story, as goddesses, wives, princesses, or servants. The nymph Calypso enslaves Odysseus for many years. Odysseus desires to reach home and his wife Penelope. It is the goddess Athena who sets the action of The Odyssey rolling; she also guides and orchestrates everything to Odysseus’ good. Women in The Odyssey are divided into two classes: seductresses and helpmeets. By doing so, Homer demonstrates that women have the power to either hinder of help men. Only one woman is able to successfully combine elements of both classes: Penelope. She serves as a role model of virtue and craftiness. All the other women are compared to and contrasted with Penelope.
Both, The Epic of Gilgamesh and The Odyssey are a balance of the male and feminine principles. It is the prostitute that brings humanity to Enkidu and it is Athena that shields Odysseus from all harm and brings him safely back to Ithaca. The Epic of Gilgamesh and The Odyssey take place in a rigid patriarchal society, but both epics reveal the hidden workings of the feminine figure throughout journey. Perfectly said: “ . . . the initiatory journey of the hero,
The struggle for women to play an important role in history can be traced from the ancient Mesopotamians to the 1900’s. There has been a continuous battle for women to gain equal rights and to be treated equally in all aspects of life. The Epic of Gilgamesh is the oldest recorded account of the roles of women and their importance in a functional society. Women have been viewed as anything from goddesses to unwanted servants throughout history, regardless of a variety of changes in rulers, religions, and simply time periods. The Epic of Gilgamesh might lead one to consider the roles of women a small and insignificant part compared to the man's role.
In the beginning of the book, Gilgamesh appears to be selfish. Gilgamesh’s “arrogance has no bounds by day or night” (62). Even though he is created by the Gods to be perfect, he misuses his powers and gifts for his own earthly pleasure. He has sexual intercourse with all the virgins of his city even if they are already engaged. Through all Gilgamesh’s imperfections and faults, he learns to change his amoral personality. The friendship of Enkidu helped to change his ways, for only Enkidu, who “is the strongest of wild creatures,” (66) is a match for Gilgamesh. Through this companionship with Enkidu, Gilgamesh starts to realize his incapabilities and need for his friend. When they fight Humbaba, they both give moral support to each other when the other is scared. Another event that changes Gilgamesh’s character is the death of Enkidu. When Enkidu dies, Gilgamesh goes through the suffering of losing a loved one. Gilgamesh experiences a pain, which no worldly pleasure can ease. By this experience Gilgamesh starts to understand his vulnerability toward death and pain. Losing his best friend causes Gilgamesh to be melancholic. At this point Gilgamesh is humbled by the fact that even he could not escape the wrath of death. Gilgamesh goes from this arrogant king to a lonely grieving person with fear of death in his heart.
In the beginning of the story we see Gilgamesh as a womanizer. His submissive behavior is driven by his own self-sufficiency. When Enkidu forces him to see the reality of his own vanity, Gilgamesh withdraws from his obsession and embarks on a new quest with Enkidu; one that will fill his other ego, his masculinity.
Before the coming of Enkidu, Gilgamesh was a man of great power. A being for which there was no equal match, Gilgamesh boasted about his overwhelming glory and power. However, his arrogance was accompanied with an extensive abuse of power, which pushed the city of Uruk into a state of rage. Still Gilgamesh felt no despair; he lived to display to others his majestic power. The first sign of a sincere change in Gilgamesh arises as a result of the birth of Enkidu. From the beginning, a powerful link developed between man and woman. The wise Ninsun said to Gilgamesh,"You will love him as a woman and he will never forsake you". Gilgamesh had finally met his match, a friend that would serve as his life-long companion. Upon the seal of this great friendship, Gilgamesh began to change his selfish ways. Nevertheless, he shared with Enkidu the luxuries of kindness. Setting aside his great pride and power, Gilgamesh had opened a place in his heart, and in his sumptuous life, for his beloved brother.
The people of Uruk plead to the Gods for help, so the Gods gave them Enkidu. Enkidu was a man equally as brilliant as Gilgamesh; physically God like as well. However, Enkidu was a wild man due to the fact that he was raised by animals. Enkidu becomes human after sleeping with a woman, in turn, he was rejected by the animal world. After some time, Enkidu travels to Uruk to challenge Gilgamesh after hearing of his actions. After fighting, the two men became friends. In the Epic of Gilgamesh, the distinction between class and value are apparent. Gilgamesh is idolized primarily for his God status. He is not idolized for his treatment of women or other city dwellers as it his actions are distasteful. The emphasis on the ranking of class a character has shows the reader that class was a
Enkidu was created to be Gilgamesh’s equal and his soul mate. ‘“You made him… now create his equal; let it be as like him as his own reflection, his second self, stormy heart for stormy heart’” (14). So the goddess of creation, Aruru “dipped her hands in water and pinched off clay, she let it fall in the wilderness” and created Enkidu (14). Before Gilgamesh had met Enkidu he loved him; ‘“… I bent down, deeply drawn towards… [Enkidu]… I loved it like a woman and wore it at my side”’ (16). Enkidu had “virtue in him” (14). He was also “innocent of mankind” (14). After Enkidu was civilized the wild animals would not be near him. He felt ...
As Gilgamesh cleans himself and his blood stained weapons, Ishtar, the goddess of love and beauty, takes notice of his beauty and offers to become his wife. Gilgamesh refuses with insults, listing all her mortal lovers and recounting the dire fates they all met with at her hands. Ishtar is enraged at the rebuff. She returns to heaven and begs her father, Anu, to let her have the Bull of Heaven to wreak vengeance on Gilgamesh and his city. Anu reluctantly gives in, and the Bull of Heaven is sent down to terrorize the people of Uruk. Gilgamesh and Enkidu, work together to slay the mighty bull. That following night Enkidu dreams that the chief gods met in a council and had decided that someone should be punished for the killing of Humbaba and the Bull of the Heavens. That someone is he. Enkidu commends himself to Gilgamesh, and after suffering terribly for twelve days, he finally dies.