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Sir Gawain and the Green Knight comments on the social constructs for males and females through its characters. In the Middle Ages, it was believed that men are superior to women. In Sir Gawain and the Green Knight, the men are judgmental and use women, but do not wield power over them. Rather, the women have immense influence over their male counterparts, which they use to decrease the value of the men through manipulation. Sir Gawain and the Green Knight speaks to the immoral character of both men and women through the treatment of Guenevere, Lady Bercilak, and Morgana Le Fay by Sir Gawain and the lord, and through the way that the men are tricked and criticized by the women.
King Arthur’s wife, “Guenevere the gay” (74), is beautiful and subdued, allowing herself to be used to cover up male weaknesses without protesting. In Sir Gawain and the Green Knight, Guenevere sets the precedent that women are powerless, voiceless, and often used as scapegoats. Arthur is too afraid to admit that he
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is intimidated by the Green Knight since that would be a breach of masculinity, so he uses Guenevere to reassure himself and his knights that nothing of the Green Knight’s visit should “disturb” (470) them. This speaks to the corruption among both men and women, as Guenevere lets herself be exploited and does not speak up, and Arthur shamelessly uses another human being to mask his flaws. Lady Bercilak contrasts with Guenevere; she breaks the stereotype that Guenevere sets up in order to prove that knights are not as upright as they are thought to be. She, too, is beautiful and perpetuates the objectification of women in the poem, but she is a clever strategist, unlike Guenevere. Her mission is to make Gawain break his code of chivalry to prove that the Arthurian elite is not as respectable as it seems. She is not inferior to Gawain; rather, she wields power over him. She uses her “her face, and her body” (1761) to manipulate Gawain, which is not an admirable behavior. Sir Gawain allows himself to fall prey to the schemes of the lady. He disregards his vow of honesty to the lord for a female undergarment that, unbeknownst to him, holds no special power; Gawain selfishly places his own desires above virtue. In addition, the Green Knight uses his wife to trick Gawain, showing that he is not an honorable character either. The lady’s deception, Gawain’s impulsiveness, and the lord’s use of his wife speak to the dishonesty among the characters in Sir Gawain and the Green Knight. Unlike Guenevere and the lady, Morgana Le Fay is unattractive, which, according to the stereotype introduced by Guenevere, would make her the least worthy of attention; however, she orchestrates the whole test to trick Sir Gawain, which he fails.
Upon meeting her, Gawain ignores “the ancient lady” (1001) once he realizes that there is “better sport” (998) in Lady Bercilak, not thinking that Morgana could be cleverer and more powerful than he. Gawain makes assumptions about people’s worthiness based on their appearance, before even knowing them. Morgana herself does not use her power for good, as she singlehandedly succeeds in lowering the esteem of all of King Arthur and his companions. She gains her magic through sleeping with Merlin, which is not respectable, only to use it to scheme against Arthur and trick men into dishonesty. Gawain’s interaction, or lack thereof, with Morgana, as well as her expression of power, demonstrates the immorality of all characters in the
poem. Not only are the women in Sir Gawain and the Green Knight objectified by the men, but the men, too, are held to standards of beauty that allow them to express their masculinity. The Green Knight is dressed in “birds and butterflies” (164-5), something only a highly impressive man could wear without damaging his pride. When Gawain tries to wear “birds” (610) and “purple flowers” (611), he looks ridiculous because he is not manly enough to wear such feminine symbols. Men criticize each other based on appearance, which is a testimony to the fact they are simply bad people. The women, too, expect men to look a certain way and only choose to engage with those they find attractive enough to be worthy of attention. The beauty standards for men exemplify the judgmental mindsets of all of the characters in Sir Gawain and the Green Knight. Sir Gawain and the Green Knight speaks to the immoral behaviors of both men and women through each gender’s interactions with the other. The men are hypocritical and selfish; the women are manipulative and deceptive. It is not a misogynistic poem as everyone is equal in his or her dishonesty, but it could be seen as one when simply looking at the treatment of the women.
