Comparing The Yellow Wallpaper By Charlotte Bront And Charlotte Perkins

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In the mid- to late 1800s, the issue of the subjugation of females to males was quite prevalent. Prior to the nineteenth century, women were expected to be confined to the home, living within the social construct of how a woman should behave. Due to this repression, female authors were quite uncommon. For this reason, issues of the lives and struggles of females were not typically written about. During the nineteenth century, a few counter-cultural women began to challenge this social norm and write literature from the perspective of a female. Two such authors, Charlotte Bront and Charlotte Perkins-Gilman, wrote stories that directly addressed issues that women have faced for centuries. Bront’s Jane Eyre follows the story of a young woman through …show more content…

In both texts, the narrator is a female who experiences some form of oppression. Through the author’s use of symbolism and imagery, Charlotte Bront’s Jane Eyre and Charlotte Perkins Gilman’s “The Yellow Wallpaper” challenge stereotypical gender roles at the time period in which the texts are based, particularly that of female identity, and examine the detrimental effects of female subjugation on the life of a woman. Bront’s Jane Eyre and Gilman’s “The Yellow Wallpaper” both use symbolism to illustrate the message of freedom and empowerment, to address the inferiority of women at the time period in which the story takes place. In Jane Eyre, Mr. Rochester, Jane’s master and lover, is found to be married—right before he was to be wed to Jane. His wife, Bertha Mason, is insane; she is kept in a locked room, hidden away from the rest of the house. Upon her first sight of Bertha, Jane describes her in an animalistic way: “... it groveled, seemingly on all fours; it snatched and growled like some strange wild animal..." (p. 337). Bertha is treated as an animal, locked away, and stuck in an emotionally constricting …show more content…

In their respective stories, Bront and Gilman both utilize vivid imagery to paint a picture of the effects of female subjugation on the women who experience it. In Bront’s Jane Eyre, as a young child, a dependent of her Aunt Reed, Jane was unjustly punished for striking her cousin, Master John Reed. Jane is sentenced to spend time locked up in the “Red Room,” which she describes in great detail; “A bed supported on massive pillars of mahogany, hung with curtains of deep red damask, stood out like a tabernacle in the centre, the two large windows, with their blinds always drawn down, were half shrouded in festoon and falls of similar drapery.” (p. 8). To young Jane, the room is foreboding and mysterious, creating fear within her heart, yet she can do nothing to escape it. Because of her position in life as a female dependent of Mrs. Reed, these unjust punishments were just a part of her life. Similarly, in Gilman’s “The Yellow Wallpaper,” the description of the room Jane resides in paints a picture of the madness the room will drive her

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