We first meet her as the ugly old lady that was along side Lady Bertilak in the castle, she is covered head to toe but is described as “repulsive to see and shockingly bleared (Winny 2011: 55).” In the end we find out she is really Morgan le Fay. Though she is not mentioned very much in Sir Gawain and the Green Knight, but she plays a very significant role. Morgan le Fay is really King Arthur’s half sister and sent the Green Knight, who we also find out is the same person as the Lord Bertilak, to King Arthur’s in the very beginning of the poem. She does so to test King Arthur’s knights as well as to scare Queen Guenevere to death (Winny 2011: 137). “Through the power of Morgan le Fay” she controls Lady Bertilak as well as Lord Bertilak to do the work and test King Arthur’s knight, Sir Gawain (Winny 2011: 137). The whole time Morgan le Fay had power over most of the characters. She was the one that set up the idea that Sir Gawain would have to meet the Lord Bertilak/Green Knight at his chapel and set up the agreement that Sir Gawain and Lord Bertilak/Green Knight to exchange gifts daily. Though Lady Bertilak did go about testing Sir Gawain with her own power, it was Morgan le Fay who made it happen. This whole poem would not have happened if Morgan le Fay did not set up the whole thing. Morgan le Fay had power over everyone and everything throughout the entire
Lady Bercilak attempts to exploit Gawain’s reputation as she tries to seduce him. She greets him in the bedroom and coyly asks how “a man so well-meaning, and mannerly disposed…cannot act in company as courtesy bids” (189). Lady Bercilak is not subtle (she points out that the door is locked and the two are alone in the castle) as she offers herself to Gawain, saying, “I am yours to command, to kiss when you please” (189). She tries to make Gawain feel guilty by implying that he is insulting her by not succumbing to her seductions and proclaiming his love to her.
Women were always viewed as weak, dependent, and powerless in the Middle Ages. Not only is it a common view during that time period, but this also is often stereotyped labeled to women today as well. In the romance Sir Gawain and the Green Knight, the hatred of women is portrayed throughout. However, while women are certainly looked down upon, they also are influential to the knights. This romance also portrays how a woman having different characteristics, could change the way she was viewed as well. Although women in the Middle Ages appeared to lack power, the women in Sir Gawain and the Green Knight have a hidden influence over the men and actually drive the action of the medieval romance.
Changing Women's Roles in The Epic of Gilgamesh, Sir Gawain and the Green Knight and The Canterbury Tales
When Gawain shows up at the Green Knight’s chapel, his mere presence provides comfort to his host, who greets him: “Sir so sweet, you honour the trysts you owe.” Perhaps the green gallant had been expecting Gawain, as representative of the crumbling House of Arthur, to be derelict in his duties. Gawain lives up to his good name. Similarly, he resisted the unbearable temptations of Lady Bertilak on numerous occasions, providing a mere kiss, in accordance with the code of chivalry.
Men exemplify heroic qualities in both Beowulf and Sir Gawain and the Green Knight, however, women are depicted differently in the two stories. In Beowulf, women are not necessary to the epic, where as in Green Knight, women not only play a vital role in the plot, but they also directly control the situations that arise. Men are acknowledged for their heroic achievement in both stories, while the women's importance in each story differ. However, women are being equally degraded in both Beowulf and Sir Gawain and the Green Knight.
“Culture does not make people. People make culture” said Chimamanda Ngozi Adichie, a Nigerian writer and educator, in a presentation on feminism in a TedTalk. The culture in which Sir Gawain and the Green Knight was written was misogynistic and it shows in the writing of the poem. Medieval cultural misogyny manifests itself in multiple ways in SGGK. This paper will examine the negative relationships between Sir Gawain and the Green Knight and gender by discussing: the representation of female characters, gendered violence, and Christianity in the Middle Ages.
Sir Gawain and The Green Knight is an example of medieval misogyny. Throughout Medieval literature, specifically Arthurian legends like Sir Gawain and the Green Knight, the female characters, Guinevere, the Lady, and Morgan leFay are not portrayed as individuals but social constructs of what a woman should be. Guinevere plays a passive woman, a mere token of Arthur. The Lady is also a tool, but has an added role of temptress and adulteress. Morgan leFay is the ultimate conniving, manipulating, woman. While the three women in this legend have a much more active role than in earlier texts, this role is not a positive one; they are not individuals but are symbols of how men of this time perceive women as passive tokens, adulteresses, and manipulators.
According to Shedd’s “Knight in Tarnished Armour: The Meaning of Sir Gawain and the Green Knight”, Sir Gawain’s conflict is with the duality of human nature, not the Green Knight. His idea that Sir Gawain and the Green Knight breaks the traditions of medieval romance is especially
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
The story of Sir Gawain and the Green Knight revolves around the knights and their chivalry as well as their romance through courtly love. The era in which this story takes place is male-dominated, where the men are supposed to be brave and honorable. On the other hand, the knight is also to court a lady and to follow her commands. Sir Gawain comes to conflict when he finds himself needing to balance the two by being honorable to chivalry as well as respectful to courtly love.
The roles of women was an issue in medieval times and in The Canterbury Tales. In A Knight 's Tale, the women were portrayed as objects. To men they didn 't mean much. Women for them were there to help only when needed and didn 't hold an important role in society. Women were treated differently and had not much of importance.
Sir Gawain and the Green Knight fit in with the concept of a romance; it has all the elements that would make one consider the text as so. The tale holds adventure, magic, a quest and an unexpected reality check that even those who are considered “perfect” are also just humans. The author used this story as a way of revealing faults in some of the aspects of knighthood through the use of intertwining chivalric duty with natural human acts; thus showing to be perfectly chivalrous would be inhuman.
After reading through the piece of literature Sir Gawain and the Green Knight, one will realize there are many elements present throughout that could be analyzed such as humility, chastity, and courage. It could be interpreted that the author meant for the main theme of the writing to be a theme of chastity. Although the element of chastity is present in that Sir Gawain is tested by many sexual temptations, the element of humility is one that is prominent and changing throughout the piece. Humility is apparent throughout the story in the way Sir Gawain displays false humility at the beginning, the way he keeps his humility during his stay at the castle, and the way he is truly learns humility after his challenges with the Green Knight are over.
The dual character of her sexual impersonation announces that all sexual identity is enacted as to disguise ones self. As s result of her performance, sexed identity in the seduction scenes is represented as a series of gestures and moments that dispense now femininity, now masculinity. Her indecisiveness between genders necessarily subjects to the site of gender division to continual movement, and under pressure the bipolarity it customarily becomes unstable (Heng 123). Through close analysis of the seduction scenes and all the temptations of Lady Bertilak, there are many sexual connotations in Sir Gawain and the Green Knight, hidden behind the characters dialogue, gestures, language, and physical objects including the girdle. Men and also Knights stood as a chivalric symbol during the late 14th century, but with the exception of Gawain, he loses his virility through Lady Bertilak. Another angle in which this poem can be seen through, Lady Bertilak is given the masculinity Gawain looses and with that, she is given power. As we know women during the 14th century were marginalized and were not given the same rights as men had. In the poem she is able to get what she pleases and desires. Through my precise analysis of Heng’s article and others, now several questions have evolved while developing this paper such as: under what circumstances is a “knight” or a “lady”? What is a woman or a man? What positions are available to each, in the disguise of sexual identity? Thus it would go on forever and I think that is what draws my interest in Sir Gawain and the Green Knight. Although some answers and arguments are set valid, there are many questions that are still unanswered and that is the beauty of it because it keeps us on our toes trying to figure out answers through recent literature and literature that were written centuries